Hattie Brings the House Down
By Patrick Gleeson
Hattie Brings the House Down is a book that serves theatre and mystery lovers well. Thanks to No Exit Press and Random T. Tours, I have the blurb and my review for you.
Blurb
Get ready for a thrilling backstage ride in the world of theatre as seasoned
stage manager Hattie embarks on a new production at London’s Tavistock pub
theatre. Here, the drama doesn’t just occur on stage.
Troublesome directors and fastidious assistants soon become the least of
Hattie’s worries as, a week into rehearsals, an actress is found dead backstage
on the same day that an extremely valuable theatrical mask goes missing.
Hattie begins investigating both mysteries, all the while trying to keep the
dysfunctional cast and crew on track for opening night. As she delves deeper
into the secrets behind the scenes, her allegiance to her theatre, cast and crew
will be tested to destruction.
Follow this unconventional detective as she delves into the alluring and
exquisitely perilous world of the theatre.
Review
There’s as much drama off-stage as there is on-stage, if not more…
A theatre, this case London’s Tavistock pub theatre, provides a great setting for a mysterious plot with some larger than life characters, some with more than just a few quirks and foibles.
Readers are treated to theatrical shenanigans and intricacies of putting on a play. All is far from well as, dramatically, there is a dead body and a theft, so the fact the cast and the backstage team aren’t ready for opening night, since it’s only week 1 of rehearsals meaning they’ve got a lot to deal with.
The case isn’t easy to solve as it takes readers down trap doors of secrets and lies and red herrings. Suddenly it isn’t as easy as just saying “stage left” etc. The circumstances sends Hattie on quite a quest to discover the truth of what’s been going on that led to the theft of a valuable item and a death.
Patrick Gleeson’s passion for theatre shines through and as the plot unfolds, the concept could almost be an entertaining play within a play on a stage. As it goes, it’s an entertaining and enjoyable book.
About the Author
Patrick has a degree in philosophy and classics, another one in technical theatre
and stage management, and one more in business administration. He has
worked as a theatre sound designer, an “interpretive naturalist” at an aquarium,
a software developer, a business mentor to fledgling entrepreneurs, and a voice
actor.
He composed the music for a musical about taxidermy that The Stage said “put
to shame the hackneyed standards of the contemporary musical scene”, and has
been performed in London, Edinburgh, Suffolk and, weirdly, Alaska.
He now lives in Norfolk with his wife and two children, where he brews
mediocre cider.