Great Theatre Shows from 2018 and 2019
I have seen some fantastic theatre shows and the shows I loved in 2018 and 2019 are, in no particular. Some of these plays are touring right now within the UK and others are getting set for national UK tours. So, I hope you have fun looking out for them. They are categorised by musicals and plays only. So, without any further to-do, here is my lists, with very brief reviews.
Strictly Ballroom – (on national tour in 2020). When I saw this in London, it was so much fun. It had a great cast, including Will Young as the narrator at that time. The costumes are outstanding and just so beautiful. The set was cool. The dancing and songs are expertly performed and choreographed.
Please take note that Strictly Ballroom (based on the same name) is doing a national tour within the UK (including Scotland in 2020). It has been expertly put together by Strictly’s Craig Revel-Horwood, amongst many other people. So, do look out for this fun, feel-good show. It is A-Maz-Ing… see what I did there? I couldn’t help myself, it had to be done. This is an exciting show and one that I am so pleased to see tour.
Les Miserables – This is exquisite and full of emotion. I’ve seen it twice, once in London, once in Edinburgh and it doesn’t matter where you see it, you are in for a treat. It is so well-performed and well-cast no matter the location. The performance, the set and the costumes are all so rich and it is all so atmospheric. It is often in London and also on tour.
A full review can be found within my blog
The Greatest Play in The History of the World – This play was at the Edinburgh Fringe Festival and has now reached London (check it out now for January 4th 2020. It’s an original love story set on Preston-Road and in space and time. Time has stopped in this wonderfully written and performed one-woman play that has poignancy and honour and I just love the use of shoes. You have to see it to see what I mean. I don’t want to spoil it. Shoes aren’t used in the conventional sense. Not when this was performed in Edinburgh anyway. There’s also great music too. The set may be minimalist, but the way it is written and performed feeds incredibly well into the imaginations of audiences because it is so cleverly done and so immersive and captivating.
It is performed by Julie Hesmondalgh (Haley Cropper in Corrie and other shows) and written by her husband Ian Kershaw (writer for Corrie, Cold Feet and many more shows).
This House – This play was an unusual play in that it encouraged people to be part of the cast on stage for the whole play. This was a political play set in the 1970’s and was set in the Houses of Parliament. There was a great cast playing the opposition party and party in power. There were high stakes, debates, fist fights in the parliamentary bar, crucial votes that had party’s hanging by a thread, games and tricks. It was all there. A friend and I with a number of others took up the limited spaces on stage, which was split for the left and the right of the House with its mocked up parliamentary seats. We were given our lines and directions as the play went on and followed accordingly to become part of the cast. It was lots of fun, if not a bit daunting looking onwards at a full theatre where the rest of the audience was sitting. It was completely immersive from our point of view and we are glad we did it and both enjoyed the experience immensely. Some of the key cast also took time at the interval to talk to my friend and I, which was most interesting and of which we again thank them for this. This immersive and brilliantly conceived play was written by James Graham.
Art – This was a terrific play at the Glasgow Theatre Royal about 3 men and a piece of modern art, which happens to be a white canvas, bought for a huge amount of money. The play gets revived every so often and is worth looking out for. It is about friendships and those friends falling out and making up, it is about life and all the paths that it can lead people down. It also has a big twist in it. It is poignant, important, funny, sad and such a great pace. When I saw it, the cast was Stephen Thomkinson (Wild at Heart, DCI Banks and much more) Denis Lawson (New Tricks, Holby City and much more), Nigel Havers (Coronation Street, The Cockfields, Midsomer Murders and much more). I thank Denis Lawson and Nigel Havers again for their time in having a very pleasant quick chat and signing my programme.
Full review can be found on my blog.
Duet for One – I saw this at the King’s Theatre in Edinburgh as part of a national tour. I think I saw this in 2017, but then it toured again in 2018, which is why it is on this list. It was a both serious and funny two-handed play (tours from time to time), about a woman with MS, which at the time of me seeing it was Belinda Lang, and wow, what a performance. She played someone coming to terms with MS and limited mobility as if she could have had it herself (I sadly speak from experience as a member of my family has it). The emotion was there, the movement and everything was brilliantly executed. If this ever tours again, seriously consider seeing it. This was a revival of this play, so it isn’t impossible for it to return. It isn’t as depressing as it seems. This play has humour at many points. It is so well-written. It was so lovely to be able to actually tell her how well she played her part and to hear what she had to say about it – which was all positive things. I also thank her again for signing my programme and especially for talking to my mother and being so insightful.
A full review can be found within my blog.
Humble Boy – directed by the always very busy Paul Miller, I wish it would do a national tour. If it did this, I would certainly write a full review. It is one of those plays I think people should see. It was a funny play that tackles love, death, friendship and the importance of bees. This play had it all. It had emotion, serious and tender moments, poignancy as well as so much humour. It was so well-written by Charlotte Jones.
The set was amazing. I saw it in a round theatre and it was set in a garden. The time it must have taken to set up the scenery must have been immense. Parts were actually real plants. I loved having to walk on the cobblestones to my seat with my friend (we were on the front row and the set started right in front of the front row). The cast were all fabulous – Belinda Lang (from 2 Point 4 Children she played the mother and other shows and theatre), Paul Bradley (Cardio-surgeon in Holby City and other shows), Selina Cadell (Pharmacist in Doc Martin and other shows), Jonathan Broadbent (Silent Witness and other shows). There was also Christopher Ravenscroft and Rebekah Hinds.
The cast all sounded like they enjoyed performing this show at the Orange Tree Theatre in Richmond, London. It was a joy and privilege to catch up with the cast after the show, of which I thank them for their time and their sheer kindness and also for signing my tickets.
The Importance of Being Earnest – This was a fun production of Oscar Wilde’s play, brought to the Vaudeville Theatre by Classic Spring. It was in London (another play I think should tour. His plays do tour from time to time nationally within the UK, so do look out for them. The play was full of humour and was recognisable from the film-version of the play. There was again, another great cast, most notably – Stella Gonet (House of Elliott, Holby City, Outnumbered and much more), Sophie Thompson (Coronation Street and much more, also sister of Emma Thompson), Jeremy Swift (Downton Abbey) and many more. A full review can be found in my blog. I thank Stella Gonet again for having a very pleasant chat and for asking if I would like my programme signed.
De Pro-fundis – Simon Callow performed this in Edinburgh for the Fringe Festival when I saw it. This was a play I just had to say Wow at. I was hooked from the beginning to the end. I have seen quite a number of his one-man plays before. All are amazing and this was no different. It was played with conviction, energy and how he remembers all those lines, I will never know. If you ever see Simon Callow is doing a one-man play or even doing a book talk, I urge you to go. De-Profundis was the letter Oscar Wilde wrote from prison. It was haunting, dark. No one talked, no one made a noise in the audience, you could hear a pin drop, until the stunned audience erupted in applause at the end. He captured everyone from start to finish. The set was minimalist, his performance was passionate and full.
I have some plays already booked for 2020 of which I shall review and I am planning on doing a quick resume of different plays and musicals I have seen as many of them still run in theatres today and I suspect they will for many years to come. This will be done in- between book reviews and the occasional article. I’ve plenty of exciting things to be blogging about in 2020 and I hopefully many more exciting opportunities will crop up in the future. For now, I hope you enjoy what I have for my 2019 resumes and all else that is on my blog. I hope you all had a great Christmas and I wish you all a Happy New Year and all the best for 2020. Thank you too for following and reading my blog, without such, it wouldn’t exist. I love writing my blog and always grateful to those who give me opportunities to review and to write and to talk to people and to those who read what I write. Thank you!!!!