Interview with Author Gabriel Tait
written by Louise
Bookmarks and Stages

Gabriel Tait is an independent author from Toronto and writes a psychological thriller series, consisting of Meeks and The Ranleigh Tapes with a third on its way. He has been sober for over 2 decades and to a certain extent brings this and city life to his novels, giving them some authenticity. In his books, he explores addiction, recovery, identity and memory.
In the first, Meeks, you meet him working in a warehouse in Toronto in the late 90’s. There’s a story arc for readers to follow, where there’s a “door” leading him into addiction and a path of violence and how it takes hold, eating his soul as he loses a solid grasp on reality. By Ranleigh Tapes, time has moved on and Meeks has a sponsor. He has secrets he must disclose. The Third, Echo publishes in 2027 and will delve into Meek’s next stages.
Gabriel Tait and I cover his experiences being an independent author, his psychological thrillers, being immersed in the main character and his development as the books go on and more, including where you can find the books after what has emerged is an insightful and fascinating interview.
Let’s welcome Gabriel Tait to Bookmarks and Stages:

1. It’s interesting that you are an independent novelist in Toronto. Who or what inspired you to be an author and what made you choose the independent route to getting your books published, starting with Meeks, followed by The Ranleigh Tapes, with a third on the way?
I don’t think I was really setting out to become a novelist. I’d had the idea for Meeks since my early twenties. I used to offer it to friends who were writing or starting out in filmmaking. None of them took me up on it. Years later I told my kids the story, and they encouraged me to write it. I was turning fifty and wanted to try something I hadn’t done before. I reread Stephen King’s On Writing, sat down and started typing.
If I’m being honest, I couldn’t really be bothered to chase publishers or try to get a book deal. I just wanted to get Meeks out there and see how readers would connect with it. By the time I got to The Ranleigh Tapes, I had another reason to stay independent. I wanted to tell the story through tape transcripts, and I figured a publisher who’d picked up Meeks would have wanted something closer to the first book. I wanted to take it in a completely different direction. That freedom still matters to me with Echo.
2. What are the challenges and highs of being published independently after carrying an idea for around thirty years?
The hardest part was promotion. I got pretty lucky with Meeks. I promoted it in a Stephen King group on Facebook, and that got the first batch of reviews going. But promotion is still the biggest challenge for me as an independent author.
The high was hearing from readers. One person told me that after reading Meeks, they looked at addiction differently. They have a family member who’s struggling, and the book helped them understand what that person was going through and maybe reassess some of their own biases. That one really knocked me back.
3. Meeks is a dark psychological thriller that focuses on the life of a warehouse worker who is in the grip of addiction and is losing his grasp on reality? How did you research this and where did the idea come from?
The idea came to me when I was about twenty. It wasn’t very well developed, but I thought it was solid. I had the skeleton of a story. I had no idea then who Ranleigh Meeks was.
As far as research goes, a lot of what I drew on was my own experience with recovery. I’ve been sober for 25 years, and I understand how Ranleigh gets himself into the mess he’s in. I know how something that looks like an absolutely terrible idea from the outside can make perfect sense to you right then and there. I could write that part from experience. Ranleigh himself is a character I made up. His life and mine are very different.
4. Meeks is an unreliable narrator, what interests you about this type of narrative and what’s your thought/writing processes to ensure the narration doesn’t become reliable from your narrator?
In Meeks, the story is told in the third person, but you’re close enough to Ranleigh to see how things look to him. That’s the part that interests me. He’s in dire straits, and a choice that might make his life a little easier for an hour can make perfect sense to him. You’re hopefully in a better position than he is. You can see what he’s hoping to get out of it, and you can also see the trouble coming.
That’s what I tried to get on the page. If you can see both things at once, I can let him make the choice and get on with the story. You probably knew it was a bad idea before he did it.

5. Intriguingly, the story continues in the book, through what becomes known as The Ranleigh Tapes, presenting a confession in first person. To what extent did you find yourself being immersed into your main character, Ranleigh Meeks and what did you feel? As a reader, first person can feel quite emotive and intense. It often works well.
In preparation for it, I created a fully fleshed-out fourth step for Ranleigh that was focused mostly on his childhood and teenage years. When I actually sat down to do the actual writing, I felt at times that I might be, as strange as this sounds, and as corny as this sounds, channeling him in a way. I felt I knew him so well by this point. That didn’t happen all the time, of course.
At the end, what was most surprising is I felt like I had done a fifth step, and it was a very strange experience. I’d done those in recovery, and there was that same sense of peace and calm, and, like, that feeling of a big load off. I really didn’t expect that, and I thought that was pretty interesting.
6. Your third book will take Meeks to a different place in his life. You say you’re looking a lot about what recovery looks like over a long period of time, what changes, what stays the same and self-belief once things are figured out. What have you discovered so far that most interests you in this exploration and how are you choosing a direction for Meeks?
Well, define long-term recovery. The plan with Echo is to pick up with Ranleigh about ten years into his recovery. I think what people generally misunderstand about recovery is that you never arrive. You never get to a finish point where they give you your diploma. “Here’s your certificate.” It doesn’t work like that.
The challenge in writing Echo is similar to writing the other books. I have to go back and remember what things were like around ten years into sobriety. It’s very different from 25 years in, which is where I am now.
Ranleigh’s put together a decent amount of sobriety. His life will be very different from when we saw him doing the fifth step in his sponsor’s apartment in The Ranleigh Tapes. I’m not going to give away too much because I’m still working it out, but the bones of it are there. I think people are going to be very surprised by the third book. It will explore long-term recovery in a way I don’t think anyone is going to expect.
7. Do you have more books on the horizon after the third and where can people find them?
I have a couple of ideas percolating. Just sketches, really. So who knows? Meeks started as a very basic idea I had when I was 20, and I didn’t put pen to paper until I was 50. So going by that math, I may not sit down and do anything with the ideas I have today until I’m 80. But the short answer is no, I don’t have any plans for any books after Echo.
The links for Meeks and The Ranleigh Tapes are on my website, gabrieltait.com.










