#MusicAwards Nominations for #MusicVideoAwards 2024 Ahead of Ceremony on 24th Oct shared on-behalf of Wasted Youth Music @wastedyouthpr #Music

UK MUSIC VIDEO AWARDS 2024: NOMINATIONS REVEALED 
AHEAD OF AWARDS CEREMONY ON OCTOBER 24TH

UK MUSIC VIDEO AWARDS 2024: NOMINATIONS REVEALED 
AHEAD OF AWARDS CEREMONY ON OCTOBER 24TH

 
 
 
CHARLI XCX LEADS THE PACK WHILE JADE, RAYE, ANTSLIVE, FONTAINES D.C., METTE AND CHILDISH GAMBINO ALL SCORE BIG IN THE NOMINATIONS FOR THE PREMIER GLOBAL CELEBRATION OF MUSIC VIDEO CREATIVITY
Charli XCX leads the nominations at this year’s UK Music Video Awards with a suite of attention-grabbing videos. The artist sees her videos for 360Von Dutch and Guess, her collaboration with Billie Eilish, pick up a total of 7 shortlist places across the music genre and craft categories, the most by any single artist, in the annual celebration of music video creativity.
 
In hot pursuit, Jade wins 5 nominations, 4 for the official music video for Angel Of My Dreams by last year’s Best Director winner Aube Perrie, as well as a nod for the live version helmed by Theo Adams and Sophie Muller. Among the other British artists to make headlines in the shortlists, the ever-charismatic Raye and AntsLive pick up multiple nominations for their music videos and live videos, while Irish rockers Fontaines D.C. win a total of 5 mentions for their innovative videos for Here’s The Thing  and Starburster. They head a list which includes multiple nods for Coldplay, James Blake, The Rolling Stones, The Chemical Brothers, Ezra Collective, IDLES, Mura Masa and Jeshi demonstrating the breadth of music video creativity over the past year.
 
Among the international artists, previous UKMVA multi-nominee Childish Gambino leads the way with 5 nominations and last year’s Video of the Year winner, Mette, scores 4 places for her video for Bet. The video for the collaboration between Free Nationals, A$AP Rocky and Anderson .Paak for the track Gangsta also gains 4 nominations, while Camila Cabello, Jeremy Pope, Justice, KamasiWashington, Rage Against The Machine, Wallace Cleaver and Yseult receive multiple mentions in this year’s list of nominations for over 35 awards, celebrating the best work in music videos in the UK and around the world, and the creative and technical talent behind them. 
 
 
 
The winners at this year’s UKMVAs will be announced at the awards ceremony which takes place at Magazine London on October 24th, when directors and production companies will be celebrated for their outstanding creative work alongside other filmmaking talent in areas including Cinematography, Colour grading, Production Design, Choreography, Styling, Editing, Animation and Visual Effects.
 
Among the directors on this year’s list, Frenchman Aube Perrie leads the pack with a total of 9 nominations for his work with Jade, Fontaines D.C. and South Korean rapper RM, while British talent Aidan Zamiri and Tom Emmerson score multiple mentions for their work with Charli XCX and AntsLive respectively. They face off in the Best Director category against the multi-nominated François Rousselet and American director C Prinz, and previous two-time winner in the category, Tanu Muino. 
 
Among the new directing talent on the list, British director Billy King leads the way with 5 nominations for his work with Konyikeh and AntsLive, closely followed by British brothers The Reids for their videos for James Blake’s Thrown Around and Mura Masa’s Rise, and French duo Sang Froid, recognised for their work with Paris-based rapper Wallace Cleaver. In the Best New Director category, they will contend with Jake Erland, Pedro Takahashi and Zac Dov Wiesel for the title. Other directors with multiple nominations are Otis Dominique for his collaboration with Raye on Genesis, London filmmaker Luna Carmoon for her video for Fontaines D.C.’s Here’s The Thing, and previous Best Director winner Hiro Murai returning to the shortlist with his video for Childish Gambino’s Little Foot Big Foot.
 
This year’s shortlist for the Best Performance in a Video category, designed to spotlight outstanding on-camera performances by artists, actors and ensembles in music videos, this year features stellar turns by AntsLive, Childish Gambino, Jade, Mette, Raye and two young actors portraying A$AP Rocky and Anderson .Paak in François Rousselet’s video for Gangsta.
 
The hotly-contested Best Production Company award, presented in association with Kodak, this year sees a face-off between 6 strong contenders, all renowned for their output of music videos: Riff Raff FIlms, Object & Animal, Pulse Films, Stink Films, DIVISION and Iconoclast.
 
Since its inception in 2008, the UKMVAs has grown into the leading global awards programme for music video creativity, the most important annual event in the calendar for the world of music video production. The global reach of the competition saw entries from 33 different territories. Tickets for the awards show at Magazine, London on October 24th are on sale now at www.ukmva.com.
 
 
UK Music Video Awards 2024 – Nominations 
 
Best Pop Video – UK in association with Cinelab Film & Digital
Charli XCX – 360
Jade – Angel Of My Dreams
Coldplay – feelslikeimfallinginlove 
RAYE – Genesis 
Dua Lipa – Illusion 
Charli XCX – Von Dutch 
 
Best Dance / Electronic Video – UK
Charli XCX ft Billie Eilish – Guess 
James Blake – Playing Robots Into Heaven
Supermodel – Push 
The Chemical Brothers ft Beck – Skipping Like a Stone
Fred again.. & Lil Yachty & Overmono – stayinit 
James Blake – Thrown Around
 
Best R&B / Soul Video – UK
Sampha – Can’t Go Back
Ezra Collective ft Yazmin Lacey – God Gave Me Feet For Dancing
Mabel ft Shygirl – Look At My Body pt ll
Leigh-Anne – My Love
Anaiis – Openhearted
Olivia Dean – Time
 
Best Rock Video – UK
The Rolling Stones – Angry 
IDLES – Dancer 
IDLES – Gift Horse 
Stone – Queen 
Fat Dog – Running 
Fat White Family – Work 
 
Best Alternative Video – UK
The Irrepressibles – Be Wild
Skinny Pelembe – Don’t Be Another
Depeche Mode – People Are Good
The Smile – Wall of Eyes
Metronomy x Naima Bock x Joshua Idehen – With Balance
Joe Armon Jones & Hak Baker – Wrong Side Of Town
 
Best Hip Hop / Grime / Rap Video – UK
AntsLive – Captain Ants
J Hus – Cream 
Jeshi ft Fredwave, Louis Culture & J Caesar – Disconnect!  
Unknown T ft Loyle Carner – Hocus Pocus
Meekz – Mini Me’s
Bashy – Sweet Boys Turned Sour
 
Best Pop Video – International
Mette – Bet
V – FRI(END)S
Camila Cabello ft Playboi Carti – I Luv It
Miki Matsubara – Mayonaka no Door / Stay With Me
Olivia Rodrigo – Obsessed 
Lisa (from BLACKPINK) – Rockstar 
 
Best Dance / Electronic Video – International
Salvatore Ganacci & Tommy Cash – Ass & Titties
Yseult – Bitch You Could Never
Innellea x Flowdan – Forward Forever
Justice – Generator 
Confidence Man – I Can’t Lose You
Apashe – Revenge Of The Orchestra
 
Best R&B / Soul Video – International
Kamasi Washington ft George Clinton, D Smoke – Get lit
Ravyn Lenae ft Childish Gambino – One Wish
Kamasi Washington – Prologue
Omar Apollo – Spite
Jeremy Pope – U Lost + What I Gotta Do
Moses Sumney – Vintage 
 
Best Rock Video – International
Fontaines D.C. – Here’s The Thing
Childish Gambino – Lithonia
Zach Bryan – Nine Ball
Falling In Reverse ft Tech N9ne – Ronald
Rage Against The Machine – Sleep Now in the Fire
Fontaines D.C. – Starburster
 
Best Alternative Video – International
Hyukoh, Sunset Rollercoaster – Antenna
Nick Leng – Beetlebugs
Judeline – Inri
RM – LOST!
Mitski – My Love Mine All Mine
Jerry Paper – Scenic Route 
 
Best Hip Hop / Grime / Rap Video – International
Mula B – Blokke Gepikt
Megan Thee Stallion – Cobra
Doja Cat – Demons
Travis Scott ft Playboi Carti – FEIN
Free Nationals, A$AP Rocky, Anderson .Paak – Gangsta
Childish Gambino – Little Foot Big Foot
 
Best Pop / R&B / Soul Video – Newcomer
Rio Rainz – BAD 
Konyikeh – Lie To Me
Matilda Mann – Meet Cute
Hillari – New Beginnings
Moonchild Sanelly – Scrambled Eggs
Joalin – Without You
 
Best Dance / Electronic Video – Newcomer
FEUX – Angel
Siriusmo ft Mr Oizo – Doppelklick
Realo – Money Up Pants Down 
Mura Masa – Rise
Elisa Delage – Shikaponk
Lydsten – You won’t / Burn / _Yourself
 
Best Rock / Alternative Video – Newcomer
Oracle Sisters – Alouette
Sam Akpro – Death by Entertainment
Honeyglaze – Don’t
Humane The Moon ft Jeshi – K9
Elbow – Lovers’ Leap
DEADLETTER – Mere Mortal
 
Best Hip Hop / Grime / Rap Video – Newcomer
Audrey Nuna – Cellulite
John Glacier – Cows Come Home
AntsLive – Cutlery
Yvnnis – Gare du Nord
ONHA – Kodak
Wallace Cleaver – Plus rien n’est grave
 
Best Live Video
Jade – Angel Of My Dreams (live)
Omar Apollo – Dispose of Me
Yard Act – Live From Utopia 
RAYE – Oscar Winning Tears (Live at the Royal Albert Hall)
Fred Again.. x Anderson. Paak ft Chika – Places To Be
Washed Out – Waking Up (Eclipse Live Session)
 
Best Special Visual Project
Baloji – Augure: infinite trolling
Childish Gambino – Bando Stone & The New World
Arssalendo – Chiamere Casa Sempre Lo Stesso Posto
Kamasi Washington ft George Clinton, D Smoke – Get Lit
Rage Against The Machine – Sleep Now in the Fire
The Avalanches – Yeah The Boys
 
Best Performance in a Video
Jade – Angel Of My Dreams
Mette – Bet
AntsLive – Captain Ants
Free Nationals, A$AP Rocky, Anderson .Paak – Gangsta
RAYE – Genesis
Childish Gambino – Little Foot Big Foot
 
Best Production Design in a Video
Yseult – Bitch You Could Never
Porter Robinson – Cheerleader
Olly Alexander – Dizzy
Free Nationals, A$AP Rocky, Anderson .Paak – Gangsta
Charli XCX ft Billie Eilish – Guess
RM – LOST!
 
Best Styling in a Video 
Charli XCX – 360
Jade – Angel Of My Dreams
Free Nationals, A$AP Rocky, Anderson .Paak – Gangsta
Fontaines D.C. – Here’s The Thing
Fontaines D.C. – Starburster
Crystal Murray – Starmaniak
 
Best Choreography in a Video
Mette – Bet
Soprano – Facile À Danser
Ezra collective ft Yazmin Lacey – God Gave Me Feet For Dancing
Childish Gambino – Little Foot Big Foot
Molchat Doma – Ty Zhe Ne Znaesh Kto Ya
Jeremy Pope – U Lost + What I Gotta Do
 
Best Cinematography in a Video in association with Harbor
Justice – Generator
RAYE – Genesis
Lil Dicky – HAHAHA
Fontaines D.C. – Here’s The Thing
Alaskan Tapes – Of Woods And Seas
James Blake – Playing Robots Into Heaven
 
Best Cinematography in a Video – Newcomer 
James Massiah – Charlie
Chameleon – I Never Knew You Well
Konikyeh – Lie To Me
Wallace Cleaver – Plus rien n’est grave
Stone – Queen
ĠENN – The Sister Of
 
Best Colour Grading in a Video in association with Studio RM
Charli XCX – 360
Pink – All Out Of Fight
AntsLive – Captain Ants
Friedberg – My Best Friend
Alaskan Tapes – Of Woods And Seas
Cassie Marin – Tanto
 
Best Colour Grading in a Video – Newcomer 
Say Lou Lou – Dust 
Nick Wilson – For You It Was Him
Konyikeh – Lie To Me
Downtown Kayoto – My Best
Wallace Cleaver – Plus rien n’est grave
Nia Archives – Unfinished Business
 
Best Editing in a Video in association with Digital Beauty Work
Jade – Angel Of My Dreams
Hyukoh, Sunset Rollercoaster – Antenna
Jeshi ft Fredwave, Louis Culture & J Caesar – Disconnect!
Camila Cabello ft Playboi Carti – I Luv It
Charli XCX – Von Dutch 
Joe Armon Jones & Hak Baker – Wrong Side Of Town
 
Best Editing in a Video – Newcomer 
John Glacier – Cows Come Home
Yvnnis – Gare du Nord
ONHA – Kodak
21 Savage – Redrum
Mura Masa – Rise
KiLLOWEN x Tommy Villiers – Top Bins
 
Best Visual Effects in a Video
The Rolling Stones – Angry
Mette – Bet
Justice – Generator
RM – LOST!
The Chemical Brothers ft Beck – Skipping Like a Stone
Cassie Marin – Tanto
 
Best Animation in a Video
L’Impératrice – Danza Marilù
Elsa y Elmar – entre las piernas
Coldplay – feelslikeimfallinginlove
HONNE – Girl In The Orchestra
Sad Night Dynamite – Wake Up, Pass Out
Danny Brown – Y.B.P.
 
Best Creative Commissioner 
John Moule
Kat Cattaneo, Sony Music Entertainment UK
Louis Danckwerts, Polydor
Michael Lewin, Sony Music Entertainment UK
Scott Wright, XL Recordings
Theresa Adebiyi, Warner Music UK
 
Best Agent
Alex Brinkman, Object & Animal
Alexa Haywood, FreeAgent UK
Andre Reid-McKinley, REPmedia
Claire Stubbs & Connie Meade, Mouthpiece
Lee Fairweather, Leethal Reppin
Sarah Boardman, Joceline Gabriel & Camille Semprez, HANDS
 
Best Director in association with Electric Theatre Collective
Aidan Zamiri
Aube Perrie
C Prinz
François Rousselet
Tanu Muino
Tom Emmerson
 
Best New Director in association with LEAP 
Billy King
Jake Erland
Pedro Takahashi
Sang Froid
The Reids
Zac Dov Wiesel
 
Best Producer in association with WPA UK
Chris Murdoch
Ernest Bouvier
Manoela Chiabai 
Rowan Mackintosh King
Theo Hue Williams
Two Happy (Joseph J Goldman & Luke Tierney)
 
Best Executive Producer 
Alex Brinkman, Object & Animal
Dom Thomas, Object & Animal
Dominic Mckiernan, Stink Films
Elena Argiros & Rik Green, Pulse Films
Frank Borin & Ivanna Borin, Underwonder Content
Jules de Chateleux, DIVISION
 
Best Production Company in association with Kodak
DIVISION
Iconoclast
Object & Animal
Pulse Films
Riff Raff Films
Stink Films
 
Video of the Year
To be announced on the night

#MusicRelease of Forgotten Pharaohs – New Album – King of Mirrors on behalf of #WastedYouthMusic @wastedyouthpr #Music #Gig

I am sharing this on-behalf of Wasted Youth Music. giving people a second chance in their music careers. Find out more after this release:

FORGOTTEN PHARAOHS  

WILL RELEASE THE ALBUM ‘KING OF MIRRORS’ 

ON 20TH SEPTEMBER ON CREATION YOUTH

LISTEN TO DEBUT SINGLE ‘CAROUSEL’ 

WATCH THE LYRIC VIDEO

Credit: Gary Walker

Introducing Forgotten Pharaohs, the first signing to Creation Youth, the new label from former Creation label boss and artist manager Alan McGee and Grammy-winning producer and Killing Joke bassist Martin ‘Youth’ Glover. The album ‘King Of Mirrors’ will be released on 20th September. 

From the beach fires of San Francisco, via the vistas of the Sierra Nevada to the Welsh mountain hideaways of ancient princes, the Forgotten Pharaohs debut King of Mirrors is a worldly wonder, crafted by a classic rock journeyman. Born in Frome in Somerset but raised on the sounds of the American west coast, frontman Christian Pattemore is the archetypal man out of place and time; a Laurel Canyon dreamer from 1973 materialised amidst the ancient landscapes of rural Wales.

Released in June, debut single ‘Carousel’, an elemental voodoo blues, seems to transpose Christian’s blue-collar struggles in Wales to a metaphorical US Civil War setting. “The ‘frontier town’ in the lyrics, is actually Hay-on-Wye because it’s a border town,” he says. “The ‘ten years crawling through the trenches’ is literally working in the trenches on a lavender farm. It’s about my life in Wales, and what I’ve had to live through. It’s very authentic.” This track has a timeless, pan-Atlantic quality with its Laurel Canyon style layering of blues, folk, rock and dark psychedelia.

Between shows as a session bassist, Christian makes a living as a handyman on a lavender farm. Working the land provided him with plentiful inspiration for the songs he was composing out in the wilds. “For six months I had to cycle to the lavender farm which was 10 miles over the mountains,” he recalls. “I’ve done that in all sorts of weather. I remember riding in a hailstorm over the mountains to get to work to earn some money. It’s a proper Victorian existence, but it’s character building and I’m glad I did it.”

He further fed his Seventies Laurel Canyon obsession by taking a second job in a record shop in Hay-on-Wye. “I never took pay,” he says. “Instead I got as many LPs as I could by artists like Neil Young, Crosby Stills and Nash, Joni Mitchell, Little Feat, Steely Dan, anything Seventies Laurel Canyon, to learn more about this amazing music.”

Such natural talent naturally finds the sun. One fateful school sports day, Christian’s croc flew off as he crossed the finish line as winner of the dad’s egg and spoon race and landed at the feet of a fellow parent by the name of Alan McGee, the music industry legend behind the Creation and Poptones labels. “He looked at me and he goes ‘okay, that kid’s got some fight in him, I’m intrigued’,” Christian says. A demo changed hands, and eventually things fell into place during a writing session at Alan’s London flat around 2018 which resulted in a stirring canyon ballad called ‘Drive’, which features on the album, about finding strength in the personal in a world gone mad: “foreign nations go to war, turn the light off, you can do no more”. “I don’t do the politics thing but I was so upset about the Trump administration,” Christian explains.

Alan passed the song to Killing Joke bassist and celebrated producer Youth. “The original version was six minutes long and Youth goes ‘it sounds like Zeppelin but it needs a chorus’,” says Christian. “He just took it onto another level, raised the bar completely. He said to Alan, ‘Chris has got an album in him and I want to do this’.”

Meanwhile, accompanying Alan on a 2022 Cast tour reacquainted Christian with the band’s guitarist Liam ‘Skin’ Tyson, whom he’d previously known through Robert Plant camp connections in Bath. Recognising a fellow rock soul, Skin agreed to join Christian in Forgotten Pharaohs, adding volcanic riffs and primal fire to his songs at sessions in Wales and at Youth’s studio in the Sierra Nevada, near Granada in southern Spain later that year. “Working on the songs with Christian was very easy,” Skin says. “Like discovering some great lost music that I missed, but really we created something brand new.”

“This album sounds like a record from 1974 that got forgotten about,” says Christian; a dusty supergroup collaboration between CSNY, The Band and Steely Dan perhaps, remixed for the modern day by Queens of the Stone Age. Certainly the crackling power and rich imagery of King of Mirrors – along with its expert Laurel Canyon style layering of blues, folk, rock and dark psychedelia – have a timeless, pan-Atlantic quality. Lead single ‘Carousel’, an elemental voodoo blues, seems to transpose Christian’s blue-collar struggles in Wales to a metaphorical US Civil War setting. “The ‘frontier town’ is actually Hay-on-Wye because it’s a border town,” he says. “The ‘ten years crawling through the trenches’ is literally working in the trenches on a lavender farm. It’s about my life in Wales, and what I’ve had to live through. It’s very authentic. When I’m writing about things it’s like synaesthesia. You play a chord and it just tells you what to write. I don’t question it too much.”

Failure for King of Mirrors doesn’t seem an option. This is the record that galvanised McGee and Youth to launch a brand-new label Creation Youth, with Forgotten Pharaohs as the first full-length release. “It’s early stages but there is a lot of buzz about it,” Christian says. “It’s very exciting. it’s a real honour.” For this musical visitor from 1973, his time has finally come.

TRACKLISTING
1. Carousel
2. Life To Burn
3. Yes I Believe
4. Soul On Fire
5. Drive
6. Bryn Yr Hydd
7. Cable Bay
8. From The Heart
9. Chameleon
10. Giving The Best Away

LIVE DATES
28th August – Water Rats – London
25th Sept – 100 Club – London
15th Nov – Barrowlands (Embrace support) – Glasgow
5th Dec – Dingwalls (Huey Morgan support) – London

About Wasted Youth Music

Wasted Youth Music began as a PR company in 2002, founded by Sarah Pearson who went on to be nominated for Woman Of The Year at the Women In Music Awards and PR Campaign Of The Year at the Music Week Awards, building the company to become one of the UK’s leading music and culture PR agencies.

Alix Wenmouth joined in 2010 as senior publicist, heading up the PR department. She has spent the last decade building an enviable roster of clients, working with major labels, independent labels and artists directly such as John Lydon, Moby, Anton Newcombe, Brix Smith Start and Wendy James.

Wasted Youth Music has evolved to include artist, label and event management and is proud to represent and work with some of the leading lights in music, art, events and more.

#Review of Behind The Curtain By Anita D. Hunt #AnitaDHunt @between_pr #PsychologicalThriller #Thriller

Behind The Curtain
By Anita D. Hunt

Rating: 5 out of 5.

A bit late, due to illness, here is my review on the Reading Between The Lines blog tour for psychological thriller, Behind the Curtain. Can Penny escape and what happened to the first wife? What happens Behind The Curtain isn’t all a bed of roses… Let’s pull back the curtain bit by bit as you discover the cover, blurb, then my review. If you choose to read the actual book, you’ll finish up wanting to pull the curtain wide open after many peeks in.

Behind The Curtain

Blurb

Two wives:
One dead,
One alive,
One 
perfect husband

Penny-May cannot quite believe her luck when the handsome and charming Sam is interested in her, especially so soon after the death of his first wife, Lucy.

As the relationship develops and Sam’s true nature begins to emerge, Penny-May believes that it is all her fault for not being perfect, for not doing as she is told, for not being Lucy.

After all, according to everyone else, he’s the perfect gentleman. Isn’t he?

As desperation sets in, Penny-May is stunned to come across the diaries of Sam’s first wife.

Will the legacy of Lucy’s hidden diaries finally give Penny-May the strength and upper hand to escape Sam?

Review

Dare to slowly peel back the curtain to see what you’ll find…

Is Sam so perfect or is he too good to be true? That’s the question. He’s the perfect gentleman, comes across as treating people well enough and is seen by people as a bit of a heart-throb to boot. He’s the type of man Penny-May fell for and Lucy, before him, until she died. He comes across as a lovely, unfortunate guy who was recently widowed… until more details emerge…

Behind the Curtain examines men like this, who come across as easy to fall for, who are deceptive in their nature, with the dark-side being well hidden, until a moment in time comes and bit by bit it starts to break out.

Penny-May does the classic thing of examining herself and wondering if the problem is her, if she isn’t perfect enough for Sam, if she just isn’t good enough when his behaviour changes. The love wasn’t skin deep, it had penetrated further, she really fell for him and the abuse that emerged crept under her, harming her, slowly penetrating into her psyche, chipping away. She comes across diaries from his first wife and they’re so revealing about what happened to her. You wish she came across them earlier, before she fell in love with him, but life doesn’t work like that, so that wouldn’t have been realistic. The book has a realism about it, it’s so well done.

For some, Behind The Curtain may be a difficult read, but I found it fascinating, even with it striking a certain chord, hitting all the emotional points and compels that will for Penny-May to be alright in the end and to get through it and escape.
It’s very well written. 

 

#Review By Lou of Private Investigations – A Lara Arden Crime Novel By Rob Gittins @Gittins2Rob @HobeckBooks #Thriller #BlogTour

Private Investigations
By Rob Gittins

Rating: 5 out of 5.

I am thrilled to receive the second instalment of the Lara Arden crime series for the blog tour after the rather chilling debut, Can I Trust You? A bit late, due to illness, here is my review of Private Investigations, but first, take a look at the cover and blurb…

Rob Gittins

Blurb

Private InvestigationsA young girl is in a coma after a tragic road accident. Another young girl has washed up on a remote beach, her identity unknown. An old man is murdered and hastily buried in a makeshift grave. A tormented pastor is unable to erase old misdeeds.

Different souls, but with one common link – the past.

Detective Inspector Lara Arden has her own demons to deal with. But as she investigates this raft of seemingly disparate crimes, she begins to suspect there’s a further common link at work here – her own past.

When all roads lead back to a former children’s home called Kenwood – and a macabre half-size windmill sited in its grounds – suspicion hardens into conviction.

Lara always believed that Kenwood had to be destroyed. Its old stories haunted it too strongly, like spirits yet to find their voice.

But do the tendrils of its past cling to everyone associated with it, too?

And do they need to be destroyed as well?

Review

Near death and actual death gives DI Lara Arden a lot to hit her desk that requires investigating. All leads to former children’s home, Kenwood. From there, it becomes increasingly darkly atmospheric. Windmills can either be romantic, curious or dark objects. This one errs more to the dark side. It has a past that lingers across it and the grounds. I imagine if you stood there, you would feel it in the air above. It can certainly be felt as the pages turn.

Weston, now in a hospice, gets a visit from DI Arden. She has a letter in her hand and wants to know more about what went on in the place. It’s brutal and highlights a dark truth of some places and of some people who become corrupt and of the secrets kept by the victims.

Whilst trying to solve the crimes, DI Arden isn’t without her own demons from her past. There’s fascinating character exploration within the book as well as the mystery to solve, all culminating a surprise ending.

Second books are some of the hardest, lots of authors say so, well this one was well worth the wait!

“Rob Gittins is a highly acclaimed dramatist whose work has been enjoyed by millions
in TV and radio dramas.’
Nicholas Rhea – author of the Constable series, adapted for TV as Heartbeat.”

#Review of Peter May In Conversation with Craig Robertson @BloodyScotland Inc Link To Watch @authorpetermay @CraigRobertson_ #BloodyScotland

Peter May In Conversation with Craig Robertson

The Black Loch cover

Black Loch is Peter May’s latest book, set 10 years later than the previous Hebridean/Lewis book. You can find out more here: The Black Loch

I saw this talk in person. You can watch this until end of September online. The link at the end of my review.

He discussed his career as a journalist and working in tv and becoming an author. It came as quite a surprise how challenging it was to get published and how no one initially wanted to publish The Black House, which later became book 1 of the highly successful Lewis Trilogy. Now, he’s been tempted back to writing more set in this area all these years later. The Black Loch is out now! You won’t be disappointed. It turns out, it was as wise move to return to the Hebrides.

He wrote a series set in China, which was intriguing to hear about as he talked about actually going over to the country. He divulged about a “propaganda office” which was not as scary as it sounds and was a marketing department for books. It was interesting to hear about how things work in a different country to the UK. He also talked about his publisher liking this series and urging him to carry on, but how he. at a certain stage, wanted to move onto writing other things.

Overall, it was an insightful, interesting talk.

You can watch this until 30th September from the Bloody Scotland site here: Digital Link

*Please note I am not affiliated nor gain from Bloody Scotland, just merely sharing the digital link.

#Review By Lou of The Rest is History @BloodyScotland panel – Elini Kyriacou, David Grieg, AJ West #EliniKyriacou #DavidGrieg @AJWest #HistoricalCrime #Thrillers

The Rest is History
Elini Kyriacou, David Grieg, AJ West

Rating: 4.5 out of 5.

The Unspeakable Acts of Zina                 Columbas Bones                The Betrayal of Thomas True

The Unspeakable Acts of ZinaElini Kyriacou’s novel, The Unspeakable Acts of Zina Pavlou  was chosen for Between the Covers on BBC2. I seem to remember watching this episode.
Based on true events. it tells the story of the penultimate woman to be hanged in Britain. The audience were told about how it is told from the translator’s view.
It’s set in the 1950’s and she fascinatingly talked a bit about these times and how she indulged in researching the different cigarette brands, what the branding looked like, thinking about how her characters would feel and what it meant to have a certain brand… After watching a documentary about the last person to be hanged and being impressed by the balance the presenter/historian presented, I felt it would be interesting to hear about this particular case too. 

Columbas BonesDavid Grieg’s book, Columbas Bones takes readers into Vikings times, so pretty different for a crime novel. One Viking wakes up the next morning to find himself alone, hungover, and abandoned by his crew mates. He can’t swim, there are no boats, and the only surviving monk on the island has taken his sword….
He’s looked at the period of 835 and is steeped in the history of real monks in Iona, philosophy, meditation and a time of religious change. He talked about Christianity spreading into countries and communities of people who had different standards and beliefs and some people taking on this new religion. Crime, he reassured people, does happen as it is a crime book after all. He also talked about how this was interesting to research. 

The Betrayal of Thomas TrueAJ West’s book, The Betrayal of Thomas True, essentially takes readers into a little known part of  history. We’ve all heard of the term, mollycoddling or mollycoddle, but probably have not ever thought about its origins or that you can split the word. So, splitting the word for a moment we have – Coddle – to treat someone gently and Molly, which has its origins as far back as at least the 18th century, the time of Molly Houses. Mollies was the term used for effeminate homosexual men. It was fascinating hearing about this, since language evolves as it is a living thing (so said Melvin Bragg in The Adventure of English), but certain words remain in some way or another.

His book promises to take readers on an emotional journey to the Molly Houses. He tells of some horrific things that happened to gay people, but how the Molly Houses were places of sanctuary and refuge. What was pleasing and perhaps surprising to hear was that it wasn’t always other gay people taking them in, they were straight people who wanted to protect them. So, it sounds quite a book of exploration.