Tag: #comedy

#EdFringe News – Horny For The End of The World @theSpaceUK #SurgeonsHall #WhatsOnEdinburgh #Comedy @EdFringe

Horny for the End of the World

Venue: TheSpace @ Surgeons’ Hall (Stephenson Theatre) 

Dates: August 1 – 22 (not 10, not 17)

Time: (August 1-16) 23:15 (August 18-22) 23:30

See clip at the end of the article…

 

 

Gen Z, try-hard, pick-me Ebeth gets dumped the day before everyone realizes the world is going to end. With the time she has left to live, Ebeth obsesses over her humiliating past relationships and unhinged personal philosophies. Horny for the End of the World, an apocalyptic anti-romcom, follows Ebeth through her girly-pop existential crisis, finding growth on her journey of accidental self-reflection at TheSpace @ Surgeons’ Hall this August.

Written by and starring award-winning, New York based actress and Tribeca Film Festival Alumna, Tatienne Hendricks-Tellefsen in her Edinburgh Festival Fringe debut. Horny for the End of the World, is the chaotic feminist comedy we didn’t know we needed.

While living with her parents during the pandemic lockdown and simultaneously going through the most intense heartbreak of her life, Tatienne received a “check in text” from every man she’d ever slept with. She vividly remembers these thirsty messages, thinking “these dudes are horny for the end of the world!”

Watching herself (and everyone else in the world) spiraling out and coupling up, Tatienne had a moment of clarity. Through Ebeth, Horny’s startlingly unselfaware anti-heroine, Tatienne uses her skill with language to ask the audience: What would you focus on when the end is nigh—boys?

Musa Gurnis, a feminist theater scholar and the director of Horny for the End of the World says: “Tatienne is a glitterbomb satirist and a joy to watch! Her high-energy performance roasts our delulu heroine and her male-centric outlook, while still taking Ebeth seriously as a person capable of growth and worthy of love.”

Horny for the End of The World plays throughout August at TheSpace @ Surgeons’ Hall. Produced by the Private Theatre under the artistic direction of John Gould Rubin (former co-artistic director of LAByrinth, with Phillip Seymour Hoffman). John Gould Rubin on Horny: “Tatienne’s a deeply gifted artist. She’s created a piece that simultaneously confronts the audience and puts them at ease; while recounting her character’s story she endows us with empathy, so through her we see ourselves.”

Tickets available here.

 

Praise and Audience reactions for Tatienne Hendricks-Tellefsen:

“I love the way Tatienne performs that number. She uses the song as a Knife against Bertram. It’s great.” – Josh Feye, Dionysian Dream

“The show that keeps selling out.” – Brooklyn Center for Theatre Research

“Hilarious and heartbreaking. Horny 4 has a world and a character so recognizable, you’ll worry it could be about you.” – Claire McClain (audience member)

 

Biography

Tatienne Hendricks-Tellefsen is a classically trained actor and writer, born and raised in New York City. She studied Shakespeare at the Royal Academy of Dramatic Arts in London and is an Alumni of Atlantic Acting School in Chelsea NYC.

Tatienne wrote, produced and starred in her comedic web series, Adult, which was an official selection at Lower East Side Film Festival, won two audience awards at IndieWorks and also earned her an invitation to participate in the Tribeca Film Festival’s N.O.W. Creators Market. Her acting has been featured at film festivals all over the United States and the prestigious San Sebastian Film Festival in Spain. Recent acting credits include: David Chase’s THE MANY SAINTS OF NEWARK, Kevin Vu’s PERFECT AS CATS, the western feature ALL MEN ARE WICKED, Alex Aguirre’s M3LTD0WN at the Brick Theater; Shakespeare’s ALLS WELL THAT ENDS WELL, Daria Kolomiec’s DIARY OF WAR at Bedlam’s West End Theatre, and Dan Purcell’s OBSERVER AT REST.

Listing Information

Title: Horny for the End of the World

Venue: TheSpace @ Surgeons’ Hall

Ed Fringe link: https://www.edfringe.com/tickets/whats-on/horny-for-the-end-of-the-world

Fringe Venue Number: 53

Dates: Aug 1 – 22 (Not 10, not 17)

Press from: AUG 2

Time: (August 1-16) 23:15 (August 18-22) 23:30

Duration:  40 mins Entry:  £12 / concessions £10 Age: 16+

 

#EdFringe News of Use Your Words – #Comedy about #Motherhood / #Parenting is #WhatsOnEdinburgh this #Summer #UseYourWords @TheSpaceUK #Edinburgh

Use Your Words! a heartfelt comedy about the chaos of new motherhood — told through physical comedy, music, and sheer determination — comes to Edinburgh Fringe 2025!  

 

Photo Credit: Find the Light Photography

Think Charlie Chaplin except he’s a sleep-deprived new mom unable to find a single pair of jeans that fit.  

 

Direct from New York City, Use Your Words! is a one-woman play about a new mother, Kate, struggling with the responsibility of caring for a tiny human. The new comedy, comprised of five scenes, spans Kate’s first glorious days with her newborn, her ensuing sleep-deprivation, her toddler’s shenanigans, and the struggles to consume enough sugar and coffee to survive the  challenges of parenthood. The show is rooted in comic physicality with many props mimed—most importantly, the baby. Onstage throughout is a musician, a trumpet player/percussionist, who with his music will exacerbate Kate’s struggles, emphasize her emotional state, or celebrate her successes. There are moments of direct interaction with the audience—sometimes a new parent needs backup!

 

This play, written by Karen Eleanor Wight, was inspired by her two children, late mother, and 18 years of performing as 1/2 of the improvisational duo Imp. This ground-breaking duo improvised wordless scenes at festivals nationally and internationally with an onstage musician creating silly and inspiring tunes on the spot. This unique play’s script was developed through improv in rehearsals over the course of several years, and then finessed at new works festivals. After a successful run in NYC in 2024  funded by a New York State Council on the Arts Support for Artists Grant, the same artistic team is thrilled to bring the production to Edinburgh this year. 

 

Use Your Words! features Karen Eleanor Wight as Kate and Rodney Umble on trumpet/percussion. Co-directed by Zinc Tong and Karen Eleanor Wight, Sound Design by CJ Whitaker and Ella Danyluk, Lighting design by Jesse Baxter, Production Stage Management by Jenna Arkontaky, and play development by Melissa Attebery.

 

“Use Your Words! is refreshing and funny as physical storytelling and a personal but universal account of the early phase of motherhood. This style and topic are seriously under-explored– this show is a gift.” ~Ian Morgan, Assoc Artistic Director,  The New Group, NYC

 

“Use Your Words! was truly one of the best things I’ve seen so far this fall. Karen Eleanor Wight’s artistry, skill level, and capacity to hold a room’s attention is impressive.” ~Ria T. DiLullo, Artistic Director of Skeleton Rep, NYC

“Wight’s attention to kinesthetic detail in Use Your Words! brings this hilarious and meaningful journey of motherhood to life.  Each of her movements are simultaneously incredibly clear and comedically timed.” ~Joseph Heitman, Artistic Director, One Day Dance, NYC 

Venue: theSpace @ Niddry Street

Dates: 18- 23 August 2025

Time: 12:25 (65 minutes)

Ticket prices: £11.00 (£8.00)

Fringe Box office: 0131 226 0000 / www.edfringe.com

 

Suitable for all ages

#EdFringe News – 100’s of shows available to book now! @EdFringe @assemblyfest @ThePleasance @theSpaceUK @TheFreeFringe @gildedballoon @lhcomedy @FollowTheCow @JTTedinburgh #Comedy #Theatre #Drama #Music #Cabaret #Dance #Musicals #Circus

Written by Edinburgh Fringe Media Team

The Edinburgh Festival Fringe will take place from 01 – 25 August 2025. More information about the programme and tickets can be found at edfringe.com.

The first batch of shows that will be staged at the 2025 Edinburgh Festival Fringe have been announced, and over 556 shows will be available to view and book on edfringe.com now!

The 556 shows span many genres, including cabaret and variety; children’s shows; comedy; dance, physical theatre and circus; music; musicals and opera; spoken word; and theatre. The shows announced today will take place across 100 venues. More shows will be revealed in the run-up to August.

In a continuing trend, this year more Fringe artists than ever have chosen to make their show available at this early stage, giving them longer to promote their show, grow their audiences and capitalise on all the opportunities available when taking part. It is the artists, companies and venues who come to the Fringe who take the risk in bringing work here every August. Fringe-makers all need help to mitigate these complexities, manage rising costs and make sure this August is the best it can be for residents, visitors and the thousands of arts industry and media that come to the city each Fringe for the world’s largest arts expo.

The Fringe Society continues to advocate and lobby for more support for the festival community – support such as affordable and available accommodation, to the continuation of the Keep it Fringe fund, and anyone in a position to support is encouraged to get in touch with the team.

With over 500 shows on sale from today, the Fringe Society also asks audiences from near and far to start booking tickets now, to take a chance on an emerging artist, to plan a visit to a venue you’re unfamiliar with, and to dive into the first batch of shows.

Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: ‘It is always an exciting moment to see the first shows that will be performing at the Edinburgh Festival Fringe. The 2025 Edinburgh Fringe feels more real than ever and being able to browse the first batch of shows adds another level of excitement. It’s incredible to see the range and themes of work as well as the talent and creativity that artists are bringing to the festival this year.

‘More artists than ever have chosen to put their shows on sale at this early stage, allowing more time to plan their trip to Edinburgh this August. The cost of putting on a Fringe show can be a barrier to attending and the Fringe Society is working to support artists in any way that we can, whether that’s sourcing artist accommodation, keeping registration fees affordable, seeking out funding opportunities, or simply providing advice to any artist that needs it. Our Artist Services team is on hand to offer support, so please do reach out to the team.’

Below is a small representative sample of shows available to book from today. The full list of shows released today can be found at edfringe.com.

Cabaret and variety

In 1954: Ella, Etta, Eartha (The Jazz Bar) Melissa Western and her musicians pay tribute to Ella Fitzgerald, Etta James and Eartha Kitt and their ‘swinging jazz, powerful soul and cheeky kitsch’.

Returning this year is La Clique, being staged this year in The Famous Spiegeltent – which is returning to St Andrews Square, while Sexy Circus Sideshow 2.0 brings ‘alternative circus’ to ‘the dark arts of underground burlesque and cabaret’ at Assembly. 

Alex Love: How to Win a Pub Quiz 2025 is ‘part stand-up, part actual pub quiz’ at The Stand Comedy Club.

At theSpaceUK, Dan Bastianelli: Identity is providing ‘a brand-new magic experience which uses sleight-of-hand, personal stories and honest deception’, while ‘rock’n’roll’s greatest magician’ Arron Jones is at PBH’s Free Fringe with #1 Greatest Hit Rock’n’Roll Magic Show.

Children’s shows

Join Baby Shark and the Mystery of the Sphinx (Gilded Balloon) at for ‘fin-tastic show packed with music, magic and mayhem’ or skip, clap and march together’ to traditional Scottish music at CeilidhKids at the Fringe (Laughing Horse).

‘Experience magical illustrations and amazing new music’ as you follow Milly’s Musical Adventure (Greenside). At School’s Out Comedy Club with Philip Simon (Le Monde), expect ‘children (and maybe even a few parents)’ to ‘take to the stage to share their favourite jokes’.

Among returning shows for children and their families are The Listies: Make Some Noise at Assembly and Doktor Kaboom: Under Pressure! at Pleasance.

Comedy

Dungeons & Dragons fans will want to join Tartan Tabletop: A Dungeons & Dragons Comedy (Gilded Balloon) for ‘improvised comedy at the roll of a dice’. At Laughing Horse, Chonk hosts a ‘body-positive buffet of comedians from across the Fringe’. Hasan Al-Habib, 2025 Keep it Fringe recipient, ‘was born to Iraqis that moved to Birmingham after deciding Baghdad wasn’t dangerous enough’ in Hasan Al-Habib: Death to West (Midlands) (Pleasance).

Join the ‘longest-running panelist from BBC Scotland’s Breaking the News’ Stuart Mitchell at Hoots or head to Planet Bar for Settle! for ‘a whirlwind of laughter, infectious tunes, and a good old-fashioned roasting’. At theSpaceUK, Chan Lok Tim ‘navigates life as a Hong Konger preparing to become a husband’ in Congratulations, Good for You – Cantonese Stand-Up Comedy.

At Scottish Comedy Festival, enjoy ‘dark, unfiltered and unapologetic takes on the topics most comedians are smart enough to avoid’ at Michael Shafar – Inappropriate. At The Royal Scots Club, Ian Wood relates anecdotes to show ‘being visually-impaired and a wheelchair user, one can get round most barriers in life’ in Living with Mitochondria Against All Odds.

Familiar faces at this year’s Fringe include Nish Kumar and Jason Byrne at Assembly, Andy Parsons, Chloe Petts, Deirdre O’Kane, Elf Lyons, Kiell Smith-Bynoe, Marjolein Robertson and Rhys Darby at Pleasance, Paul Sinha and Richard Herring at The Stand, and Geoff Norcott and Ali Woods at Underbelly.

Representing Scotland’s comedy scene, Susie McCabe is at Assembly, while Connor Burns, Craig Hill and Daniel Sloss are at Just the Tonic and Robert Grainger is at The Stand.

Dance, physical theatre and circus

At Greenside, Tales From Your Queer Elder ‘blends movement and spoken word’ while ‘creating a powerful testament to living authentically while encouraging others to follow their dreams’.

Australian circus company Gravity & Other Myths return to Assembly with Ten Thousand Hours, bringing ‘an ode to the countless hours of sweat and joy needed to achieve great things’.

Art of Andalucia brings a must-see flamenco spectacle to YOTEL Edinburgh, while at theSpaceUK, Sole to Soul ‘blends the physical language of traditional Chinese opera with the expressive symbolism of modern dance’.

Music

For an ‘evening of classics from the silver screen’, check out Tutti Orchestra: At the Movies at Canongate Kirk, or ‘experience the beauty of Italian and Neapolitan love songs’ at La Dolce Vita: A Celebration with Philip Contini (Valvona & Crolla).

MASSAOKE has two runs at Underbelly this year, 90s Live – ‘everything from rock to rave, girl power to grunge and Britpop to boybands’ – and Sing The Musicals – ‘Mamma Mia, Hamilton, Frozen, The Greatest Showman, Dirty Dancing, Les Mis, Jungle Book, We Will Rock You, Phantom, Mary Poppins and many more’.

Ali Affleck comes to the Fringe with five shows this year: she’s with her band The Vagabond Jacks playing Hot Roots Jazz, Highway Honky-Tonk, Rags and Blues at the Argyle Cellar Bar; paying tribute to Billie Holiday with Sophisticated Lady at The Jazz Bar; and revisiting both venues with Ali Affleck Presents: A Hot Time in the Old Town – Celebrating the Wild Trailblazers of Blues and Jazz; Ali Affleck and the Traveling Janes – Bringing Bold, Brassy Bedlam to Swing, Blues and Trad Folk/Roots Jazz; and Ali Affleck’s Queens of Swing.

Head over to Footstomping: Live Scottish Music (WHISKI Bar & Restaurant) for a ‘vibrant foot-stomping good time’ or listen to ‘up-and-coming young musicians’ at Marchmont Music (Marchmont St Giles Church).

Journey to Stolen Identity (Saint Stephen’s Theatre) explores ‘women’s rights through a blend of musical genres, starting with classical but evolving into jazz and rock’. At Edinburgh New Town Church, Andrii Kymach: Ukraine is a ‘new recital, Ukraine, specially devised for 2025’s Day of Ukraine Independence’.

There are a number of tribute acts across venues, including Billy Joel, Fleetwood Mac and Celine Dion at theSpaceUK, Abba at Greyfriars Hall at Virgin Hotels Edinburgh and Joni Mitchell at Le Monde.

Musicals and opera

Check out Charles ii: Living Libido Loca at PBH’s Free Fringe for a ‘raunchy adult historical comedy centered around the life and libido of Charles ii’ or head to Rock of Ages at Paradise Green for ‘powerhouse vocals, epic guitar solos, and all your favorite 80s rock anthems’.

How to Win Against History is a ‘tragi-gorgeous comedy musical’ and ‘a true story about expectations, masculinity, privilege and failure on an epic scale’ at Underbelly.

At Greenside, the prince breaks free of the fairytale to ‘sing his very own songs and complain about what his life could be’ in To Be a Prince. At theSpaceUK, ‘ancient Silk Road meets the present, and centuries-old murals come alive’ in Dunhuang.

Updated for 2025 with new songs, I Wish My Life Were Like a Musical the ‘musical comedy revue revealing all about musicals and the people who love them’ is back at Gilded Balloon.

If you fancy a ‘murder-mystery comedy musical’, head to The Detective’s Demise at Just the Tonic for ‘showstopping songs and devilish twists’.

Spoken word

At The Stand, ‘elected MP for Islington North, former Labour leader, and Peace and Justice project founder’ Jeremy Corbyn is in conversation.

For ‘an amusing take on life, with the added hint of truth’, check out What Are You Laughing At? at theSpaceUK, while ‘Peter gives a stirring and passionate account of his great-grandmother’s hard-fought campaign for the right to vote over 100 years ago’ in Alice Hawkins – Working Class Suffragette at the Arthur Conan Doyle Centre.

Theatre

Shakespeare for Breakfast is back at C Venues, offering a ‘sensational Shakespearience, perfect for hardened fans and blank-verse virgins alike’ while former Chelsea FC trainee Alfie Cain delivers a ‘raw and powerful solo performance … exposing the brutal reality of football’s unforgiving system’ in Dropped at Easter Road Stadium.

Timestamp at Dovecot Studios is a ‘performance duet of sonic verse, dance, and audience experience that challenges the expectations imposed upon us in society.’ A Period of Faith follows Faith’s ‘battle against Premenstrual Dysphoric Disorder in a moving and thought-provoking way’ at Hill Street Theatre.

Brown Girls Do It Too: Mama Told Me Not to Come (Underbelly) explores ‘messy realities, fantasies, sexpectations and navigating life and relationships as British Asian women’.

Experience the beauty of Italian literature and the terror of looming deadlines at Valvona & Crolla with No Shakespeare. At theSpaceUK, The Boy from Bantay takes us on Jeremy’s ‘heartwarming journey of growth and self-discovery’.

Miriam Margolyes is back this August with Margolyes and Dickens: More Best Bits, bringing ‘more characters, more Dickens and more fascinating stories about the man behind the classics’ to Pleasance. More familiar favourites returning this year are Trainspotting Live at Pleasance and Xhloe and Natasha with three shows at theSpaceUK – A Letter to Lyndon B Johnson or God: Whoever Reads This First, And Then the Rodeo Burned Down and What If They Ate the Baby?

Head to Robot Vacuum Fight Club (Outhouse Bar) to ‘form a team, select a knockoff Roomba, customise it, then pit it against a dozen rivals in a series of knockout competitions’, or check out Tomatoes Tried to Kill Me but Banjos Saved My Life (Summerhall), an ‘inspirational true story … about overcoming obstacles, pursuing passions, and the healing power of the arts’.

You can find out more and book edfringe.com

#EdFringe News – the Space UK Venues Announce New Shows for Edinburgh Fringe Festival 2025 @theSpaceUK @edfringe #Theatre #Drama #Music #Musicals #Cabaret #Comedy #Dance

theSpaceUK Announces Over 100 New Shows on Sale for Edinburgh Festival Fringe 2025

 

Sauna Boy (Dan Ireland-Reeves)
Diya Shah? Diya Shahn’t (Diya Shah)
Vincent: His Quest to Love and Be Loved (Wêla Kapela Productions)
 
There’s even more reasons to be excited this April as theSpaceUK adds over 100 new shows to its 2025 Edinburgh Festival Fringe programme, now on sale at www.theSpaceUK.com.

From powerful new writing and gripping drama to outrageous comedy, magic, musicals, and cutting-edge physical theatre, the latest additions promise something for everyone. Book your tickets now and be part of the Fringe’s most dynamic venue!

Drama & Theatre
Tackling big themes with wit and urgency, The Pornstar Martini Effect: A Bartender’s Guide to Not K*lling Yourself at Christmas (52 Theatre Co.) follows two bartenders confronting harassment, gender dynamics, and identity on Christmas Eve. Meanwhile, dark comedy A Play About Feet (Find Your Feet Theatre Company) takes audiences on a chaotic journey through love, ambition, and questionable life choices.

History and myth collide in 1 King, 2 Princes and Shakespeare’s Lie (Slade Wolfe Enterprises Limited), where Richard III returns to challenge history itself in an electrifying solo performance. Elsewhere, Waiting for Elvis (Plush Tiger Productions) imagines a chance meeting between a young Elvis Presley, Agatha Christie’s Margaret Rutherford, and an eager fan in a Scottish airport lounge.

For those who wonder what happens after “The End,” After Shakespeare (Slade Wolfe Enterprises Limited) weaves a fresh narrative for four of Shakespeare’s most iconic characters, blending historical research with original storytelling.

Music & Musicals
The life of Vincent Van Gogh takes centre stage in Vincent: His Quest to Love and Be Loved (Wêla Kapela Productions), a moving mini-musical exploring the artist’s passion, pain, and relentless drive to create.

Meanwhile, corporate satire meets song in You’re Fired! The Musical (McPhilemy and Pozzuto), a razor-sharp look at ambition, success, and the personal cost of capitalism, as one hopeful businessman competes for his big break.

Rocky Horror and Beetlejuice fans won’t want to miss Ghosted! A New Musical (Makena Margolin and Hayden Kline), a riotous blend of comedy, music, and paranormal mayhem following a grieving best friend’s attempts to summon a ghost—only to be haunted by a mischievous spirit.

For a dose of romance, My Sweetheart and Me (Suntree Productions) transports audiences to a Northern Irish bar in 1969, where love and laughter unfold through intertwined love stories.

Cabaret & Comedy
Scottish absurdist comedy takes centre stage with This Play Sucks! (Sean Tennant), a wild, vampire-infused caper that sees two Highlanders hatch a half-baked plot to kidnap a reclusive lord—only to find themselves in way over their heads. Over in the apocalypse, 4’s a Crowd (Or What Not to Do When Stuck in a Bunker During the Apocalypse) (The Fiascoholics) delivers a fast-paced, side-splitting farce about five survivors, four shares of food, and one impossible decision.

Award-winning stand-up Diya Shah? Diya Shahn’t (Diya Shah) brings sharp observational humour to her Fringe debut, while Abby Denton: My Favorite Loser (Abby Denton) makes the case that a forgotten Cuban postman from 1904 is the world’s greatest role model.

For fans of the absurd, End of the World FM (Kevin Martin Murphy / Wandering Artist Collective) follows a lone radio host broadcasting into the void as he grapples with the end of days. Over in cabaret, Closure Cabaret (Maria Ansdell) sees lovelorn emcee Razmatastic bringing her exes to the stage for one last (unwilling) performance.

Dance & Physical Theatre
Scotland’s lost percussive dance traditions take the spotlight in Deiseil: Dancing in Time (Alison Carlyle and Amy Geddes), a captivating blend of live fiddle, Gaelic song, and powerful movement directed by Gerry Mulgrew.

Award-winning Korean theatre company Theater Sangsangchangkko presents I Woke Up One Morning and Had Become AI, an exhilarating physical comedy about two brothers transformed into artificial intelligence.

Blending magic with personal storytelling, Hidden Powers (Angus Baskerville) offers a mind-blowing exploration of neurodiversity, while Sauna Boy (Dan Ireland-Reeves) delivers an unflinching and powerful drama based on real events inside a hidden world of sex, survival, and friendship.


Tickets for over 280 exciting Edinburgh Fringe shows are now on sale at www.theSpaceUK.com. With a programme that spans theatre, comedy, music, and dance, there’s something for everyone at this year’s fringe season. 

#Inteview by Lou with Actor Alexandra Keddie About her play I See Me & Meryl Streep @TheOtherPalace until 4th May #ISeeMeAndMerylStreep #Theatre #Comedy

I See Me & Meryl Streep
Interview with Alexandra Keddie by Louise Cannon

After a successful sell-out run in Australia over several years,  the AACTA and AWG nominated writer/actor/comedian, Alexandra Keddie has brought her one woman show – I See Me & Meryl Streep to The Other Palace, London.
It is on until 4th May, suitable for 12+. Find out more details after the interview.

I See Me & Meryl Streep promises to be: “laugh a minute and more sequins, accents and single tears than you can poke and Oscar at”.

I had the privilege to interview her about the play, her passion for the actress, Meryl Streep, creating the play, performing in the UK and tapping into her youth and more…
Firstly, find out a bit from the synopsis and then we will get into the Q&A session. Below, you’ll also find more details about how you can book your ticket and dates.

Synopsis

I See Me and Meryl Streep is a journey through the life of Meryl Streep told through the eyes of her biggest fan, a misfit, also named Meryl, who finally gets to live out her fantasy of being loved and adored. 

At school, Meryl is made fun of and ridiculed but in this safe space she gets to shine and do all her favourite Streep impressions, from A Cry in the Dark to Out of Africa to The Devil Wears Prada to The Iron Lady and everything in between. With more props and costumes than Meryl Streep has Oscar nominations, Keddie whips through iconic impersonations and songs from Into the Woods, Ray Charles, Death Becomes Her, Mother Courage and of course Mamma Mia. 

So, let’s begin to find out more from Alexandra Keddie herself.

1.   What or who inspired you to act and how did you get started?

I’d been performing since I was really little but at 12 I essentially just decided that enormous success in big Hollywood movies was the logical path for a kid living in rural Queensland. I looked up acting classes and an agent in the phone book and asked mum if I could go along…   I’d always loved movies. I didn’t have the best time at school (shock horror, the comic performer was bullied) and movies were my escape. If I wasn’t watching them I was quoting them to my mum and trying to make her laugh. She’s always been the best audience, she continues to indulge me!

2.  Your play is called I See Me & Meryl Streep, what is it about the real actor Meryl Streep that you like most and what is it about her that made you create this play?

Well at 12 when I decided I wanted to be an actor I, very logically, went ‘well who is the best actress, I’ll be like her’. Meryl is known for being the most celebrated actress of this generation and is generally considered to be the ‘best actress’ – so I decided I’d be like her. I soon realised that she’d been given this title for a reason. She’s just exceptional. She’s able to take on so many different characters and truthfully and honestly embody them. She oozes charisma and is both unattainable and completely relatable at the same time. She made 12 year old Alex believe she could also be all those different characters and 33 year old Alex sit back in awe. 

3.  In the play, your character, also called, Meryl does impressions of Meryl Streep of some favourite films, The Devil Wears Prada, Mamma Mia and many more. 
How did you prepare to do this so you’re convincing, since she’s so iconic?

Repetition is KEY! I have watched clips of her more times than you could imagine. It’s so much about finding the essence to her and threading that through the impressions. She has such a masterful way of using her voice so I did a lot of work in finding all that nuance. And she has her little physical quirks too that when you do them people instantly recognise HER. 

But voice is usually my way in with impressions. When I first did the show I created a playlist on my phone that I’d listen to as drove to work. I had a 1hr drive each way and I’d just repeat and mimic every word over and over. Those vocal patterns became like a song and they’ve been stuck in my head ever since. Some of the impressions are more silly than others though. Sometimes you’re getting an impression where I’m striving for that Oscar, and others you’re getting the SNL impression where I’m going for the laughs!

4.   I See Me & Meryl Streep had you tapping into your own youth. 
What was that like looking back and exposing part of your life into your play?

It’s changed a lot since I first did the show. When I started writing it, I was 22. I was so close to that age that I was trying to speak to and I was still embarrassed and ashamed of all my weird quirks. The show has grown and evolved so much over the decade and now in my 30s I really look back at my teenage self so much more fondly. There’s that phrase, ‘show your scars not your wounds’. I think at 22/23 I still had a lot of wounds from that time in my life, I’d been bullied and felt really insecure and small for a long time. I’ve healed and grown so much and now have a story to share that’s much more evolved. I think there’s something quite powerful about a 33 year old woman presenting a story as her 16 year old self in a really loving way, yet completely irreverent way.

5.  You’re performing at The Other Palace in London, once owned by Andrew Lloyd Webber and then the late Bill Kenwright. 
What does that feel like to perform in a theatre of such prestige?

As an Australian it’s such a dream to be able to do any show in London, let alone one that I’ve written and one that I feel so proud of. The Other Palace is such a magnificent venue and it’s the perfect home for this show. I’m thrilled. Plus I’ve added a little Cats reference just for ALW.

6.  This London debut celebrates your 10th anniversary of I See Me & Meryl Streep as you’ve previously taken it across Australia.
 What keeps the play fresh and interesting for you to perform it over so many years and have you found it’s evolved since the first performance?

Honestly, doing a one woman show is never dull. Stepping on stage each time is like stepping on a train and just trusting that you’ll get to the end. It’s such a mammoth thing to do that there’s no way it’d get dull. Plus every time I do it I always insist on rewriting at least some of it. When I first did the show I hadn’t written anything ever, now I’ve worked as a writer in many capacities and actually almost know what I’m doing. So the script has developed as I’ve become a better writer. And finding new moments and seeing how the audience responds is always really exciting. 

7.  What are you looking forward to most about performing in London?

Desperately hoping that Brits like my jokes!!!

8.  What made you decide to tour your play to the UK and will you be taking it to other theatres across the UK? (being up in Scotland, I often wonder what’s touring).

I moved to London a year ago and doing this show has always been a great way to introduce myself to the theatre scene. I’d love to do the show around the UK! Fingers crossed that gets to happen!

9.  Have you any other plans for either I See Me and Meryl Streep or any completely different acting plans in the pipework you can tell us about?

Funnily enough, once upon a time I intended for this show to be solely an acting piece, but it taught me to write and now that’s mostly what I do! I’ve got quite a few projects bubbling away. Watch this space! 

You can book your tickets via The Other Palace website here: The Other Palace

The First Shows Announced For The Edinburgh Fringe Festival 2025 #EdFringe #Theatre #Music #Comedy #Plays #ChildrensShows #VarietyShows #DanceShows #Circus

First shows revealed for Edinburgh Festival Fringe 2025

The first batch of shows that will be staged at the 2025 Edinburgh Festival Fringe have been announced, and over 556 shows will be available to view and book on edfringe.com from 12:00 today.

The 556 shows span many genres, including cabaret and variety; children’s shows; comedy; dance, physical theatre and circus; music; musicals and opera; spoken word; and theatre. The shows announced today will take place across 100 venues. More shows will be revealed in the run-up to August.

In a continuing trend, this year more Fringe artists than ever have chosen to make their show available at this early stage, giving them longer to promote their show, grow their audiences and capitalise on all the opportunities available when taking part. It is the artists, companies and venues who come to the Fringe who take the risk in bringing work here every August. Fringe-makers all need help to mitigate these complexities, manage rising costs and make sure this August is the best it can be for residents, visitors and the thousands of arts industry and media that come to the city each Fringe for the world’s largest arts expo.

The Fringe Society continues to advocate and lobby for more support for the festival community – support such as affordable and available accommodation, to the continuation of the Keep it Fringe fund, and anyone in a position to support is encouraged to get in touch with the team.

With over 500 shows on sale from today, the Fringe Society also asks audiences from near and far to start booking tickets now, to take a chance on an emerging artist, to plan a visit to a venue you’re unfamiliar with, and to dive into the first batch of shows.

Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: ‘It is always an exciting moment to see the first shows that will be performing at the Edinburgh Festival Fringe. The 2025 Edinburgh Fringe feels more real than ever and being able to browse the first batch of shows adds another level of excitement. It’s incredible to see the range and themes of work as well as the talent and creativity that artists are bringing to the festival this year.

‘More artists than ever have chosen to put their shows on sale at this early stage, allowing more time to plan their trip to Edinburgh this August. The cost of putting on a Fringe show can be a barrier to attending and the Fringe Society is working to support artists in any way that we can, whether that’s sourcing artist accommodation, keeping registration fees affordable, seeking out funding opportunities, or simply providing advice to any artist that needs it. Our Artist Services team is on hand to offer support, so please do reach out to the team.’

Below is a small representative sample of shows available to book from today. The full list of shows released today can be found at edfringe.com.

Cabaret and variety

In 1954: Ella, Etta, Eartha (The Jazz Bar) Melissa Western and her musicians pay tribute to Ella Fitzgerald, Etta James and Eartha Kitt and their ‘swinging jazz, powerful soul and cheeky kitsch’.

Returning this year is La Clique, being staged this year in The Famous Spiegeltent – which is returning to St Andrews Square, while Sexy Circus Sideshow 2.0 brings ‘alternative circus’ to ‘the dark arts of underground burlesque and cabaret’ at Assembly. 

Alex Love: How to Win a Pub Quiz 2025 is ‘part stand-up, part actual pub quiz’ at The Stand Comedy Club.

At theSpaceUK, Dan Bastianelli: Identity is providing ‘a brand-new magic experience which uses sleight-of-hand, personal stories and honest deception’, while ‘rock’n’roll’s greatest magician’ Arron Jones is at PBH’s Free Fringe with #1 Greatest Hit Rock’n’Roll Magic Show.

Children’s shows

Join Baby Shark and the Mystery of the Sphinx (Gilded Balloon) at for ‘fin-tastic show packed with music, magic and mayhem’ or skip, clap and march together’ to traditional Scottish music at CeilidhKids at the Fringe (Laughing Horse).

‘Experience magical illustrations and amazing new music’ as you follow Milly’s Musical Adventure (Greenside). At School’s Out Comedy Club with Philip Simon (Le Monde), expect ‘children (and maybe even a few parents)’ to ‘take to the stage to share their favourite jokes’.

Among returning shows for children and their families are The Listies: Make Some Noise at Assembly and Doktor Kaboom: Under Pressure! at Pleasance.

Comedy

Dungeons & Dragons fans will want to join Tartan Tabletop: A Dungeons & Dragons Comedy (Gilded Balloon) for ‘improvised comedy at the roll of a dice’. At Laughing Horse, Chonk hosts a ‘body-positive buffet of comedians from across the Fringe’. Hasan Al-Habib, 2025 Keep it Fringe recipient, ‘was born to Iraqis that moved to Birmingham after deciding Baghdad wasn’t dangerous enough’ in Hasan Al-Habib: Death to West (Midlands) (Pleasance).

Join the ‘longest-running panelist from BBC Scotland’s Breaking the News’ Stuart Mitchell at Hoots or head to Planet Bar for Settle! for ‘a whirlwind of laughter, infectious tunes, and a good old-fashioned roasting’. At theSpaceUK, Chan Lok Tim ‘navigates life as a Hong Konger preparing to become a husband’ in Congratulations, Good for You – Cantonese Stand-Up Comedy.

At Scottish Comedy Festival, enjoy ‘dark, unfiltered and unapologetic takes on the topics most comedians are smart enough to avoid’ at Michael Shafar – Inappropriate. At The Royal Scots Club, Ian Wood relates anecdotes to show ‘being visually-impaired and a wheelchair user, one can get round most barriers in life’ in Living with Mitochondria Against All Odds.

Familiar faces at this year’s Fringe include Nish Kumar and Jason Byrne at Assembly, Andy Parsons, Chloe Petts, Deirdre O’Kane, Elf Lyons, Kiell Smith-Bynoe, Marjolein Robertson and Rhys Darby at Pleasance, Paul Sinha and Richard Herring at The Stand, and Geoff Norcott and Ali Woods at Underbelly.

Representing Scotland’s comedy scene, Susie McCabe is at Assembly, while Connor Burns, Craig Hill and Daniel Sloss are at Just the Tonic and Robert Grainger is at The Stand.

Dance, physical theatre and circus

At Greenside, Tales From Your Queer Elder ‘blends movement and spoken word’ while ‘creating a powerful testament to living authentically while encouraging others to follow their dreams’.

Australian circus company Gravity & Other Myths return to Assembly with Ten Thousand Hours, bringing ‘an ode to the countless hours of sweat and joy needed to achieve great things’.

Art of Andalucia brings a must-see flamenco spectacle to YOTEL Edinburgh, while at theSpaceUK, Sole to Soul ‘blends the physical language of traditional Chinese opera with the expressive symbolism of modern dance’.

Music

For an ‘evening of classics from the silver screen’, check out Tutti Orchestra: At the Movies at Canongate Kirk, or ‘experience the beauty of Italian and Neapolitan love songs’ at La Dolce Vita: A Celebration with Philip Contini (Valvona & Crolla).

MASSAOKE has two runs at Underbelly this year, 90s Live – ‘everything from rock to rave, girl power to grunge and Britpop to boybands’ – and Sing The Musicals – ‘Mamma Mia, Hamilton, Frozen, The Greatest Showman, Dirty Dancing, Les Mis, Jungle Book, We Will Rock You, Phantom, Mary Poppins and many more’.

Ali Affleck comes to the Fringe with five shows this year: she’s with her band The Vagabond Jacks playing Hot Roots Jazz, Highway Honky-Tonk, Rags and Blues at the Argyle Cellar Bar; paying tribute to Billie Holiday with Sophisticated Lady at The Jazz Bar; and revisiting both venues with Ali Affleck Presents: A Hot Time in the Old Town – Celebrating the Wild Trailblazers of Blues and Jazz; Ali Affleck and the Traveling Janes – Bringing Bold, Brassy Bedlam to Swing, Blues and Trad Folk/Roots Jazz; and Ali Affleck’s Queens of Swing.

Head over to Footstomping: Live Scottish Music (WHISKI Bar & Restaurant) for a ‘vibrant foot-stomping good time’ or listen to ‘up-and-coming young musicians’ at Marchmont Music (Marchmont St Giles Church).

Journey to Stolen Identity (Saint Stephen’s Theatre) explores ‘women’s rights through a blend of musical genres, starting with classical but evolving into jazz and rock’. At Edinburgh New Town Church, Andrii Kymach: Ukraine is a ‘new recital, Ukraine, specially devised for 2025’s Day of Ukraine Independence’.

There are a number of tribute acts across venues, including Billy Joel, Fleetwood Mac and Celine Dion at theSpaceUK, Abba at Greyfriars Hall at Virgin Hotels Edinburgh and Joni Mitchell at Le Monde.

Musicals and opera

Check out Charles ii: Living Libido Loca at PBH’s Free Fringe for a ‘raunchy adult historical comedy centered around the life and libido of Charles ii’ or head to Rock of Ages at Paradise Green for ‘powerhouse vocals, epic guitar solos, and all your favorite 80s rock anthems’.

How to Win Against History is a ‘tragi-gorgeous comedy musical’ and ‘a true story about expectations, masculinity, privilege and failure on an epic scale’ at Underbelly.

At Greenside, the prince breaks free of the fairytale to ‘sing his very own songs and complain about what his life could be’ in To Be a Prince. At theSpaceUK, ‘ancient Silk Road meets the present, and centuries-old murals come alive’ in Dunhuang.

Updated for 2025 with new songs, I Wish My Life Were Like a Musical the ‘musical comedy revue revealing all about musicals and the people who love them’ is back at Gilded Balloon.

If you fancy a ‘murder-mystery comedy musical’, head to The Detective’s Demise at Just the Tonic for ‘showstopping songs and devilish twists’.

Spoken word

At The Stand, ‘elected MP for Islington North, former Labour leader, and Peace and Justice project founder’ Jeremy Corbyn is in conversation.

For ‘an amusing take on life, with the added hint of truth’, check out What Are You Laughing At? at theSpaceUK, while ‘Peter gives a stirring and passionate account of his great-grandmother’s hard-fought campaign for the right to vote over 100 years ago’ in Alice Hawkins – Working Class Suffragette at the Arthur Conan Doyle Centre.

Theatre

Shakespeare for Breakfast is back at C Venues, offering a ‘sensational Shakespearience, perfect for hardened fans and blank-verse virgins alike’ while former Chelsea FC trainee Alfie Cain delivers a ‘raw and powerful solo performance … exposing the brutal reality of football’s unforgiving system’ in Dropped at Easter Road Stadium.

Timestamp at Dovecot Studios is a ‘performance duet of sonic verse, dance, and audience experience that challenges the expectations imposed upon us in society.’ A Period of Faith follows Faith’s ‘battle against Premenstrual Dysphoric Disorder in a moving and thought-provoking way’ at Hill Street Theatre.

Brown Girls Do It Too: Mama Told Me Not to Come (Underbelly) explores ‘messy realities, fantasies, sexpectations and navigating life and relationships as British Asian women’.

Experience the beauty of Italian literature and the terror of looming deadlines at Valvona & Crolla with No Shakespeare. At theSpaceUK, The Boy from Bantay takes us on Jeremy’s ‘heartwarming journey of growth and self-discovery’.

Miriam Margolyes is back this August with Margolyes and Dickens: More Best Bits, bringing ‘more characters, more Dickens and more fascinating stories about the man behind the classics’ to Pleasance. More familiar favourites returning this year are Trainspotting Live at Pleasance and Xhloe and Natasha with three shows at theSpaceUK – A Letter to Lyndon B Johnson or God: Whoever Reads This First, And Then the Rodeo Burned Down and What If They Ate the Baby?

Head to Robot Vacuum Fight Club (Outhouse Bar) to ‘form a team, select a knockoff Roomba, customise it, then pit it against a dozen rivals in a series of knockout competitions’, or check out Tomatoes Tried to Kill Me but Banjos Saved My Life (Summerhall), an ‘inspirational true story … about overcoming obstacles, pursuing passions, and the healing power of the arts’.

– Ends –

About the Edinburgh Festival Fringe: The Edinburgh Festival Fringe will take place from 01 – 25 August 2025. More information about the programme and tickets can be found at edfringe.com.

About the Edinburgh Festival Fringe Society: The Edinburgh Festival Fringe Society is the charity that underpins the world-renowned Edinburgh Fringe. It was established in 1958 by a group of artists to provide central services for the festival and ensure that it stays true to its founding purpose of inclusion and welcome to all. We exist to support and encourage everyone who wants to participate in the Fringe; to provide information and assistance to audiences; and to celebrate the Fringe and what it stands for all over the world. Based on the Royal Mile in Edinburgh, the Society has a small team of staff who work year-round to assist all the artists and audiences who make the festival one of the best loved performing arts events on the planet.

In 2022, as part of the Fringe’s 75th anniversary, the Fringe Society launched a new collaborative vision and set of values, and made a series of commitments to become more inclusive, fair and sustainable. The vision is “to give anyone a stage and everyone a seat”.

Our three values will guide the behaviours and decisions of everyone involved with the Fringe: celebrate performing arts, be open to all and look out for each other. The Society will live by them, champion them and uphold them where necessary.