#Review of Shantify By Lou, where pop songs and sea shanties ride the wave – 5 stars #EdFringe #EdFringe25 #PalaisduVariété @ARedinburgh #GeorgeSquareGardens

Shantify

Review by Louise Cannon – Bookmarks and Stages

Rating: 5 out of 5.

Shantify – where pop songs are “shantified” as you ride on the wave of coastal storytelling and music for an hour of glorious fun in Palais du Variete, a beautifully ornate Spiegel Tent at George Square Gardens. Check out my review below and how you can also get your seafaring hands on a ticket.

Shantify burst onto the scene with gusto and toe-tapping well-known songs sang as you’ve never heard them before, in their beautiful home of a Spiegel tent.

Through pop songs like 9 to 5, 500 Miles, Never Walk Alone, Texas Holdem and more, sang in the style of sea shanties, we see the fishermen contemplating life and negotiating storms on the sea.

The voices of the performers are rich in vocal talents and great range. The low notes are extremely low and they hit the high notes and everything in-between as they harmonise and sing together. Their timing and rhythm was perfect!
The energising choreography and songs carry well into the auditorium and you can’t help but be swept away by what’s happening on the stage.

They have jobs in a cafe, on the boat, in a bank. They are also volunteers on the lifeboats. This is quite a touching scene and nicely done. It’s a lovely nod to all the lifeboat volunteers who rescue those in danger.

They have dreams and aspirations and perhaps a romance on the horizon.

Shantify is an uplifting, heartfelt, fully energised musical full of possibilities of changing how life goes for some and keeping traditions alive for others.

Shantify is a show you won’t want to miss off your Fringe schedule.

You can book your ticket to ride the waves of joyful entertainment here: https://www.edfringe.com/tickets/whats-on/shantify

#EdFringe #Interview By Lou with Julie Lake and Annie MacLeod about their show #ForgetMeNot #wildflowershow @julie__lake @anniemacleod @GreensideVenue

Interview By Lou with Julie Lake and Annie MacLeod
of Forget Me Not

Welcome to Bookmarks and Stages to talk about your fascinating show, Forget Me Not, which you’re performing at the Edinburgh Fringe Festival.

If you’ve ever watched Orange Is The New Black, then Julie Lake would be a familiar name. Since then she’s been more a creator of work on-screen and in music.
Annie MacLeod is and award-winning music and songwriter. 
Together, they talk about their show Forget Me Not, motherhood, being in their 40’s and re-inventing themselves and more…
Here’s the synopsis of Forget Me Not. You can find the Edinburgh Fringe link to their show at the end of the interview.

Synopsis

Orange is the New Black’s Julie Lake and songwriter Annie Macleod join forces in Forget-Me-Not, a true story of motherhood, lost love and hauntings set to original music and heart-exploding harmonies. Two estranged childhood best friends reconnect in midlife – both mothers, stifled by traditional roles and longing for more creative freedom, adventure, sexual liberation and a deeper sense of self. Through storytelling and song, they rediscover the power of their bond, finding the healing and freedom they’ve been searching for all along. A moving, magical celebration of motherhood, creativity, resilience and the transformative power of female friendship.

 

Now, let’s check out he interesting answers they gave about their show and more…

  1. Julie Lake: Who or what inspired you to act and how have you seen your career progress from being in the successful, Orange is the New Black?

I caught the acting bug at five—I wanted to be wild and expressive, but also connect with people in a way I couldn’t offstage. I was shy, secretive, and terrified of revealing too much. Writing used to scare me—I thought it might expose me as crazy or stupid. But since Orange is the New Black, I’ve shifted into creating my own work: pilots, screenplays, music—and now a live play. Turns out, sharing my inner world isn’t fatal. Just… occasionally awkward.

  1. Annie MacLeod: You’re an award-winning music and songwriter. What or whom inspired you to take this career path?

I’ve loved music and theater since high school – Julie and I performed together as teenagers, and I always dreamed of being on Broadway or performing as a musician. But I took a different path, became a nurse practitioner, and poured myself into caregiving and motherhood. For years, I made music in the cracks of my life, stealing moments when I could. But once my kids were out of the baby phase, I had this wake-up call—like, what happened to my dreams? I knew I needed to reclaim them. Our play tells the story of that transformation.

 

  1. Julie Lake: The play explores motherhood and the complex privilege and joy surrounding this. How would you describe the complications and what is it about this that makes it important to highlight?

When I became a mom, I slipped into a role that didn’t feel like me. I’d been a lifelong artist—filming a pilot at eight months pregnant that got into SXSW. But after my son was born (and then Covid hit), I disappeared into nonstop caregiving. I cried if I left him for an hour. I was secretly writing music, but had lost the courage to share it. I thought it was all over. Annie helped me find myself again. She saw me when I couldn’t. My song “Oldest Friend” says it best: “Be my witness when the fog becomes too thick, when I can’t see beyond these lines. Tell me something, that you see in these dry bones, when my worn heart has lost its shine.”

 

  1. Annie MacLeod: How did you come up with lyrics and music to convey the complexities of motherhood, so the story really penetrates into you audiences? There’s a song in the show called The Sacrifice that poured out of me during a time I was reckoning with how my own mother’s pain shaped my experience of motherhood. My dad left when I was a baby, and my mom—who struggled with depression—sacrificed everything to raise me. But in the process, she gave up her own desires, her light. I grew up thinking I had to shine bright enough for the both of us. That sadness, that ghost of unfulfilled womanhood, made its way into how I mothered. Writing Sacrifice was the only way I could process it—through poetry and music. The song helped me turn something generational and heavy into something healing.
    “I am your lifeline, but I’m not drowning too. You say, I come from you. Oh, I come from you.”
    That’s what I want to offer my kids—and maybe the audience too.
  1. Julie Lake: What is your acting process to convey the theme of grief of futures so the audience can feel something of what you feel and get the point across about this?

Honestly, I just hope I can get through the show without crying too much. I want the audience to really hear the story and feel their own feelings—not mine. So while I’m performing, I’m often trying to hold back. The truth is, there’s no way to fully explain in words or tears the depth or duration of what Annie and I went through. All we can do is tell the truth of what happened and trust the audience to connect it to their own experiences. And the songs do a lot of the emotional work for us, too –  they’re really the emotional landscape of this show.

6 .  Julie and Annie Re-invention is a big and fully loaded theme running through the musical. How complicated do you think it is to re-invent yourself in your 40’s, what are the positives and the challenges?

Both of us made big shifts in midlife—Annie left her career as a nurse practitioner to pursue music full-time, and Julie leaned into song-writing and performing her own music for the first time at 40. Doing this as mothers was especially hard. Our culture treats anything outside caretaking or earning money as selfish—but it’s not. Reclaiming your wholeness, your voice, your creativity, is one of the best gifts you can give your kids. It’s modelling. We want our children to see what it looks like to live in alignment, not abandon yourself. That’s not selfish—it’s brave, and it’s deeply loving.

 

  1. Julie and Annie: What do you hope the audience will gain from watching your show?

We hope audiences—especially mothers—leave our show feeling seen, inspired, and reminded of their creative spark. Forget-Me-Not is a love letter to the parts of ourselves that get buried in caregiving, shame, and self-doubt. We want women to feel less alone in their struggles and more empowered to reclaim their voices and dreams.

We’re also launching workshops and women’s circles specifically for Artist Mothers—to keep this conversation going beyond the stage. It’s about building a community where creativity and motherhood can coexist.

Are you an Artist Mother too? Start here to join the tribe: https://annie-wtb3mkl5.scoreapp.com/

 

  1. Julie and Annie: What inspired you to take your musical to the Edinburgh Fringe Festival and what are you excited most about?

Julie: I’d always wanted to go to the Edinburgh Fringe Festival, but I thought that ship had sailed, that I was too old. But when we started to conceive of this show, it just came to me again, that we could apply at least? And then when we got in I flipped out, I’d have to leave my babies to do it, face so many fears, play my music for people for the first time, but I knew in my gut it was the right next step for us. And I know we would have never made this show without the looming deadline of the fringe. It was too hard, too much work, too emotionally taxing, I mean we did 30 drafts, composed 6 songs, staged the play in NYC with our magnificent director, Peter Cook (Never Sleep Alone). I’m so proud of this show that we’ve created, and whatever else happens at the Fringe is just gravy at this point.

Forget-Me-Not runs August 1–9 at Greenside @ George Street 11:40AM.

Tickets to the show: https://www.edfringe.com/tickets/whats-on/forget-me-not

  1. Where can people follow you on social

Artist Mother Quiz/ Join the tribe!: https://annie-wtb3mkl5.scoreapp.com/

Wildflowers Website: https://wildflowersshow.com/

Julie Lake Instagram: https://www.instagram.com/julie__lake?igsh=ZTVocWF1NHpzZDVm&utm_source=qr

Annie Macleod Instagram: https://www.instagram.com/anniemacleod?igsh=MWp2ZmpwN29zOTZrMw%3D%3D

Wildflowers Instagram:

https://www.instagram.com/thewildflowershow/?igsh=bWo0MXlzZXJmazB5&utm_source=qr#

Julie Lake TikTok: https://www.tiktok.com/@julie__lake?_t=ZT-8yNvJCdWAiD&_r=1

#Extract and #Interview for An Imposter in Shetland by Marsali Taylor #MarsaliTaylor @between_pr

An Imposter In Shetland
By Marsali Taylor

Today I am on the Reading Between the Lines blog tour with a little extract, given by the author/publisher’s permission about the new crime fiction book by Edinburgh writer, Marsali Taylor, An Imposter In Shetland. Check out the blurb, the extract and a couple of questions posed to the author below…

Ann Cleeves says “This series is a must read for anyone who loves the sea, or islands or joyous intricate storylines”.

 

Blurb

When an internet lifestyle influencer arrives on Shetland to document her ‘perfect’ holiday, the locals are somewhat sceptical.

Joining a boat trip to the remote islands of St Kilda with sailing sleuth Cass Lynch and her partner DI Gavin Macrae, the young woman seems more concerned with her phone than the scenery.

But when it’s time to leave, there’s no sign of her. Despite mounting a desperate search, she’s seemingly vanished without trace – from a small island in the middle of the sea.

As a puzzling investigation gathers pace, there are more questions than answers – and uncovering the truth will reveal dark and long-hidden secrets…

Extract – The investigation begins:

 

‘Cass Lynch, the mate,’ Gavin said. ‘Cass, DS Macdonald, from Lochmaddy.’ He smiled and added, ‘Cass is my partner, so we can speak in front of her, to save her cross-questioning me later.’

He motioned DS Macdonald to the table, and I passed round tea and biscuits, then finished stirring my mince and went on to potato peeling, listening hard.

‘Well,’ DS Macdonald said. She had the same soft accent as Gavin. ‘I talked to the warden on Hirta, and there’s still no sign of your missing passenger. The helicopter found nothing, you found nothing.’

Gavin nodded. 

‘So the most likely scenario is that she went too close to the cliff, overbalanced and fell.’ She looked up at Gavin. ‘She’d have gone under in seconds, particularly if she had a heavy backpack.’ 

Magnie shook his head. ‘She had a backpack, fairly bulky, but there was no weight in it. I handed it down to her in the dinghy. At a guess, her jumper and her jacket, maybe, and her phone and, what do they call those things, selfie stick? Something like that. I couldn’t see inside o’ it, but the top of a stick was poking up into the corner.’

‘You didn’t find it?’

Magnie shook his head. ‘It must have gone with her.’ He frowned. ‘More likely to act as a float for the body, but I suppose it’d have had time to fill with water.’

‘Besides,’ Gavin said, ‘we’re pretty certain she didn’t climb the hill. She was seen on the shore at half past one, and walking along towards the headland, Ruival, not long after two. Nobody saw her after that. Those bare hills, you’d have seen her moving on them.’

‘I went about half-way up the hill,’ Magnie said, ‘That would have been a bit after two. I met Sophie coming down, on the road, and went on up past her, and sat for a bit, looking around. There was no sign of Tiede on the beach then, and I’m fairly sure I’d have seen her on the hill, if she’d climbed it.’

‘Also,’ Gavin said, ‘I went along the headland myself. Ruival. It was soft turf all along the far side, and there were no scrape marks in it, as if she had felt herself going and had struggled for a grip. If she went over there, she went straight over from the edge. Perhaps she fell giddy of a sudden, or lost her balance.’

She’d been unexpectedly sure-footed on the Ullapool pier but accidents happened, 

‘You’ve not mentioned suicide as a possibility,’ DS Macdonald said. We all three shook our heads together.

‘You can never tell, of course,’ Gavin said, ‘but there were no signs of that.’

‘No,’ Magnie agreed. ‘But she spent the first o’ the morning wi’ the London couple. You could ask them.’

DS Macdonald nodded, and made a note of it. We were silent for a moment.

‘I phoned Lerwick from the Warden’s house,’ Gavin said, ‘and got an update once we got a signal. The secretary, Elise, lives at home with her parents. Shona, that’s one of my officers, went round to call but she wasn’t there. They have a caravan, and she’s taken it off for the weekend – her mother wasn’t sure where, and her phone went straight to voicemail. The mother didn’t think she knew much about Tiede, “or nothing that she’s telt us,” and she didn’t know where Tiedecame from, or what her real name was, if it wasn’t TiedeBarton.’

What made you initially decide to write the first Shetland Sailing Mystery, Death on a Shetland Longship, and did you see it becoming a series?

 

I’d always expected it to be a series, with Cass and Gavin’s relationship slowly growing. I’m not sure I expected so many books! – Imposter is number 13. Write about what you know is the usual advice, and the older I get, the more sure I am that it’s true. I’m not from Shetland, I grew up near  Edinburgh, but I came here as a very new, very green teacher in 1981, and I’ve lived here ever since. I’m not sure I know anywhere else well enough to write about it … as for sailing, well, I grew up with boats, as our childhood summers were spent in the remote West Highlands, in a cottage you could only get to by boat. I discovered sailing in my teens. There were no crewing positions for a girl, so I used my gap-year earnings to buy a sailing dinghy and learned to sail by capsizing all round the Forth. When I came to Shetland, I kept sailing my beloved Lady Blue for several years, then moved up to a small keelboat: the original of Cass’s Khalida. I’ve done all of Cass’s sailing journeys except the epic trip down to Gavin’s loch in Death of a Shetland Sailor. She’s young, fit and very experienced … but I researched it as thoroughly as if I was going to sail it, and when I did that same passage on the tall ship Sørlandet (described in Death in Shetland Waters) I felt like I’d already been there.

 

What has been your favourite book so far to write in the series and why?

I enjoy writing every book, because each has different challenges, like dovetailing the investigation and the 1981 diary in Death at a Shetland Festival, or working out the Hnafatafl moves that structure Death on a Shetland Isle, but I think my very favourite  is A Shetland Winter Mystery, which I was writing during Covid. We had a particularly snowy winter, so I had fun describing how gorgeous Shetland is when the hills are all white, and it’s set around the old Norse Christmas, so I could talk about the old customs at Yule. Those include the trows, Shetland’s little people, who are let loose to create mischief during the darkest days. I was missing my grandchildren, who live south, so I let the teenagers take over the book with their trowie antics… until the fun turns serious when one of them  goes missing, leaving only a trail of footprints which end in the middle of a snow-covered field.

#ChiswickHouse News – ‘The Twelfth Night Of Christmas’ New Festive Experience To Take Place at Chiswick House  @chiswickhousechristmas @FollowTheCow #Chiswick #London #Christmas #TheTwelfthNightOfChristmas

‘The Twelfth Night Of Christmas’

New Festive Experience To Take Place at Chiswick House

 

  • OFFERING AUDIENCES THE RARE OPPORTUNITY TO EXPLORE INSIDE CHISWICK HOUSE, CLW EVENT DESIGN AND TRAILBLAZING LIVE ENTERTAINMENT COMPANY UNDERBELLY HAVE JOINED FORCES TO PRESENT A THEATRICAL FESTIVE EXPERIENCE ‘THE TWELFTH NIGHT OF CHRISTMAS’
  • FROM 20 NOVEMBER – 4 JANUARY 2026, THIS EXQUISITE FESTIVE JOURNEY, INSPIRED BY THE 1780 CAROL ‘TWELVE DAYS OF CHRISTMAS’, OFFERS VISITORS THE OPPORTUNITY TO STEP INTO AN IMAGINED GEORGIAN WORLD OF OPPULENT INSTALLATIONS, BESPOKE SCULPTURES, FABULOUS COSTUMES AND FLORISTRY.
  • FOR YOUNGER VISITORS AN ENCHANTING 18TH CENTURY GROTTO WILL FEATURE FATHER CHRISTMAS READY TO SHARE A FESTIVE STORY AND A GIFT.  
  • SIGN UP TO BE THE FIRST TO KNOW WHEN TICKETS GO ON-SALE AT WWW.CHISWICKHOUSECHRISTMAS.COM

Throwing open its doors at Christmas for the very first time, Chiswick House in collaboration with live entertainment company Underbelly and theatrical, heritage site curators CLW Event Design will give visitors the unique opportunity to step inside and experience a fantastical festive journey inspired by the beloved 1780 carol ‘Twelve Days of Christmas’ and the era in which it was written. The historic rooms of Chiswick House will be transformed into an imagined Georgian world of yuletide opulence and fantasy, as visitors embark on a Twelfth Night-inspired journey.

Co-founded by theatre producer Charlotte Lloyd-Webber, and costume designer Adrian Lillie CLW Event Design are a collective of theatrical practitioners, designers and artists renowned for their extraordinary installations and live events at heritage properties across the UK including Castle Howard, Kensington Palace, Bamburgh Castle, Beaulieu Palace House and Polesden Lacey House.  For The Twelfth Night of Christmas they are collaborating for the first time with trailblazing live entertainment company Underbelly renowned for their multi-award winning, site-specific theatrical productions including Cabaret at the Kit Kat Club in the West End and Macbeth starring Ralph Fiennes and Indira Varma which was performed in warehouses across the country to great acclaim. 

This unique experience will showcase the interior of Chiswick House as it was originally intended – built for entertaining; a place of revelry and Georgian celebrity culture, where excess and extravagance were the hallmarks of good taste. Audiences will explore a sequence of opulent themed rooms and festive tableaux, ending in a sumptuous banquet installation in the lower tribune. Bespoke sculptures, fabulous costumes and dramatic floristry will punctuate this joyous Christmas experience.  For younger visitors Father Christmas awaits in his charming 18th century grotto, ready to share a festive story and a gift.  

A remarkable example of 18th century Neo-Palladian architecture, Chiswick House, located in West London was designed and built by Richard Boyle, the 3rd Earl of Burlington in 1729. Inspired by the classical forms of ancient Rome and the works of Andrea Palladio, it was conceived not as a residence but as a grand villa to showcase Burlington’s art collection and entertain guests. The rich Baroque opulence and grandeur of the interiors are in marked contrast to the Palladian façade. The surrounding gardens, developed in collaboration with landscape designer William Kent, are considered the birthplace of the English Landscape Garden movement, emphasising naturalistic design over formal layouts.

Culturally, Chiswick House has always been a vibrant hub for art, politics, and socialising. In the 18th century, it became a gathering place for artists, writers, and intellectuals, contributing to the rise of the Grand Tour aesthetic in Britain. Figures like Georgiana, Duchess of Devonshire, known for her political influence and literary salons, frequented the estate. Today, it continues to serve as a venue for exhibitions and events, preserving its legacy as a centre of creativity.

Charlotte Lloyd-Webber from CLW Event Design said: “We are thrilled to have the opportunity to bring the CLW Event Design and Underbelly magic to this stunning architectural gem. Rich in detail, this beautiful house lends itself perfectly to our theatrical design ethos, bringing to life the building as it was originally intended for moments of great celebration and joy amongst family and friends but now welcoming all ages who can come together for the festive season.”

Charlie Wood, Co-Director of Underbelly said: “I’ve been a massively keen visitor to everything that Charlotte has created for Christmas in the past few years from Castle Howard to Bamburgh to Blenheim, so to partner with her on this project at the beautiful Chiswick House is the best Christmas present ever.  CLW Event Designs’ remarkable eye for detail and design, paired with Underbelly’s theatrical expertise, will create an experience that reimagines and opens up Chiswick House this Christmas. Together, we’re transforming it into an extraordinary festive journey.”

Xanthe Arvanitakis, Director of Chiswick House and Gardens Trust said: “This coming Christmas, we are delighted to provide a home for a truly special Christmas experience that promises to be unlike any other. I know that the beauty of Chiswick House, a place rich in history and famous for its spectacular interiors, will perfectly complement the unique, creative vision that CLW Event Design are bringing to life here. As Director of Chiswick House & Gardens, myself and my team are committed to hosting exciting events throughout the year, ensuring that families and adults of all ages feel they have something new to discover here each season. We can’t wait to see ‘The Twelfth Night of Christmas’ delight and inspire both those who already love this place, and those discovering our magical House and Gardens for the first time.”

For further information and tickets visit: www.chiswickhousechristmas.com. Instagram: @chiswickhousechristmas

#Review by Lou of The Serial Killer’s Party by Amy Cunningham @Sarah_Goodwin_Author @PenguinUKBooks @RandomTTours #SerialKillersParty #Thriller #Summer #Holiday #Party

The Serial Killer’s Party
By Amy Cunningham

Rating: 4 out of 5.

Review written by Louise Cannon

Picture a hot summer’s day.  An invitation to a luxury event. The contrast of the Norwegian Fjords with the deep forest. The cool blue of the water. The splatter of red blood…
Check out the blurb and review below… if I survive the invitation to the party of the year…

Blurb

Welcome to the party of the year.
You’ve been invited to an exclusive, luxury event in Norway, hosted by a billionaire. Your moment has finally arrived. But you’re not going for the canapes and champagne. You’re going for revenge.

Where anything is possible.
You’ve spent months preparing for this moment. Because you know that beneath the host’s polished public persona, he’s a vicious killer who has murdered several innocent people, including your sister.

Even murder…
Then a guest dies in mysterious circumstances, and you begin to wonder… is this a trap? Why does it feel like you’re being watched? And will you ever escape?

*** Everyone is talking about The Serial Killer’s Party! ***

Review

Revenge is the order of the day. The host of the luxurious party of the year isn’t all as you would think. What unfolds is summer vibes that turns into mystery and revenge. It has you on-edge a bit with the characterisations of the rich and the bordering on how far someone is prepared to go to get what they want. This adds a compelling nature and bite to the otherwise, cosy summer feel to the book.
Amelia’s story is an interesting one and you can feel her emotions, which leads to understanding her within the immersive, beautiful environment readers find her in.

There is some pockets of suspense with a mysterious disappearance, which adds some intrigue for a while. It isn’t a constant suspense, but I didn’t feel it needed to be, particularly.

I found the book improved and became more compelling and intriguing the further it went on.

It’s a good, well-written book that sits well on a beach or lounging in the garden during the summer holiday period. It’s an invitation you would like to say yes to and be immersed into a darker world in a holiday destination thriller book.

I would read another book by this author.

 

#Review of Showaddywaddy by Lou #Showaddywaddy #Music #Gig #UKTour @AndyPelos @showaddywaddyuk

Showaddywaddy

4 STARS ****

Review written by Louise Cannon

Bright and colourful, the band emerged on stage oozing with energy and passion for their craft, transporting audiences back to their youth of the 1970’s and for younger things, like me, introducing their songs live, that were only seen by me, anyway on the likes of old TOTP (Top of the Pops) type programmes or heard on the radio. I saw this at the Albert Halls in Stirling and they are on a UK tour. You can find out more details after my review. 

The band members are:

Andy Pelos – Lead Singer
Romeo Challenger – Original Band Member and Drummer
David Graham – Saxophone/Bass/Guitar
Sam Holland – Guitar/Drums
Tom Bull – Bass Player
Ed Handoll – Guitar/Vocals

Saturday nights are made for entertainment and even though the band has changed over the years with its band members, except one remaining original member, drummer, Romeo Challenger, audiences won’t be disappointed. It can’t be denied that this band has longevity. So far, it has been around for just over 50 years. To still be touring and still playing to packed venues full of fans and newcomers, is no mean feat.

They played fan favourites, I Wonder Why,  Heartbeat, Sea Cruise, Blue Moon, Under the Boardwalk to name but a few. There was jamming on the guitars, kicks and flicks in the dancing, 70’s fashion and more… There was everything you would expect for the era where it all began, save for a couple of songs that hadn’t held quite as much interest as the others, but on the whole, the rest were brilliant and out of a lot of songs, which really did keep coming, that’s pretty great for a gig. 

In the Stirling Albert Halls, there was dancing around the sitting down audiences in the second half, which was fun and shown how the energy on-stage oozed into the auditorium, once the audience warmed up.

You can join in be all like “Hey Rock n Roll” and find out where Showaddywaddy goes next on their UK tour, here: Gig Details

Thanks to the guys for meeting afterwards. That was very kind and fun to chat to you all. This is a gig well worth going to for a great night out!