The Good Father
By Liam McIlvanney

The Good Father, at time of writing this review has been longlisted for the McIlvanney Prize (William McIlvanney that is) at Bloody Scotland. Having just read it, I can see, with such strong writing, why it’s on such a prestigious list. Readers of crime/psychological thrillers are in for a treat. Check out the blurb below and then my review to discover more…
Blurb
‘Heart-stopping and heart-rending, this is Liam McIlvanney’s best novel yet’ VAL MCDERMID
WHEN A CHILD DISAPPEARS, NO SECRET IS SAFE . . .
Gordon and Sarah Rutherford are normal, happy people with rich, fulfilling lives. They have a son they adore, a house on the beach and a safe, friendly community in a picture-postcard town.
Until, one day, Bonnie the Labrador comes in from the beach alone. Their son, Rory, has gone – the only trace left behind is a single black sandal.
Their lives don’t fall apart immediately. While there’s still hope, they dig deep and try to carry on.
But as desperation mounts, arms around shoulders become fingers pointed – at friends, family, strangers, each other. Without any answers, only questions remain. Who can they trust? How far will they go to find out what happened to Rory?
And the deadliest question of all: what could be worse than your child disappearing?
When the truth begins to emerge, they find themselves in a world they could barely have imagined.
‘Beautifully written, this is easily one of the finest crime novels I’ve read in a very long time’C.M. EWAN
Review
The writing stops you in your tracks right from the start. It grabs your attention in a way that makes you want to drop everything else that you’re perhaps supposed to do and read on.
Readers meet Robert Rutherford and before his name is even mentioned, there’s a sinister feel just before the blow of full-on directness in behaviour. His and Sarah’s son has gone missing. There’s the usual finger-pointing at the parents and the seaside town wanting to move on. There is also, however some strikingly beautifully, yet heart-wrenching passages of overwhelming sadness and despair and how that can feel. You go on a very emotionally charged journey with them, following them every step of the way to try and find out what happened to Rory. As you do so, you also see other people’s perspectives too, which is interesting as is the time-lapses. You also see the lengths people will go to in such a situation and feel the tensions mount. Who is trustworthy and who is not?
There are some shocking twists, clearly not written just for the shock factor, but really work in-line with the storyline and yet also keep you hooked in. There are a few hard-hitting themes that bring current topics to the forefront and are addressed very well.
The Good Father is a strongly written emotional psychological thriller for summer that entrances and captivates into a seaside town with sinister activity.



















