#Theatre News: A NEW ENGINE FOR INVESTMENT IN UK-WIDE PLAYWRITING: Royal Court Theatre and Jerwood Foundation @royalcourt #Theatre #PlayWriting #Playwrites #Stage

A NEW ENGINE FOR INVESTMENT IN UK-WIDE PLAYWRITING:

 ROYAL COURT THEATRE AND JERWOOD FOUNDATION ANNOUNCE NATIONAL COMMISSIONING SCHEME

  • The Royal Court Theatre and Jerwood Foundation today announce the Jerwood Royal Court Commissioning Scheme.
  • Designed to support UK-wide investment and risk in ambitious new playwriting, the Scheme will provide six grants of up to £6,000 each, awarded jointly between a producer and playwright, to underwrite first payments for new play commissions.
  • The first round of applications will open from 2 December 2025 to 23 January 2026, and the Scheme will then run annually, with full information and guidance now available online.
  • The Scheme is further supported by the Writers’ Guild of Great Britain, ensuring fair terms for commissioned writers. 

The Royal Court, in partnership with Jerwood Foundation, today announces the Jerwood Royal Court Commissioning Scheme. The first of its kind, the Scheme will make six annual awards of £6,000 each from 2026, jointly supporting playwrights and producers to initiate original, ambitious new play commissions for stages across the country – investing in a national pipeline of ambitious and risk-taking new theatre.

 

Launching for the Royal Court’s 70th anniversary, the Jerwood Royal Court Commissioning Scheme marks a new era for the two organisations’ long-standing partnership, and a major expansion in the Court’s approach to playwright support – looking beyond its own stages to share resources nationwide. Separate from the Royal Court’s own productions, the supported commissions will be selected from open-access applications, open for joint submissions between writers and producing theatres or companies across the UK.

Royal Court Executive Director Will Young said: “The Royal Court is the national force for playwriting everywhere: not only on our own stages in London, but committed to the future of new theatre across the country. Working with the brilliant Jerwood Foundation, this game-changing scheme offers up-front support to playwrights, producers and theatres UK-wide, at a time when artistic budgets have never been more stretched – backing investment in bold, original plays that promise audiences the genuine thrill of the new.”

The Scheme is supported by the Writers’ Guild of Great Britain (WGGB) to ensure fair terms on commissioning agreements. WGGB’s own one-off 2022 ‘New Play Commissioning Scheme’, with UK Theatre and ITC, led to 18 commissions and inspired this new annual programme, supporting writers across the country.

Grants from the Jerwood Royal Court Commissioning Scheme will cover the non-recoupable first payments for six new play commissions per year, on at least WGGB minimum rates. By awarding funds at this point, the Scheme will unlock the first step in commissioning and underwrite financial risk, while encouraging theatres and producers to commit future investment towards completing commissions and undertaking full production.

Lara Wardle, Executive Director and Trustee Jerwood Foundation said: “Awarding this grant reaffirms Jerwood Foundation’s long-standing support of the Royal Court Theatre and enables the launch of the Jerwood Royal Court Commissioning Scheme, a crucial national scheme, which will unlock a route to the stage for new plays and support emerging creative voices. Jerwood is also continuing its support of Jerwood New Playwrights, now in its fourth decade, through which the Royal Court Theatre identifies and nurtures a new playwright of outstanding talent each year and I am delighted that the 82nd Jerwood New Playwright has been announced as 19 year-old Leo Simpe-Asante, which underlines Jerwood’s ongoing commitment to support excellence and emerging talent in the arts.”

The first round of applications will open from Tuesday 2 December 2025 to Friday 23 January 2026 only. Proposals must be made jointly between a playwright and a venue or company – whether subsidised, independent, or commercial – and should demonstrate clear artistic ambition and risk as well as a viable route to future production.

Full application guidance is now available via the Royal Court website. Applicants can also book for a free, open-access webinar on Thursday 4 December.

For more information, visit www.royalcourttheatre.com.

#Review By Lou of Will Young’s Light It Up Tour – Touring Now! 5/5 stars @willyoung @willyoungofficial #Music #Gigs #Concerts #UKTour

Rating: 5 out of 5.

Welcome back to touring Will Young! It was well worth the wait, but I hope he tours more now. Find details of the places and dates of the Light It Up tour after my review. The album is also Out Now!

Will Young Album

This was one of the most intimate and relaxed gigs I’ve ever been to and it was an absolutely amazing night at The Queen’s Hall in Edinburgh. He now continues on a UK tour of intimate venues.

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It was Will Young and his keyboard player. The two were relaxed, engaging with the audience through music and Q&A and at times, looked like they were just jamming in their own space. You could tell they were just having so much fun, with smiles on their faces and the talent oozing through the music. Their fun was infectious and carried through the audience, making this a terrific, entertaining night.

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With a mix of new songs from his latest album, Light It Up to creating melodies of well-known songs from previous albums, that joined perfectly well together and audience participation parts to join in some of the singing, this was a perfectly put together gig. He surprised people with a jazzed up version of Leave Right Now and something slightly different with Evergreen, his debut single. It all worked perfectly. This was a gig that had it all from the earliest songs to the latest and left you wanting more.

I feel this is a great way to go with gigs. Intimate venues and reasonably priced tickets and a whole mix of songs and chat. Will Young pulled it off perfectly!
Now, if only he would increase the gig dates to encompass even more places, like Stirling, Fife and other nearby places. I would go to this gig again.
It had one of the best vibes of an intimate gig.

Find album and gig details here: Will Young Webpage
On another note, Will Young wrote a memoir: To Be A Gay Man. You can find details and my review from 2020 here: https://bookmarksandstages.home.blog/2020/10/09/bookreview-of-to-be-a-gay-man-by-will-young-willyoung-penguinrandom-eburypublishing/

wp-17282080761176171555871299431625The support was American, Casey McQuillen, who has a lovely voice and plays both electric and acoustic guitars, playing and singing her own songs as well as popular covers.
Casey McQuillen has been seen on the Kelly Clarkson show and American Pop Idol.

 

Top 2020 Non-Fiction Book List by Lou #Non-Fiction #2020BookList #2020

Top 2020 Non-Fiction Books

I have had the pleasure of reading some great and very interesting non-fiction books throughout 2020. I am pleased to present my top 8 non-fiction books.

The Greatest Beer Run Ever by John Donohue Click Here for More Info

Eileen – The Making of George Orwell by Sylvia Topp Click Here for More Info

Shakespearean by Robert McCrum Click Here for More Info

To Be A Gay Man by Will Young – Click Here for More Info

Crow Glen – A Spiritual Universe of An Irish Village by Marella Hoffman Click Here for More Info

A Year of Living Simply by Kate Humble  Click Here for More Info

In Sat Nav We Trust by Jack Barrow Click Here for More Info

The Boy Between by Amanda Prowse and Josiah (Josh) Hartley Click Here for More Info




#Bookreview by Lou of To Be A Gay Man By Will Young @willyoung @penguinrandom @EburyPublishing

To Be A Gay Man
By Will Young
Rated: 5 stars *****

Authentic, Brave, Emotional, Honest, Essential Reading.

Will Young broke into mass public consiousness on Pop Idol. Since then I have seen his blossoming career in, not just pop music, but on stage in many shows like Cabaret, Strictly Ballroom and more and in films like Mrs Henderson Presents. where he also shines and in some pretty brave and frank interviews. He’s taken this braveness to a whole new level and gone much further and delved much more into the his inner feelings on life. Whether you are within the LGBTQ community, which is of course the primary reach of this book to raise awareness of mental health, or not, this is inspiring, informative and there is something that anyone can grasp onto and take away with them.
He also has a new album out called – Lexicon.

Thank you to Penguin Random House and E-bury Publishing publicists for accepting my request to review.
Follow down for the synopsis, review and essential links to mental health charities, as noted within this book.

Synopsis

In To Be a Gay Man, Will Young speaks out about gay shame, revealing the impact it had on his own life, how he learned to deal with it, and how he can now truthfully say he is gay and happy.

We know Will as a multi-platinum recording artist, Olivier-nominee, and the first winner of the Idol franchise. But his story began long before his first audition. Looking back on a world where growing up being called gay was the ultimate insult and coming out after a lifetime of hiding his sexuality, Will explores the long-lasting impact repressing his true self has had.

As Will’s own story demonstrates, internalised shame in childhood increases the risk of developing low self-worth, and even self-disgust, leading to destructive behaviours in adult life.

Will revisits the darkest extremes he has been to, sharing his vulnerabilities, his regrets, tracing his own navigation through it all and showing the way for others who might have felt alone in the same experience.

Here you will find a friend, champion and mentor, breaking taboos with frank honesty, and offering invaluable practical advice on overcoming the difficult issues too often faced within the LGBTQ+ community.

How To Be A Gay Man

Review

The book opens, practically with a smile. Who can resist reading about a crisp autumnal morning, even if there is a rude awakening by Nellie, Will Young’s daschund who wakes him up and goes on to the podcast he and Chris Sweeney have founded, called the Homo-Sapien’s Podcast.

Will Young talks candidly about the online communities that go about Gay-Shaming. I’m heterosexual myself, but accept everyone and it’s absolutely emotional and shocking to the core. I am impressed that Will Young has got the courage to tell the world about what he found. In this book there’s definitely a certain amount of strength of character.

He then goes onto talk very personally about his family and relationship with his dad and the bullying within the education system and how he reckons LGBTQ is still not addressed properly. What is good, is he backs it up with facts, using The Trevor Project in the USA and Stonewall in the UK for examples and for research into his basis. It makes this a stronger book for it. It’s a real mix of facts, figures, his personal experiences and opinions.

He also addresses the layers of being gay, which may be evident if you have a friend who is in the LGBTQ community or are within it yourself. He also backtracks in time and talks about what it was like in the 1980’s, drawing upon Freddie Mercury and also the detrimental effect parts of religion has had. He also talks of the effects of AIDS in-relation to some of the “public notices” put out and the effects and then even further in time on the government’s “Section 28”, which is more in the present times.
He does touch on theatre and film, but more in-terms of role models, or rather lack of role models who are gay and what that would mean to him and also how the stereotyping when writing a role for a gay character and talks of some actors at a particular time.

You can practically feel the pain leaping off the page as he talks about his prep-school years. He’s also honest about the growing-up and the sexuality side of that time of life and the opening up to a friend.
There are also moments I’m pretty sure some people would bury, never to be repeated again, but this is enlightening and courageous as he talks about regrets and also the shame he has felt and what he has had to deal with.

He touches on Pop Idol and gaining confidence and although he talks a bit about sex, it isn’t in any crude way at all and has a point, but then do does absolutely everything that is written. Everyone can take something away from this book, learn something new or have something clarified or relate to it on all sorts of levels.

He also touches upon the sense of community he does feel and also a bit about volunteer charitable works he is involved in, which, again shows another slice of his life.

Don’t get this wrong. This isn’t a “poor me” type of book. I’ve seen those and this definitely is not one of them. This is very different to those. It’s inspiring and raising awareness and is thought-provoking in a non-pretentious way, which is impressive. He also doesn’t appear to shy away from anything, but tells it how it is for him and it feels honest.

Later, the book moves into his mental health and having a breakdown and PTSD and how it came about and how he seeked help and how he felt. It goes further than that and on closer inspection, there are more parts that are thought-provoking and perhaps some people will also be able to gain, not just knowledge about Will Young, but also certain things that could apply to their lives and that could just assist someone that little bit, but it isn’t a self-help book as such though. He delves into the conditions of drealisation and depersonalisation that he has and going into therapy.

He details what he found in another book, other elements that, it doesn’t matter who you are, what you do, your sexual orientation, that could be beneficial to people as he describes Perfectionism etc and how that is for him, but really you can transplant your own life, if you are a perfectionist etc. At the end, head to the Appendix. It is very responsibly and thoughtfully got CBT Techniques  and then in the second Appendix there is Help and Support contacts.

Will Young writes about how he wanted to connect with himself. The book, I think has enough within it that there will be people who could potentially find it so helpful not to feel alone. The fact that is an extensive list of charities too that specialise in LGBTQ is fabulous. No one should be alone and please, if you are having any issues with mental health or anything, please know that there is support out there. I have listed just a couple from the list Will Young has in his book. They are there for the LGBTQ community and this includes families too.

Links to Support and Mental Health Teams

LGBTQ Foundation
Provides as wide range of services to support lesbian, gay, bisexual and trans-people.
https://lgbt.foundation/          Tel: 03453 303030

Mind Out
LGBTQ+ mental health service
https://www.mindout.org.uk    Tel: 01273 234839