Interview with Comedian, Director, Actor Stuart Laws
conducted by Louise Cannon
Stuart Laws is known for his stand-up comedy, directing well-known comedians James Acaster, Rosie Jones and Nish Kumar and is highly respected amongst many other comedians too. I was given the opportunity to interview him on Bookmarks and Stages where we covered what it was like to direct the aforementioned comedians, his latest projects, including acting in channel 4 drama, Patience, Comedians Taking Penalties with Chloe Petts, a new web game show, Is It A Bone?, his inspiration to do these many jobs and being neurodivergent in the tv world, for him it’s autism. After the interview you can also discover his latest live shows for February and March 2026.
Welcome Stuart Laws to Bookmarks and Stages and thanks to PR, Julian Hall for creating this opportunity. Now, let’s begin our interview…
- You’ve done stand-up comedy, appeared in dramas, directed, it’s a great achievement. What spurs you on?
A desperate desire to prove my enemies wrong. Also, I do find it funny to not see a friend for 3-4 months and then when they ask – “oh what have you been up to?” to be able to provide a list of genuinely surprising new developments. I love watching TV, comedy, film and so to be any part of it fills me with excitement. As long as I can I will keep doing as many different, fun things until it’s very clear I’m not good at those things. VERY CLEAR. It’ll have to be VERY CLEAR.
- Who or what inspired you to act, direct and do comedy?
When I was a kid it was films like Jurassic Park and Back to The Future or stand up comedy like Lee Evans or Harry Hill’s Channel 4 show, then I got older and it was things like Twin Peaks and Arrested Development. Once I had started doing stand up comedy and was making short films I was really inspired by new acts that I met on the circuit and loved watching perform and made me want to be better. Chuck in enough arrogance to believe that I could help them be even better and bam, it all started to coalesce.
- You’re appearing in Channel 4 drama, ‘Patience’, can you tell us a little bit about the character you play?
Alex is a member of the adult autistic support group that Patience Evans, the lead character played by the brilliant Ella Maisy Purvis, attends and so I get to stretch my acting muscles by playing an autistic adult. When the audition came in I remember being excited because I don’t get a huge amount of scripted and definitely very little drama auditions so I knew I wanted to nail it. Because the show has a strong sense of humour running through it I knew I wanted to lean into that, especially knowing the character was across multiple episodes – it’s a good chance to have a think about the wider context and life of your character. Saying that, it’s not a huge part but a delight to play and the production team so good and the first series of the show so compelling and fun to work that I knew I wanted to be involved and to be able to add whatever details and experience I could.
- You’re a go to director for comedians, James Acaster, Rosie Jones and Nish Kumar, what is your process to direct other comedians and have you got any favourite moments when directing these comedians in-particular?
Directing a comedy special is a lot about just getting the cameras in and making sure the lights look nice and the comedian is as good a mental space as possible to do their show as well as they can. I’m there to put out fires, be a sounding-board and to ensure the crew all are supported and can do what they do best. The next level up is a chance for me to work with the comedian, watch the show in advance, suggest structural tweaks or new lines, to eventually know it inside out, know the vibe of the comedian and talk about themes, tone and style they’re looking to achieve and what of my ideas are interesting to them – it could be to do with the style of how the cameras move, where they’re positioned, what the lighting is like and how we want the audience to feel while watching. Then I get to have conversations with heads of department about the best tools for those ideas and prep the crew as best as possible about how they can make the plan a reality. We recently shot Nish Kumar’s new one and we discussed dutch angles, 70s directors and Stop Making Sense, for James Acaster we talked about wrestling, 3:2 open gate aspect ratio and creating a sense of perpetual motion so that the cameras all cut together smoothly in the full 360 degree audience set up. That’s the fun of it for me, knowing that there’s certain things a stand up special needs to have but to also know that there’s wiggle room to express what makes the comedian brilliant, to make the jokes and the themes land even harder.
- You have a new SO TV series of ‘Comedians Taking Penalties with Chloe Petts.’ What are your football skills like and is there a particular football team you support?
I’m a Spurs fan and a Gotham fan and played for Goldhill FC for 23 years. I’m not a good footballer but I’m pretty solid and I think I’m happy with that, let’s put it this way – there is one cup final that my team played in that’s called The Stuart Laws Final – and I’m pretty happy with that. When I met Chloe on the circuit we immediately bonded over football and both being absolute lads so getting to write on and be in this series is a real dream come true. What is less exciting is the physical toll of playing football for 10 hours straight, two days in a row on the hottest days of the year. I think it took a couple of weeks for my body to recover and I can absolutely tell in some of the penalties that I haven’t dived because my brain refused further injury.
- What was your favourite moment of ‘Comedians Taking Penalties with Chloe Petts?’
Harriet Kemsley being on any TV is a promise of a good time and in her episode I suggested that she do a run-up from the halfway line for her last penalty. She of course immediately ran to the halfway line to do it and after a 15 second run-up she kicked the ball and it went so far wide that science still doesn’t really understand it. It was so funny and such a perfect denouement. Aside from that, it really was the team – they were so welcoming and supportive and that was all from Chloe and Andy at the top. They had brilliant ideas and worked so hard to turn the concept from a fun summer kick about into a genuinely funny and charming series that I HOPE HOPE HOPE gets a second series.
- You’ve created new web game show series ‘Is It A Bone?’ It sounds intriguing, with it involving a different sense: sight, sound, touch, smell, and taste.. How did you come up with the idea?
I was at dinner with comedian Chloe Radcliffe and she asked for her bone marrow dish to be boxed up to take with, it was served on a bone and they put that into the box and dropped it down on our table. Chloe said “IS IT A BONE???”. I laughed and then said that it was a game show and then immediately started laying out what I saw as the format. I then mentioned it to Rhys James and he said yeah of course that’s a show and we riffed more, then I took it to Al & Nick at my production company and they both had their own great ideas. Then we got Ben Mumford on board as a producer and he brought even more ideas. That got us to shoot day where Sam Lake the host and all the brilliant guests brought even more of their own ideas to it – that’s what I liked the most, creating a set up for the comedians to be funny and do what they like, knowing we could get them back onto the format when appropriate.
- . For ‘Is It A Bone?’ How did you choose your contestants?
I texted a bunch of people “Would you like to be a contestant on a game show I’ve developed, it’s filming at my office studio, you’d be in two episodes and it’ll take a couple of hours?” And they just all said yes. Like, didn’t even ask for more details about the show or what they’d have to do. Which means that each of them is genuinely reacting in the moment to what’s happening. How did I choose who to text? I went through my phone and thought who is damn funny and would team up well with others? I’d say that’s 35% of my address book to be fair, so more people will be getting texted for series 2 in 2026.
12.You’re autistic, what advice would you give to other people who want to enter showbiz who also autistic?
It’s becoming more welcome and accepting of neurodivergence, which is handy considering the percentage of people in the entertainment industry who are neurodivergent is probably higher than the average population. It can be tough, it isn’t necessarily guaranteed that every project, location, team will be open or aware or able to make adjustments but it is becoming more common. Hopefully through my increasing awareness of it and trying to be vocal and supportive where I can I can play a part in it becoming more normalised in conversation. I’m aware that I’m privileged in being white, straight, able-bodied, low needs and therefore that makes my path smoother in disclosing. I know of a good number of people who are reluctant to disclose because they feel the discrimination is palpable or it makes them feel less secure. Hopefully that is changing.
14. Where can people follow you and your work on social media?
You gotta get on instagram, though I am now trying to crack on with building my mailing list – I send out semi-regular updates with exclusive stuff and links to tickets and other cool things before they go public. Sign up at www.stuartlaws.com
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