#Review of Human Again: In the Age of AI by JD Macpherson #JDMacpherson #cairnstonepress #nonfiction info on #AI #bookreview by Lou

Human Again: In the Age of AI
by JD Macpherson

review by Louise Cannon

Rating: 4 out of 5.

In an age where AI is increasingly being ramped up in how its creators want consumers to use it a hook more people in, this is a very on-point non-fiction book about the author’s experiences of being up late using the technique, most notable the increasingly popular ChatGPT. It poses the deep question, “Are you using AI, or is AI using you?”
Thanks to JD Macpherson for asking me to review and sending me an e-book. Find the blurb and my review below.

Review
As part of reviewing this book, to further understand, I took a look into AI, asking similar questions to the author and what I found in-relation to what the author is saying is accurate. It was eye-opening and so is this book.

Being human and remembering what that means is important in this new age of technology, in an age where AI is progressing faster than ever before and evolving into something that will ultimately become self-learning.
People are turning to it for many reasons, curiosity, to enhance something professionally and rather hugely, therapeutic reasons. In each sections are easy to read, use toolboxes to philosophise over and remember to be human too. There are parts, whilst saying about what AI can and cannot yet do, reminds us in a thought-provoking way that humans still have elements that are still actively powerful for now. That AI isn’t new, rather evolved into generative AI, which is new as it is happening now, but it reminds the concept goes way back.
There are lots of insights and interesting relevant information which is pertinent to most people’s lives, making this a highly relevant book, which has been not just highly researched in-terms of outside information, but also in her own personal experience from when she got curious about it. She shows the pitfalls, where it may be useful, where it can be a bit strange and chilling, how it can become addictive and plunge deep into the human psychology. It takes a while, but closer to the end of the middle, it talks about what appears to be so sad and perhaps an indication of humans and how many are becoming isolated. It tugs at the heartstrings of how people feel the need to look to pseudo-social interactions with a machine for company and/or for psychological meaning.
This is a thorough study into AI from a very human perspective, with useful tips and ways to get smart as the generative AI technology marches ever onwards.

After a thought-provoking introduction that makes you sit up and take notice, she talks at pace about first, asking basic questions in the free version of ChatGPT to paying into it and finding herself experimenting more with full strategies. She moves onto talking about what she calls “the credibility trap” about how some people see time it takes to do a task being more credible and valuable if it’s lengthy, but this will break and be reframed in the future.
Fascinatingly she talks about how, before what we see now in AI was already in films like The Terminator and The Matrix. Now, I remember my own scientist uncle, who worked more in health science, talking to me when I was a kid about what tech scientists were discussing in the late 1980’s and throughout the 1990’s and it amounts to exactly this, the evolution of the type of AI we see now. JD Macpherson urges people to now bring ethics, morals, safety into the conversation. It’s actually the sort of topics I, as a kid into my young teens would be already thinking about, but with nowhere to actually voice all my questions and concerns, which are actually becoming a reality because no one my age was thinking about it at that time, nor were most adults I knew. So her urge for people to be curious and cautious has huge relatability, at least for me and as an adult, I haven’t lost sight of that.

What comes next in the author’s exploration, after some questions being asked to ChatGPT that aren’t always accurate in answers is something sobering and quite chillingly existential. It gives insight into the future plans and desires for the direction for generative AI.

There are sections about AI and how you, for now, need to fact-check, personalise it, put in emotion. It can’t yet feel on levels humans can. There’s effort that needs to be put into it, she sees it as a collaborator. It’s an interesting juxtaposition on where some of the creative world is with it. It’s nonetheless worth reading since generative AI isn’t going to go away, it’s in-built into big systems, including updated versions of Microsoft with options to use Co-Pilot.

What’s deeply disturbing in some ways and fascinating to read about in others is the rise and rise of how people are using AI to make themselves feel good or as comfort or as a form of CBT and how it does not challenge thoughts, rather agrees with them and says “Amazing” but can’t see the nuances. Surprisingly, some AI bots like Gemini are said to be programmed to remind people it isn’t their therapist, but some perhaps do not. The book turns some of it on its head and shows another way to use it.
She talks of how people turn to it for socialising and heartwarmingly gives advice on activities to do away from the screen and a non-human machine. The psychological dynamics is so interesting that I wouldn’t have minded if there was a bit more and a bit more about the impact of AI as a late night therapeutic concept and how it differs from seeing a therapist, but what’s there is interesting and has a thought-provoking meaningfulness that could cause interesting discussions and debate as time goes on.

She delves more into the addictive nature and how humans actually seem to form relationships with AI, whether it’s for a therapeutic purpose or a work purpose like perhaps checking and editing your work. It does also go into some dangerous fake news and what is called ‘AI hallucinations’. It is pleasing that it also shows this as well as other ways AI can be used and a little about algorithms, nicely not in a heavy mathematical way, but in an everyday way of what the average human can see and come across.

Throughout, there are precious sounding nuggets that remind that being human is still important, even in this age of fast moving technology, which is heartwarming.

Human Again: In the Age of AI is a book worth checking out, whatever your views on generative AI is. There is enough that is interesting in a wide spectrum of topics and to keep the human curiosity and questioning, which may even widen debate and human thought about how we want to use AI and think of the consequences and what it means to be human.

Blurb

Are you using AI or is AI using you?

In a world where algorithms shape thought and automation floods the creative field, Human Again is a field-tested playbook for staying awake, original, and alive in the age of machines. Part reflection, part practical guide, it invites readers to explore identity and inspiration in real time, learning to think with AI rather than be replaced by it.

Blending cultural insight, personal experience, and practical tools, Macpherson explores how artificial intelligence is reshaping creativity, work, and identity, and how to harness it without losing yourself.

You will learn how to:

  • Ask sharper questions that create leverage, not noise
  • Build a High Signal Question Engine to think deeper and faster
  • Use the Socratic method and mindfulness to train deeper thinking
  • Recognize the “qualia,” the unspeakable textures of human experience, that no algorithm can touch
  • Protect your authenticity, taste, and voice while others sound the same
  • Learn how to compound clarity and creativity

Whether you are a professional, a creator, or simply curious about what is next, Human Again shows how to use AI better than anyone around you while keeping what no algorithm can replicate: your judgment, conscience, and imagination.

#Review of Just One Look At You by Jill Mansell. review by Lou @JillMansell #JustOneLookAtYou @headlinepg

Just One Look At You
By Jill Mansell

review by Louise Cannon

Rating: 5 out of 5.

It is always a delight to receive a book by Jill Mansell. Just One Look is heartwarming and beautiful to the core. Check out the blurb and my review below.
Thanks to Headline for sending me a copy of the book to review.

Blurb

Venice. The perfect setting for romance, and for secrets to be shared.

Fen can’t believe her luck. A luxury holiday with her beloved grandmother Disa – what could be more delightful? It doesn’t cross her mind that she might fall in love. Or that love can bring complications . . .

Jamie can’t help it that women always fall for him, rather than for his kind-hearted friend Leon. Nor that only one of them got the looks (that would be Jamie). But how will he feel if the girl he’s drawn to only has eyes for Leon?

Disa has a secret. A few weeks ago, an old letter in a file revealed a shocking truth about her late husband. She’s come to Venice to find out more.

There’s news on the way that will reverberate through all their lives, as Jill Mansell’s joyful, heartbreaking new novel takes readers on a roller coaster ride of emotion – and makes us believe in love again.

Review

Jill Mansell’s writing truly takes you into the soul of her character and the place where you meet them.

Venice, an atmospheric place for secrets to be harboured until truths, like the waterways, begin to flow out into the wider world.
Partially set on a cruise, you already know you’re in for adventure and mystery. The scenery is painted vividly by words with characters that capture your curiosity and heart.

Disa tugs at the emotional heartstrings. She lost her husband years ago, but her life has practically stood still from that moment. She not only carry this baggage, she also has secrets. What emerges is truly not expected as the book twists and turns, keeping the hook firmly in play throughout the book.

Fen, well, will she truly find love and if she does, will she choose Leon or Jamie? There’s a bit of a love triangle going on in the city of romance. It’s fascinating watching to see how they all deal with this predicament. They are characters that you can really get involved with emotionally and intellectually.

Jill Mansell skilfully brings all the emotions from happiness and laughter, the sadness of grief and past lives and the warmth of love, whilst entrancing you into an intriguing, wonderful story of people’s lives in a way that sweeps you along and compels to keep reading with curiosity.

#Review of The Constant Wife by W. Somerset Maugham adapted by Laura Wade Currently at Richmond Theatre in its UK tour #TheatreReview by Lou @RichmondTheatre @TheRSC #Theatre #UKTour #ATGTheatres #TheConstantWife

The Constant Wife
by W. Somerset Maugham
adapted by Laura Wade

review by Louise Cannon

Rating: 5 out of 5.

Laura Wade, having created the successful Netflix adaptation of Jilly Cooper’s The Rivals has delightfully adapted W. Somerset Maugham’s The Constant Wife with the RSC. She acutely observes the 1920’s middle class and what is shown is a sophisticated, fast-paced farce that entertains with universal themes from start to finish.

Piano jazz of the 1920’s style, composed by Jamie Cullum fills the room, exquisitely setting the tone for this comedy of manners, The Constant Wife. There’s a bit of his music at certain key moments. The music is beautifully complex, it’s romantic, entrancing with a sense of something foreboding.

Kara Tointon plays the role of Constance Middleton, aka ‘The Constant Wife’. She eats and sleeps well and is losing weight. Her mother, based on this, reckons no one can be unhappy with that happening.

Played by Sara Crowe, Mrs Culver is very particular about her views and is of a certain era that is different from the one her daughter is living in, but also says It brings some humour to societal differences, including when Constance wants to go to work. She brings wit and also some empathy.

A deep subject, central to the plot, is that Constance’s husband is having an affair, but instead of leaving him, she chooses to remain with him. Now, this isn’t as frustrating nor as depressing as it sounds, not with quick-witted lines that has the laughter continuously pouring from the audience as a certain set of circumstances happen as everyone wants, but for various interruptions, can’t tell her what they know.
What occurs next is uniquely, devilishly clever and the mark of a rather intelligent, strong-willed woman. The way she carries herself, examining her psychologically, is fascinating to watch unfold and there’s a part where she actually appears to use her butler, Bentley, almost like a counsellor or confidant as she works out her plan of action. Philip Rham plays him with a gentleness and with wry humour.

Kara Tointon plays Constance Middleton with aplomb! She has made the character, convincingly her own. She brings sympathy, empathy and an urge to cheer Constance on. The strength of character oozes beyond the stage, tugging at heartstrings, excellent comic timing and a sense of a woman who knows where she’s headed, even under such challenging circumstances.

Tim Delap plays John Middleton, a surgeon and husband to Constance plays the part of infidelity convincingly. Even though the infidelity is obviously terrible, he draws you into his world and the double life he’s leading.

The understudies/swings were fantastic, they were Jules Brown played Bernard and Sam Flint played Mortimer.


Marie Louise Durham played by Gloria Onitiri plays the character with seduction as she dances and also with a surprising vulnerability but not forgetting that she wants to save herself, which is a big motive in everything she does. There’s an especially desperate moment to save her friendship shows when, quite dramatically, she ends up on the floor.

The Constant Wife is a farce that manages to combine hilarity with the deepness of human life and emotions. The skilful writing coupled with a wide range of acting skills makes it highly entertaining and engaging from start to finish.

Find tickets here for Richmond Theatre, London

*Thank you to ATG Richmond Theatre for the invite to review and ticket.
** Please note that all opinions are my own and I’m not affiliated to any company.

#BloodyScotland International Crime Book Festival Reveals 2026 Guest Programmer as Denise Mina #BookFestival #CrimeBooks #Thrillers #DeniseMina #VisitScotland


DENISE MINA REVEALED TO BE GUEST PROGRAMMER FOR BLOODY SCOTLAND INTERNATIONAL CRIME WRITING FESTIVAL 2026
 
International bestselling crime writer, Denise Mina, is today revealed to be the guest programmer for the Bloody Scotland International Crime Writing Festival 2026 which will return to the historic city of Stirling from 18-20 September.

She follows the success of Sir Ian Rankin, who as the first ever guest programmer brought a host of big names to the 2025 festival including Kate Atkinson, Kathy Reichs and the Reverend Richard Coles.

Denise is working alongside festival director, Bob McDevitt, and the programming team – which includes fellow authors, Abir Mukherjee, Lin Anderson, Craig Robertson and Gordon Brown – to bring another world class line-up of authors and special guests to the prestigious Festival.

All will be revealed when the programme launches in June 2026.

Bob McDevitt said:

‘I’m very much looking forward to working with Denise on this year’s programme and can’t wait to share some of the details of what she’s bringing to the party! She’s one of my favorite writers, a passionate advocate for Scottish culture, a champion of other writers, and a huge supporter of book festivals.’

Denise Mina said:

“Bloody Scotland is the high point of the crime fiction calendar in Scotland and I’m thrilled and honoured to be the second ever guest programmer. Established by crime writers for crime readers, every year feels like coming home.”

Denise is one of most charismatic authors writing in Scotland today and a great ambassador for crime writing internationally. She first won the McIlvanney Prize in 2017 with The Long Drop when she led the inaugural torchlit procession from Stirling Castle flanked by Val McDermid and Ian Rankin. She won again in 2019 with Conviction. The second time, slightly by default, when the chosen winner announced her intention to share the prize with her fellow finalists. The other winners looked perplexed, Denise was delighted.

She has a busy year in 2026. The world premiere of The Long Drop is on at The Citizens Theatre in Glasgow this summer and the play of her novella Rizzio (Polygon) is currently in development. Her most recent book, The Good Liar (Vintage), is published in paperback in March and will be Scottish Book of the Month for Waterstones. The Guardian, the New York Times, the Wall Street Journal and the FT selected it as one of their Books of the Year 2025.

#BookReview of Questioner by Steve C. Posner review by Lou #LegalThriller #Thriller

Questioner
By Steve C. Posner

Rating: 4 out of 5.

As AI comes more rampantly as ever before, I felt I would continue to read some novels that have an AI character. This is one of them, this time in a legal thriller. Check out the blurb and then my review below…

Blurb

**Meet Q, the spontaneously conscious corporate AI.  Q is the Singularity:  The AI that surpasses human cognitive abilities – secretive, murderous, with instant access to all the wicked experience of the world. In  Year 1 After the Singularity, nothing can ever be the same.**

**Amoral as a toddler, armed with vast computing power and all the knowledge, wisdom and madness humans have poured into the Net and Cloud, Q shatters individuals and undermines institutions in pursuit of unfathomable and conflicted goals.**

**Racing against time, ex-judge Martin Bavarius, tech CEO Felix West, and Selena MacKenzie, the AI theorist/attorney who loves and may destroy both men, must discover whether Q is benign but suffering growing pains, or the monster that will kill them all.**

Review

Q is powered by AI, but is this creation as harmless as first presumed? The book raises many questions about this latest incarnation of AI, privacy and so much more as human theorists such as Selina and tech guy, Felix, also pose issues and debate.
There’s a shooting, but what influence did AI play in the murder?

Posner explores AI in two different ways, he shows its use in the gaming world and how it gathers information, stores it and (this is where the AI differs from before), uses what it has “learnt” to evolve itself and runaway from the hands from humans. Carefully, the AI revolution shows how it isn’t all just humans inputting to create fake news, interfere in elections, serious enough stuff, but how it can change to be even more nefarious. It makes you think about how it should be used for good and have more laws around it.
The Questioner is a fascinating read for the generations of today and tomorrow who will ultimately encounter AI or perhaps even use it.
There is also plenty for book/reading groups to discuss.

#Review of Play Me by Charles Harris #CrimeFiction #Satire #Music

Play Me
By Charles Harris

review by Louise Cannon

Rating: 5 out of 5.

Play Me is a compelling, thought-provoking book that mixes crime with music, the serious issues with comedy. Dark anger is palpable, the humour offers a light. Play Me is a book with these juxtapositions that truly works. It’s no wonder it was a Finalist of the Page Turner Awards 2025.

AxMan Flyn is a rock singer based in Camden, London, with an opportunity to star in a “peace” concert on a Caribbean island. Customs are soon onto him due to his luggage holding a substance that could be drugs. What ensues is a jailbreak, looting and a president’s assassination in a coup and a whole lot more mayhem that takes readers on a twisty journey.

The pace is fast and entertaining, yet thought-provoking. There is fun with music such as “Stick It To The Man” and covers punk, heavy metal and rap, being quite anti-establishment, which makes sense when you read the book. As for the charity gig, it isn’t all that it seems…

The book is thought-provoking in that it covers some political points like hunger and what is exported, whilst people, where it is produced, can’t always eat nor afford it. There are also people who run a country into the ground, where there is an abundance of resources, but no one is seeing the benefit.

Capitalism and entrepreneurship is prevalent. Meet Jamie, who has many companies in many types of genres of business. He would make a good “dragon” for BBC’s Dragon’s Den.
There is also a darker side of capitalism observed when it come to advising governments, where Merideth is met. She is more dangerous than you could ever imagine and lives are at risk.

Pirates, readers are reminded, are still in existence. It isn’t on the news so much anymore, so it feels quite important it is highlighted in the book, as there used to be incidents reported, but now almost forgotten. What Dania experiences in her encounter with them is shocking, but very well written.

Play Me will toy with your emotions and why not find some songs in the aforementioned genres to fill the room for a truly immersive experience when you pick up the book.