#Review by Lou of Jess Robinson – Your Song @jessrobinsonofficial @ARedinburgh #GeorgeSquareGardens #PiccoloTent #YourSong #EdFringe #EdFringe25 #Music #Musical #Comedy

Jess Robinson – Your Song

Rating: 4.5 out of 5.

Jess Robinson is known for being on tv programmes such as Dead Ringers and The Last Leg.

Jess Robinson has divas in her head just desperate to get out to sing the tracks of her life, which come from her love and admiration of Elton John. She’s a powerhouse as she belts out songs that pay homage to him, but in various “divas” voices from Billie Holliday to Kate Bush to Britney Spears to Amy Winehouse to Billie Eillish and more…
There’s even an amusing duet involving “Katherine Jenkins” and “Mary Poppins”. As surreal as it sounds, this is a very well put together show, which shows a large range of her impressionist talents. There’s also a bit of funny satire smartly put in there too. When she sings a song straight, she actually has a very listenable singing voice. Whether its her own voice or impersonating someone else’s voice. she has a large vocal range, whether its a popstar or she’s hitting the highest notes of an opera singer.

If you want to see what many female divas sound like singing Elton John songs, then check out more info here for Your Song

Jess Robinson also mentioned she has a book coming out soon. Published by Harper Collins, this biography tells the story of a member of her family in war times and also weaves Jess’s life in here and now in modern day Britain.

#Review by Lou of All Fired Up: An 80s Mixtape Musical @ARedinburgh #AllFiredUp #1980s #Mixtape #Musical

All Fired Up: An 80’s Mixtape Musical

Rating: 4 out of 5.

The 1980’s are back with a bang with this upbeat feel-good musical that will have you joining in some dance moves synonymous of the era.         

A burst of colour in the form of leotards and legwarmers and energised 1980’s music exploded onto the stage. Then we see a mother/daughter relationship have the age old argument of music tastes in a relatable generational tale, before time travelling again to the 80’s where older self meets younger self, told in an engaging journey of self-discovery.

The music chosen is wise and clever and sung by a high energy band, re-creating the favoured mix-tape songs, such as Footloose, Heaven Is A Place On Earth, Girls Just Wanna Have Fun and more, which intelligently interweave throughout the story.  
 
The songs chosen from the 80’s are still played a reasonable amount on the radio and easily found on streaming services, so many generations can enjoy this.
 
The actors/singers/dancers lift spirits and whisk their audience into a world of highly entertaining nostalgia with its vibrant, powerfully energetic, fun cast.

#Review of Shantify By Lou, where pop songs and sea shanties ride the wave – 5 stars #EdFringe #EdFringe25 #PalaisduVariété @ARedinburgh #GeorgeSquareGardens

Shantify

Review by Louise Cannon – Bookmarks and Stages

Rating: 5 out of 5.

Shantify – where pop songs are “shantified” as you ride on the wave of coastal storytelling and music for an hour of glorious fun in Palais du Variete, a beautifully ornate Spiegel Tent at George Square Gardens. Check out my review below and how you can also get your seafaring hands on a ticket.

Shantify burst onto the scene with gusto and toe-tapping well-known songs sang as you’ve never heard them before, in their beautiful home of a Spiegel tent.

Through pop songs like 9 to 5, 500 Miles, Never Walk Alone, Texas Holdem and more, sang in the style of sea shanties, we see the fishermen contemplating life and negotiating storms on the sea.

The voices of the performers are rich in vocal talents and great range. The low notes are extremely low and they hit the high notes and everything in-between as they harmonise and sing together. Their timing and rhythm was perfect!
The energising choreography and songs carry well into the auditorium and you can’t help but be swept away by what’s happening on the stage.

They have jobs in a cafe, on the boat, in a bank. They are also volunteers on the lifeboats. This is quite a touching scene and nicely done. It’s a lovely nod to all the lifeboat volunteers who rescue those in danger.

They have dreams and aspirations and perhaps a romance on the horizon.

Shantify is an uplifting, heartfelt, fully energised musical full of possibilities of changing how life goes for some and keeping traditions alive for others.

Shantify is a show you won’t want to miss off your Fringe schedule.

You can book your ticket to ride the waves of joyful entertainment here: https://www.edfringe.com/tickets/whats-on/shantify

#EdFringe #Interview By Lou with Julie Lake and Annie MacLeod about their show #ForgetMeNot #wildflowershow @julie__lake @anniemacleod @GreensideVenue

Interview By Lou with Julie Lake and Annie MacLeod
of Forget Me Not

Welcome to Bookmarks and Stages to talk about your fascinating show, Forget Me Not, which you’re performing at the Edinburgh Fringe Festival.

If you’ve ever watched Orange Is The New Black, then Julie Lake would be a familiar name. Since then she’s been more a creator of work on-screen and in music.
Annie MacLeod is and award-winning music and songwriter. 
Together, they talk about their show Forget Me Not, motherhood, being in their 40’s and re-inventing themselves and more…
Here’s the synopsis of Forget Me Not. You can find the Edinburgh Fringe link to their show at the end of the interview.

Synopsis

Orange is the New Black’s Julie Lake and songwriter Annie Macleod join forces in Forget-Me-Not, a true story of motherhood, lost love and hauntings set to original music and heart-exploding harmonies. Two estranged childhood best friends reconnect in midlife – both mothers, stifled by traditional roles and longing for more creative freedom, adventure, sexual liberation and a deeper sense of self. Through storytelling and song, they rediscover the power of their bond, finding the healing and freedom they’ve been searching for all along. A moving, magical celebration of motherhood, creativity, resilience and the transformative power of female friendship.

 

Now, let’s check out he interesting answers they gave about their show and more…

  1. Julie Lake: Who or what inspired you to act and how have you seen your career progress from being in the successful, Orange is the New Black?

I caught the acting bug at five—I wanted to be wild and expressive, but also connect with people in a way I couldn’t offstage. I was shy, secretive, and terrified of revealing too much. Writing used to scare me—I thought it might expose me as crazy or stupid. But since Orange is the New Black, I’ve shifted into creating my own work: pilots, screenplays, music—and now a live play. Turns out, sharing my inner world isn’t fatal. Just… occasionally awkward.

  1. Annie MacLeod: You’re an award-winning music and songwriter. What or whom inspired you to take this career path?

I’ve loved music and theater since high school – Julie and I performed together as teenagers, and I always dreamed of being on Broadway or performing as a musician. But I took a different path, became a nurse practitioner, and poured myself into caregiving and motherhood. For years, I made music in the cracks of my life, stealing moments when I could. But once my kids were out of the baby phase, I had this wake-up call—like, what happened to my dreams? I knew I needed to reclaim them. Our play tells the story of that transformation.

 

  1. Julie Lake: The play explores motherhood and the complex privilege and joy surrounding this. How would you describe the complications and what is it about this that makes it important to highlight?

When I became a mom, I slipped into a role that didn’t feel like me. I’d been a lifelong artist—filming a pilot at eight months pregnant that got into SXSW. But after my son was born (and then Covid hit), I disappeared into nonstop caregiving. I cried if I left him for an hour. I was secretly writing music, but had lost the courage to share it. I thought it was all over. Annie helped me find myself again. She saw me when I couldn’t. My song “Oldest Friend” says it best: “Be my witness when the fog becomes too thick, when I can’t see beyond these lines. Tell me something, that you see in these dry bones, when my worn heart has lost its shine.”

 

  1. Annie MacLeod: How did you come up with lyrics and music to convey the complexities of motherhood, so the story really penetrates into you audiences? There’s a song in the show called The Sacrifice that poured out of me during a time I was reckoning with how my own mother’s pain shaped my experience of motherhood. My dad left when I was a baby, and my mom—who struggled with depression—sacrificed everything to raise me. But in the process, she gave up her own desires, her light. I grew up thinking I had to shine bright enough for the both of us. That sadness, that ghost of unfulfilled womanhood, made its way into how I mothered. Writing Sacrifice was the only way I could process it—through poetry and music. The song helped me turn something generational and heavy into something healing.
    “I am your lifeline, but I’m not drowning too. You say, I come from you. Oh, I come from you.”
    That’s what I want to offer my kids—and maybe the audience too.
  1. Julie Lake: What is your acting process to convey the theme of grief of futures so the audience can feel something of what you feel and get the point across about this?

Honestly, I just hope I can get through the show without crying too much. I want the audience to really hear the story and feel their own feelings—not mine. So while I’m performing, I’m often trying to hold back. The truth is, there’s no way to fully explain in words or tears the depth or duration of what Annie and I went through. All we can do is tell the truth of what happened and trust the audience to connect it to their own experiences. And the songs do a lot of the emotional work for us, too –  they’re really the emotional landscape of this show.

6 .  Julie and Annie Re-invention is a big and fully loaded theme running through the musical. How complicated do you think it is to re-invent yourself in your 40’s, what are the positives and the challenges?

Both of us made big shifts in midlife—Annie left her career as a nurse practitioner to pursue music full-time, and Julie leaned into song-writing and performing her own music for the first time at 40. Doing this as mothers was especially hard. Our culture treats anything outside caretaking or earning money as selfish—but it’s not. Reclaiming your wholeness, your voice, your creativity, is one of the best gifts you can give your kids. It’s modelling. We want our children to see what it looks like to live in alignment, not abandon yourself. That’s not selfish—it’s brave, and it’s deeply loving.

 

  1. Julie and Annie: What do you hope the audience will gain from watching your show?

We hope audiences—especially mothers—leave our show feeling seen, inspired, and reminded of their creative spark. Forget-Me-Not is a love letter to the parts of ourselves that get buried in caregiving, shame, and self-doubt. We want women to feel less alone in their struggles and more empowered to reclaim their voices and dreams.

We’re also launching workshops and women’s circles specifically for Artist Mothers—to keep this conversation going beyond the stage. It’s about building a community where creativity and motherhood can coexist.

Are you an Artist Mother too? Start here to join the tribe: https://annie-wtb3mkl5.scoreapp.com/

 

  1. Julie and Annie: What inspired you to take your musical to the Edinburgh Fringe Festival and what are you excited most about?

Julie: I’d always wanted to go to the Edinburgh Fringe Festival, but I thought that ship had sailed, that I was too old. But when we started to conceive of this show, it just came to me again, that we could apply at least? And then when we got in I flipped out, I’d have to leave my babies to do it, face so many fears, play my music for people for the first time, but I knew in my gut it was the right next step for us. And I know we would have never made this show without the looming deadline of the fringe. It was too hard, too much work, too emotionally taxing, I mean we did 30 drafts, composed 6 songs, staged the play in NYC with our magnificent director, Peter Cook (Never Sleep Alone). I’m so proud of this show that we’ve created, and whatever else happens at the Fringe is just gravy at this point.

Forget-Me-Not runs August 1–9 at Greenside @ George Street 11:40AM.

Tickets to the show: https://www.edfringe.com/tickets/whats-on/forget-me-not

  1. Where can people follow you on social

Artist Mother Quiz/ Join the tribe!: https://annie-wtb3mkl5.scoreapp.com/

Wildflowers Website: https://wildflowersshow.com/

Julie Lake Instagram: https://www.instagram.com/julie__lake?igsh=ZTVocWF1NHpzZDVm&utm_source=qr

Annie Macleod Instagram: https://www.instagram.com/anniemacleod?igsh=MWp2ZmpwN29zOTZrMw%3D%3D

Wildflowers Instagram:

https://www.instagram.com/thewildflowershow/?igsh=bWo0MXlzZXJmazB5&utm_source=qr#

Julie Lake TikTok: https://www.tiktok.com/@julie__lake?_t=ZT-8yNvJCdWAiD&_r=1

#Review of The Griffin Sisters’ Greatest Hits – The Novel By Jennifer Weiner @jenniferweinerwrites @HQstories #The GriffinSistersGreatestHits #Novel #BookRecommendation #Music #FamilySaga #FamilyDrama

The Griffin Sisters’ Greatest Hits
By Jennifer Weiner

Rating: 5 out of 5.

The Griffin Sisters shows a duo in the music world, bringing nostalgia and then tears the curtain back on fame in this engaging new book by New York Times No1 Bestseller, Jennifer Weiner that is part music world, part family drama. Thanks to HQ for providing me a copy, I have the blurb and the rest of my review below…

Blurb

The Griffin Sisters

A story of sisters, love and the power of music, perfect for fans of Daisy Jones and the Six! ”Weiner is the undisputed queen of the fun yet thoughtful poolside read” Vogue” I came for a Daisy Jones fix and left with a craving for more Griffin Sisters! The kind of immersive, uplifting read you”ll clear the rest of your day for – just wonderful” Louise Candlish”*****Fame comes at a price…

The Griffin Sisters had the world at their feet, catapulted to stardom in the early 00’s before they become one of rock music’s greatest mysteries: Zoe, effortlessly gorgeous, who loved the fans and the fame, dancing under the lights while her sister’s voice rang out across stadiums. Cassie, never comfortable with the crowds or the attention, but with the voice of a generation, rich, haunting, touched with heartbreak. It’s two decades since The Griffin Sisters broke up. Zoe’s a wife and mother, living in suburbia, occasionally recognised by a nostalgic fan. No one knows where Cassie is. The sisters haven’t spoken in years. Now, despite her mum’s warnings, Zoe’s teenage daughter, Cherry, is determined to break into the music business and to discover the truth about what happened to the band all those years ago. But as secrets emerge, Cassie and Zoe must face the consequences of their choices: the ones they made and the ones the music industry made for them. Can they forgive each other – and themselves? And will the Griffin Sisters ever make music again? From the Number 1 bestselling author Jennifer Weiner comes a glittering novel set in the world of pop music about sisters, motherhood and the dreams we chase.🎧🎤🎵🎶

Review

A great dose of nostalgia of early 2000’s/noughties is fun. It shows this time through the eyes of Cassie and Zoe Grossberg who were thrust into the crazy, chaotic pop world of fame in the group, The Griffin Sisters. They hit the big time, being covered by all the big places, including MTV and Rolling Stone. The book mixes the real with the fictional rather well. The Griffin Sisters is written in a way that this pop duo could have existed. It catches you with all the excitement and seemingly freshness that era was like. The portrayal of the energy is absolutely recognisable.

There’s a real pulling back of the curtains of fame and how pop duos, seen so together and so like each other aren’t always in reality. Zoe craved the fame, but Cassie didn’t as such. You get under their skin, see what makes them tick, and more significantly, why they broke up and what a big secret was.
Delving further into the book reveals a lot about Zoe’s and Cassie’s lives and how far removed they become from each other and those heady days. Zoe’s daughter is a good bridge between the two, although its a bit cutesy in premise to use as a vehicle to try to bring them back, but it does work in this instance. It allows the exploration of the former music duo, further, the issues faced and those needing addressing. Relationships can be complex and become more complicated over time, even with the bonds that tie them together.
Will they reunite or remain going their separate ways?

The Griffin Sisters’ is an engaging book, full of nostalgia and many emotions that make, even those who have tasted fame, human.

#Review by Lou. Moulin Rouge the Stage Musical, setting theatres on fire with Truth, Beauty, Freedom, Love @moulinmusicaluk #MoulinRouge

Moulin Rouge – The Musical

written by Louise Cannon

Rating: 5 out of 5.

Moulin Rougesets the world on fire” or at least Edinburgh Playhouse until June in a UK tour travelling further than there. The real Moulin Rouge celebrated its 135th anniversary in 2024. Like the film, the stage does it proud. I was pleased to have purchased a ticket.

High Can-Can kicks, amazing costumes, huge sets that look like pictures which people have stepped into and music galore to tell the story of the Moulin Rouge,  Satine, Toulouse Le-Trec, Satine and more…
It fills your heart with lots of emotions and leaves your heart with joy in it as you exit the auditorium. Can-Can down to the rest of my review and tour dates for one of the hottest tickets you’ll handle this year!

Enter the powerful, emotionally charged, colourful Moulin Rouge, full of dancers that are as colourful as a “firework” and stories to tell. Look into the streets, that look like moving paintings that people have magically stepped into (they’re not, the set artistry is just that incredibly created) where the Bohemians are sitting, contemplating life, that they’re “the children of the revolution” and Montmartre.

The songs are a mixture of newer, up-to-date songs and those in the film (which you may notice some of in my review). The story remains and is beautifully presented in awe-aspiring glory. Many, many medleys of various songs are expertly put together to tell the story of “Truth, Beauty, Freedom, Love” of the Moulin Rouge. A fantastically brilliant part is a romance scene where spoken word and song are weaved together, championing the idea of love. Is there “tainted love” or “bad romance”or “everlasting love” in the air?

The emotional end is simply beautifully conveyed.

All the cast exceeded expectations in dance, song, acting! They’re all ones to watch out for. Special mention to a few in some main parts:

Verity Thompson brings energy, power and emotion as she conveys Satine’s complex life. Christian, played by Nate Landskroner plays well to show love for Satine and plays off the complexities, together showing how love isn’t straight forward.
Kurt Kansley brings the bohemian, arty world to the fore in the form of Toulouse-Lautrec, conveying all the bohemian beliefs that would make anyone run off with him and join the bohemian movement. 
James Bryers as the Duke brought intrigue, wealth, a bit of menace, driving the plot forward, creating great tension. 

You’ll laugh, you’ll cry, you’ll want to join both the bohemians and the dancers in the Moulin Rouge.

By the end of the Moulin Rouge effect is “Never Gonna Give You Up”.

“Come What May”, this is “Your Song” and a musical not to be missed!

Will you go “Rolling in the Deep” or be found swinging on a “Chandelier” when you discover touring details? Join the artists, lovers and bohemians here: Moulin Rouge Tour

*please note I am not affiliated with any company or production. 

*Photos are taken by me and are encouraged before the show begins. I bought a ticket and chose to review.