Wodehouse In Wonderland By William Humble Starring Robert Daws
Rating: 5 out of 5.
Wodehouse in Wonderland is based on the life and works of P.G. Wodehouse. In amongst the entertainment, this tells a fascinating story, all performed by Robert Daws. It is humorous with a few serious moments. It is well-layered and is fascinating. The construction of the script is excellent like this and the delivery is top notch and of the highest calibre. I’ve seen a few one man shows before and Robert Daws is up there with the best of them. It’s a real skill to be able to go solo and hold an audience in the palm of your hand and keep their attention focused on you. Robert Daws pulls it off with aplomb as he takes your through recognisable works of P.G. Wodehouse, such as Blandings and more, as well as his day to day life. He walks you through by bursts of song with dulcet tones (he has a fabulous singing voice) and spoken word. This is touring in theatres in the UK.
Love and Miss Harris is perfect for theatre-goers and everyone working in theatre productions. It is also perfect for people who enjoy Ealing Comedies and authors such as P.G. Wodehouse and Jerome K. Jerome and people who enjoy a good bit of capers and humour as the book captures a certain era so divinely. It’s a lot of theatrical fun! This is book 1 of what is becoming a series and I am looking forward to the second already. It’s a feel-good funny book.
Find out more in the blurb and review below. Thanks to Random Things Tours for inviting me to review and for Farrago Books for gifting me a copy of the book.
About the Author
Peter Maughan’s early career covered many trades, working on building sites, in wholesale markets, on fairground rides and in a circus. He studied at the Actor’s Workshop in London, and worked as an actor in the UK and Ireland, subsequently founding a fringe theatre in Barnes, London. He is married and lives currently in Wales.
Titus Llewellyn-Gwlynne, actor/manager of the Red Lion Theatre, has lost a backer who was going to fund a theatrical tour – when unexpected salvation appears. Their home theatre in the East End of London having been bombed during the war, The Red Lion Touring Company embarks on a tour of Britain to take a play written by their new benefactress into the provinces.
This charming series transports the reader to a lost post-war world of touring rep theatre and once-grand people who have fallen on harder times, smoggy streets, and shared bonhomie over a steaming kettle. The mood is whimsical, wistful, nostalgic, yet with danger and farce along the way.
I love theatre and everything about it, ever since my mum introduced me to the theatre when I was a teenager, I’ve had a passion for them, so much so, that I even volunteered for just over a decade for a local theatre company, mostly doing front of house duties and occasionally backstage. So, when I was invited to review this book, I jumped at the chance and I think the timing is most apt as theatres and everyone has struggled to get by at this time and now they are starting, slowly but surely, and safely to re-open. This book instantly brings back the joy of theatre and also comedy. The fact it is The Company of Fools series, is in itself theatrical and Shakespearean in that subtitle, although the book itself is not Shakespearean, it’s thoughtful and adds fun and history right there and also cleverly alludes to the fun readers will have, as does that cover. This is worthwhile hopping onto that bus on the cover and enjoying the ride the book takes you on…
Titus, Reuben, Dolly, Jack are prominant characters within this theatrical cast, that instantly transports readers to rep theatre and with wonderful characterisation and observations are divine and everything comes to life. It is also nice that The Windmill Theatre gets a mention as it is pretty famous for rep theatre at this time.
The title of the book is more clever than you’d think. Love and Miss Harris is the title of a play that Lady Devonaire has written, or rather George, with this as his pseudonymn. The style of writing is quite theatrical in places, which is wonderful and it has a lot of charm. It’s easy to depict in your minds eye – The Red Lion Touring Company losing their theatre due to it being bombed and how they overcome it by jumping on a tour bus and travelling. It shows a certain ingenuity and resillience and admiration how theatre has had to overcome hard times to survive, a bit like today in a way…. So hop on the bus with them and enjoy the ride that is full of humour and get to know a little about the places they go to. That isn’t to say that things are all plain sailing, the company are suspicious of Jack and there’s financial issues to try to overcome. There are also interesting bits about war times too, in memories, that isn’t to say this is a book that jumps from one time frame to another, it isn’t as that wouldn’t have enhanced what is a perfectly good read as it is.
All in all, it is a thoroughly enjoyable book.
I have read the preview for the second in the series and I must say, it is sounding good.
By Jeeves By Andrew Lloyd Webber And Alan Ayckbourn Rated:****
I just love theatre and I’ve wanted to see By Jeeves for a long time now, based around the characters of the famous P.G Wodehouse books – Jeeves and Wooster. This is a Musical/Play and it is jolly entertaining. The music was composed by Andrew Lloyd Webber and directed by Alan Aykbourn, both who are masters at their craft. Andrew LLoyd Webber with his music and Alan Ayckbourn with his plays/farces.
The cast includes Martin Jarvis and all the cast play their parts splendidly well. You can buy it on DVD, listen to the soundtrack and see small previews on You Tube. It’s worth a watch. Below you will see the synopsis and review.
At a benefit gala to raise money for a new church steeple, Bertram “Bertie” Wooster is preparing to take the stage. The banjo-playing star is thrown for a loop when he finds his banjo has been stolen! Bertie’s faithful manservant, Jeeves, suggests Bertie tell the story of his adventure to Tot leigh Towers to entertain the impatient audience. Bertie recounts to the audience how he became embroiled in the romances of several dim-witted members of the privileged class. With mistaken identities, romantic entanglement, and the adventures of the upper class, By Jeeves is the quintessential British musical farce.
I just had to write about this play because it simply won’t leave me alone. I have had the song “Half a Moment” stuck in my head for a couple of days now. Anymore and I’ll have to play it on Spotify or play it on my keyboard, since I have the music for it. It is actually a really good song though, as are all the songs in this musical.
This musical, perhaps because it also has Alan Ayckbourn, who is a playwright and an incredibly skilled one at that, is partly play and partly musical. The two mediums meet together and actually rather well. It makes this unique in Andrew Lloyd Webber’s body of work to date as it isn’t song after song to convey the story. It is the spoken word with some background music and songs within it, which together, masterfully tell the story which is based on the books of Jeeves and Wooster by PG Wodehouse. It is very funny, and I do hope one day it will be revived and do a proper UK tour. It’s a play within a play (if you’ve been following my blog recently, you’ll see there’s perhaps a bit of a trend in that here. It does seem to work very well). I feel it would do well to be on tour, when the virus is over and all is safe (it will be one day), as we have The Play That Goes Wrong, which has now got quite a body of work that is incredibly successful and By Jeeves, which came long before that team, is a bit like that, but with all the Jeeves and Wooster humour within it.
There’s fun with props in a clever way and songs that are memorable – more than just Half A Moment. There are clever lines and musically, notes brilliantly forged together, as you would expect. It is all in all feel-good and entertaining as there’s mistaken identities and romance all on a fun adventure that is also done so well with parts addressed directly to the audience. It’s a farce that is done well, so I have absolutely no idea why on earth it should have been a flop when it opened in London, except slightly over long, but not by much. Perhaps it should have toured and could have been more of a success that way with different audiences, or perhaps it was to do with timing, who knows, but what I do know, is it is jolly good and quite simply spiffing.
I watched this online. There are tracks on Spotify and some previews around on YouTube. Do watch out for Cats on You Tube via The Show Must Go On. It is free, but you can donate money to the actors’ fund if you so wish as they are all totally out of paid work at the moment. This is a kind thing Andrew Lloyd Webber is doing to help us stay at home or to stay alert, depending on which part of the country you are in and to help actors too.
I thank Andrew Lloyd Webber and the cast and production team for putting this on and for introducing new people, like myself who had never seen it before and always wanted to, to have that opportunity to watch it and for keeping little snippets of it around. It is also available to buy on DVD.
Andrew Lloyd Webber is working on a new musical – Cinderella and is busy writing the orchestrations of it, as well and his team doing a marvellous job entertaining us all and keeping us all informed on Twitter –@OfficialALW is where he and his team can be found.