#EdFringe News – CADEL: Lungs on Legs about #TourDeFrance #WhatsOnEdinburgh this #Summer is #CadelLungsOnLegs #cycling #drama @cadeltheplay @FollowTheCow

CADEL: Lungs on Legs

Underbelly Cowgate, Belly Laugh (Venue 61)
66 Cowgate, Edinburgh EH1 1JX
31st July-24 August 2024 (not 12th)
13:00, daily, 60 minutes.

Atmospheric new play charts the trials and triumphs of Cadel Evans – the only Australian to win the Tour de France

All the grit, gears and glory of the most challenging road race on earth rides into Edinburgh for Fringe 2025. CADEL: Lungs On Legs, is a new play co-written and performed by Australian-born, New York-based Connor Delves that puts audiences at the heart of the Tour de France to experience the highs and lows of the epic true story of Cadel Evans.

Connor, who co-wrote the play with Edinburgh playwright Steve McMahon, performs this grueling solo show, from the saddle of the same BMC bicycle that Evans rode to victory in the 2011 race. Delves says: ‘The play brings together my passion for cycling with my theatrical career. It’s a gripping ride through the sacrifices, heartaches, and sheer determination it takes to conquer cycling’s ultimate prize. The Fringe is also a marathon of endurance and I’m looking forward to bringing CADEL: Lungs on Legs to Edinburgh for its world premiere.’

And ‘voice of the Tour de France’, sports presenter Phil Liggett, whose commentary is a major feature of the play will be there in person on the opening night to give the show a good send off.

Cadel Evans who is fully supportive of the show said: ‘I have always been aware of the drama, thrill and often suspense of cycling, especially the Tour de France, really is. Connor’s vision for this show is bold and exciting, and I’m thrilled to be involved from the start, and I’m deeply honored that an Australian artist has been inspired to bring my story to life for audiences worldwide.’

Connor, who performed at the Fringe in 2024 in The Bloody Ballad of Bette Davis, has been training with sponsors Wahoo Fitness, Prime Train and Eternal for the physically demanding role since January. The play comes hot on the wheels of this year’s Tour de France which takes place in July 2025 and also offers a preview of the thrills and excitement that will come to Edinburgh with the official Tour de France ‘Grand Depart’ taking place in the city in 2027. The play is directed by Mark Barford and co-produced by Piper Theatre Productions and Rachael Jones.

Tickets: £10-14.50 concessions available
Box Office: tickets edfringe.com/cadel
Suitable for all ages

#EdFringe News – 100’s of shows available to book now! @EdFringe @assemblyfest @ThePleasance @theSpaceUK @TheFreeFringe @gildedballoon @lhcomedy @FollowTheCow @JTTedinburgh #Comedy #Theatre #Drama #Music #Cabaret #Dance #Musicals #Circus

Written by Edinburgh Fringe Media Team

The Edinburgh Festival Fringe will take place from 01 – 25 August 2025. More information about the programme and tickets can be found at edfringe.com.

The first batch of shows that will be staged at the 2025 Edinburgh Festival Fringe have been announced, and over 556 shows will be available to view and book on edfringe.com now!

The 556 shows span many genres, including cabaret and variety; children’s shows; comedy; dance, physical theatre and circus; music; musicals and opera; spoken word; and theatre. The shows announced today will take place across 100 venues. More shows will be revealed in the run-up to August.

In a continuing trend, this year more Fringe artists than ever have chosen to make their show available at this early stage, giving them longer to promote their show, grow their audiences and capitalise on all the opportunities available when taking part. It is the artists, companies and venues who come to the Fringe who take the risk in bringing work here every August. Fringe-makers all need help to mitigate these complexities, manage rising costs and make sure this August is the best it can be for residents, visitors and the thousands of arts industry and media that come to the city each Fringe for the world’s largest arts expo.

The Fringe Society continues to advocate and lobby for more support for the festival community – support such as affordable and available accommodation, to the continuation of the Keep it Fringe fund, and anyone in a position to support is encouraged to get in touch with the team.

With over 500 shows on sale from today, the Fringe Society also asks audiences from near and far to start booking tickets now, to take a chance on an emerging artist, to plan a visit to a venue you’re unfamiliar with, and to dive into the first batch of shows.

Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: ‘It is always an exciting moment to see the first shows that will be performing at the Edinburgh Festival Fringe. The 2025 Edinburgh Fringe feels more real than ever and being able to browse the first batch of shows adds another level of excitement. It’s incredible to see the range and themes of work as well as the talent and creativity that artists are bringing to the festival this year.

‘More artists than ever have chosen to put their shows on sale at this early stage, allowing more time to plan their trip to Edinburgh this August. The cost of putting on a Fringe show can be a barrier to attending and the Fringe Society is working to support artists in any way that we can, whether that’s sourcing artist accommodation, keeping registration fees affordable, seeking out funding opportunities, or simply providing advice to any artist that needs it. Our Artist Services team is on hand to offer support, so please do reach out to the team.’

Below is a small representative sample of shows available to book from today. The full list of shows released today can be found at edfringe.com.

Cabaret and variety

In 1954: Ella, Etta, Eartha (The Jazz Bar) Melissa Western and her musicians pay tribute to Ella Fitzgerald, Etta James and Eartha Kitt and their ‘swinging jazz, powerful soul and cheeky kitsch’.

Returning this year is La Clique, being staged this year in The Famous Spiegeltent – which is returning to St Andrews Square, while Sexy Circus Sideshow 2.0 brings ‘alternative circus’ to ‘the dark arts of underground burlesque and cabaret’ at Assembly. 

Alex Love: How to Win a Pub Quiz 2025 is ‘part stand-up, part actual pub quiz’ at The Stand Comedy Club.

At theSpaceUKDan Bastianelli: Identity is providing ‘a brand-new magic experience which uses sleight-of-hand, personal stories and honest deception’, while ‘rock’n’roll’s greatest magician’ Arron Jones is at PBH’s Free Fringe with #1 Greatest Hit Rock’n’Roll Magic Show.

Children’s shows

Join Baby Shark and the Mystery of the Sphinx (Gilded Balloon) at for ‘fin-tastic show packed with music, magic and mayhem’ or skip, clap and march together’ to traditional Scottish music at CeilidhKids at the Fringe (Laughing Horse).

‘Experience magical illustrations and amazing new music’ as you follow Milly’s Musical Adventure (Greenside). At School’s Out Comedy Club with Philip Simon (Le Monde), expect ‘children (and maybe even a few parents)’ to ‘take to the stage to share their favourite jokes’.

Among returning shows for children and their families are The Listies: Make Some Noise at Assembly and Doktor Kaboom: Under Pressure! at Pleasance.

Comedy

Dungeons & Dragons fans will want to join Tartan Tabletop: A Dungeons & Dragons Comedy (Gilded Balloon) for ‘improvised comedy at the roll of a dice’. At Laughing HorseChonk hosts a ‘body-positive buffet of comedians from across the Fringe’. Hasan Al-Habib, 2025 Keep it Fringe recipient, ‘was born to Iraqis that moved to Birmingham after deciding Baghdad wasn’t dangerous enough’ in Hasan Al-Habib: Death to West (Midlands) (Pleasance).

Join the ‘longest-running panelist from BBC Scotland’s Breaking the News’ Stuart Mitchell at Hoots or head to Planet Bar for Settle! for ‘a whirlwind of laughter, infectious tunes, and a good old-fashioned roasting’. At theSpaceUK, Chan Lok Tim ‘navigates life as a Hong Konger preparing to become a husband’ in Congratulations, Good for You – Cantonese Stand-Up Comedy.

At Scottish Comedy Festival, enjoy ‘dark, unfiltered and unapologetic takes on the topics most comedians are smart enough to avoid’ at Michael Shafar – Inappropriate. At The Royal Scots Club, Ian Wood relates anecdotes to show ‘being visually-impaired and a wheelchair user, one can get round most barriers in life’ in Living with Mitochondria Against All Odds.

Familiar faces at this year’s Fringe include Nish Kumar and Jason Byrne at Assembly, Andy Parsons, Chloe Petts, Deirdre O’Kane, Elf Lyons, Kiell Smith-Bynoe, Marjolein Robertson and Rhys Darby at Pleasance, Paul Sinha and Richard Herring at The Stand, and Geoff Norcott and Ali Woods at Underbelly.

Representing Scotland’s comedy scene, Susie McCabe is at Assembly, while Connor Burns, Craig Hill and Daniel Sloss are at Just the Tonic and Robert Grainger is at The Stand.

Dance, physical theatre and circus

At GreensideTales From Your Queer Elder ‘blends movement and spoken word’ while ‘creating a powerful testament to living authentically while encouraging others to follow their dreams’.

Australian circus company Gravity & Other Myths return to Assembly with Ten Thousand Hours, bringing ‘an ode to the countless hours of sweat and joy needed to achieve great things’.

Art of Andalucia brings a must-see flamenco spectacle to YOTEL Edinburgh, while at theSpaceUKSole to Soul ‘blends the physical language of traditional Chinese opera with the expressive symbolism of modern dance’.

Music

For an ‘evening of classics from the silver screen’, check out Tutti Orchestra: At the Movies at Canongate Kirk, or ‘experience the beauty of Italian and Neapolitan love songs’ at La Dolce Vita: A Celebration with Philip Contini (Valvona & Crolla).

MASSAOKE has two runs at Underbelly this year, 90s Live – ‘everything from rock to rave, girl power to grunge and Britpop to boybands’ – and Sing The Musicals – ‘Mamma Mia, Hamilton, Frozen, The Greatest Showman, Dirty Dancing, Les Mis, Jungle Book, We Will Rock You, Phantom, Mary Poppins and many more’.

Ali Affleck comes to the Fringe with five shows this year: she’s with her band The Vagabond Jacks playing Hot Roots Jazz, Highway Honky-Tonk, Rags and Blues at the Argyle Cellar Bar; paying tribute to Billie Holiday with Sophisticated Lady at The Jazz Bar; and revisiting both venues with Ali Affleck Presents: A Hot Time in the Old Town – Celebrating the Wild Trailblazers of Blues and Jazz; Ali Affleck and the Traveling Janes – Bringing Bold, Brassy Bedlam to Swing, Blues and Trad Folk/Roots Jazz; and Ali Affleck’s Queens of Swing.

Head over to Footstomping: Live Scottish Music (WHISKI Bar & Restaurant) for a ‘vibrant foot-stomping good time’ or listen to ‘up-and-coming young musicians’ at Marchmont Music (Marchmont St Giles Church).

Journey to Stolen Identity (Saint Stephen’s Theatre) explores ‘women’s rights through a blend of musical genres, starting with classical but evolving into jazz and rock’. At Edinburgh New Town Church, Andrii Kymach: Ukraine is a ‘new recital, Ukraine, specially devised for 2025’s Day of Ukraine Independence’.

There are a number of tribute acts across venues, including Billy Joel, Fleetwood Mac and Celine Dion at theSpaceUK, Abba at Greyfriars Hall at Virgin Hotels Edinburgh and Joni Mitchell at Le Monde.

Musicals and opera

Check out Charles ii: Living Libido Loca at PBH’s Free Fringe for a ‘raunchy adult historical comedy centered around the life and libido of Charles ii’ or head to Rock of Ages at Paradise Green for ‘powerhouse vocals, epic guitar solos, and all your favorite 80s rock anthems’.

How to Win Against History is a ‘tragi-gorgeous comedy musical’ and ‘a true story about expectations, masculinity, privilege and failure on an epic scale’ at Underbelly.

At Greenside, the prince breaks free of the fairytale to ‘sing his very own songs and complain about what his life could be’ in To Be a Prince. At theSpaceUK, ‘ancient Silk Road meets the present, and centuries-old murals come alive’ in Dunhuang.

Updated for 2025 with new songs, I Wish My Life Were Like a Musical the ‘musical comedy revue revealing all about musicals and the people who love them’ is back at Gilded Balloon.

If you fancy a ‘murder-mystery comedy musical’, head to The Detective’s Demise at Just the Tonic for ‘showstopping songs and devilish twists’.

Spoken word

At The Stand, ‘elected MP for Islington North, former Labour leader, and Peace and Justice project founder’ Jeremy Corbyn is in conversation.

For ‘an amusing take on life, with the added hint of truth’, check out What Are You Laughing At? at theSpaceUK, while ‘Peter gives a stirring and passionate account of his great-grandmother’s hard-fought campaign for the right to vote over 100 years ago’ in Alice Hawkins – Working Class Suffragette at the Arthur Conan Doyle Centre.

Theatre

Shakespeare for Breakfast is back at C Venues, offering a ‘sensational Shakespearience, perfect for hardened fans and blank-verse virgins alike’ while former Chelsea FC trainee Alfie Cain delivers a ‘raw and powerful solo performance … exposing the brutal reality of football’s unforgiving system’ in Dropped at Easter Road Stadium.

Timestamp at Dovecot Studios is a ‘performance duet of sonic verse, dance, and audience experience that challenges the expectations imposed upon us in society.’ A Period of Faith follows Faith’s ‘battle against Premenstrual Dysphoric Disorder in a moving and thought-provoking way’ at Hill Street Theatre.

Brown Girls Do It Too: Mama Told Me Not to Come (Underbelly) explores ‘messy realities, fantasies, sexpectations and navigating life and relationships as British Asian women’.

Experience the beauty of Italian literature and the terror of looming deadlines at Valvona & Crolla with No Shakespeare. At theSpaceUK, The Boy from Bantay takes us on Jeremy’s ‘heartwarming journey of growth and self-discovery’.

Miriam Margolyes is back this August with Margolyes and Dickens: More Best Bits, bringing ‘more characters, more Dickens and more fascinating stories about the man behind the classics’ to Pleasance. More familiar favourites returning this year are Trainspotting Live at Pleasance and Xhloe and Natasha with three shows at theSpaceUK  A Letter to Lyndon B Johnson or God: Whoever Reads This First, And Then the Rodeo Burned Down and What If They Ate the Baby?

Head to Robot Vacuum Fight Club (Outhouse Bar) to ‘form a team, select a knockoff Roomba, customise it, then pit it against a dozen rivals in a series of knockout competitions’, or check out Tomatoes Tried to Kill Me but Banjos Saved My Life (Summerhall), an ‘inspirational true story … about overcoming obstacles, pursuing passions, and the healing power of the arts’.

You can find out more and book edfringe.com

#EdFringe News – the Space UK Venues Announce New Shows for Edinburgh Fringe Festival 2025 @theSpaceUK @edfringe #Theatre #Drama #Music #Musicals #Cabaret #Comedy #Dance

theSpaceUK Announces Over 100 New Shows on Sale for Edinburgh Festival Fringe 2025

 

 
There’s even more reasons to be excited this April as theSpaceUK adds over 100 new shows to its 2025 Edinburgh Festival Fringe programme, now on sale at www.theSpaceUK.com.

From powerful new writing and gripping drama to outrageous comedy, magic, musicals, and cutting-edge physical theatre, the latest additions promise something for everyone. Book your tickets now and be part of the Fringe’s most dynamic venue!

Drama & Theatre
Tackling big themes with wit and urgency, The Pornstar Martini Effect: A Bartender’s Guide to Not K*lling Yourself at Christmas (52 Theatre Co.) follows two bartenders confronting harassment, gender dynamics, and identity on Christmas Eve. Meanwhile, dark comedy A Play About Feet (Find Your Feet Theatre Company) takes audiences on a chaotic journey through love, ambition, and questionable life choices.

History and myth collide in 1 King, 2 Princes and Shakespeare’s Lie (Slade Wolfe Enterprises Limited), where Richard III returns to challenge history itself in an electrifying solo performance. Elsewhere, Waiting for Elvis (Plush Tiger Productions) imagines a chance meeting between a young Elvis Presley, Agatha Christie’s Margaret Rutherford, and an eager fan in a Scottish airport lounge.

For those who wonder what happens after “The End,” After Shakespeare (Slade Wolfe Enterprises Limited) weaves a fresh narrative for four of Shakespeare’s most iconic characters, blending historical research with original storytelling.

Music & Musicals
The life of Vincent Van Gogh takes centre stage in Vincent: His Quest to Love and Be Loved (Wêla Kapela Productions), a moving mini-musical exploring the artist’s passion, pain, and relentless drive to create.

Meanwhile, corporate satire meets song in You’re Fired! The Musical (McPhilemy and Pozzuto), a razor-sharp look at ambition, success, and the personal cost of capitalism, as one hopeful businessman competes for his big break.

Rocky Horror and Beetlejuice fans won’t want to miss Ghosted! A New Musical (Makena Margolin and Hayden Kline), a riotous blend of comedy, music, and paranormal mayhem following a grieving best friend’s attempts to summon a ghost—only to be haunted by a mischievous spirit.

For a dose of romance, My Sweetheart and Me (Suntree Productions) transports audiences to a Northern Irish bar in 1969, where love and laughter unfold through intertwined love stories.

Cabaret & Comedy
Scottish absurdist comedy takes centre stage with This Play Sucks! (Sean Tennant), a wild, vampire-infused caper that sees two Highlanders hatch a half-baked plot to kidnap a reclusive lord—only to find themselves in way over their heads. Over in the apocalypse, 4’s a Crowd (Or What Not to Do When Stuck in a Bunker During the Apocalypse) (The Fiascoholics) delivers a fast-paced, side-splitting farce about five survivors, four shares of food, and one impossible decision.

Award-winning stand-up Diya Shah? Diya Shahn’t (Diya Shah) brings sharp observational humour to her Fringe debut, while Abby Denton: My Favorite Loser (Abby Denton) makes the case that a forgotten Cuban postman from 1904 is the world’s greatest role model.

For fans of the absurd, End of the World FM (Kevin Martin Murphy / Wandering Artist Collective) follows a lone radio host broadcasting into the void as he grapples with the end of days. Over in cabaret, Closure Cabaret (Maria Ansdell) sees lovelorn emcee Razmatastic bringing her exes to the stage for one last (unwilling) performance.

Dance & Physical Theatre
Scotland’s lost percussive dance traditions take the spotlight in Deiseil: Dancing in Time (Alison Carlyle and Amy Geddes), a captivating blend of live fiddle, Gaelic song, and powerful movement directed by Gerry Mulgrew.

Award-winning Korean theatre company Theater Sangsangchangkko presents I Woke Up One Morning and Had Become AI, an exhilarating physical comedy about two brothers transformed into artificial intelligence.

Blending magic with personal storytelling, Hidden Powers (Angus Baskerville) offers a mind-blowing exploration of neurodiversity, while Sauna Boy (Dan Ireland-Reeves) delivers an unflinching and powerful drama based on real events inside a hidden world of sex, survival, and friendship.


Tickets for over 280 exciting Edinburgh Fringe shows are now on sale at www.theSpaceUK.com. With a programme that spans theatre, comedy, music, and dance, there’s something for everyone at this year’s fringe season. 

#EdFringe News – A Montage of Monet #Theatre #Play #Drama #Monet #UnleashYourFringe #AMontageOfMonet #ThreeDumbTheatre

In this new show about Monet, we become privy to his private life, his lovers, and the Impressionist movement of the 19th Century. Discover more below and how to get tickets.

Threedumb Theatre presents A Montage of Monet

A Montage of Monet

Claude Monet lived from 1840-1926 and is often hailed as ‘the Founder of Impressionism’. This brand-new solo show examines the complex inner thoughts of the man behind the paintings. The audience joins an aged Monet in his studio at Giverny. He is suffering from unsuccessful cataract surgery and burdened with a daunting commission to create his – what will be – world-famous Water Lilies. With the innovative inclusion of multi-media projection and sound design, Monet (played by prolific solo show creator, Stephen Smith) takes the audience on a journey through his life. We become privy to his thoughts on fellow impressionists; gain insight on his ground-breaking artistic techniques; absorb an education on the development of the Impressionist movement; and learn controversial and sordid details regarding his private life.

Both Stephen (Performer/Director) and Joan Greening (Playwright) have an artistic background; Stephen being a portrait artist, and Joan an art historian and lecturer. “I am delighted to be working with an award-winning actor, and to be returning to the EdFringe this summer” says playwright Joan, who has presented many new plays at the festival. After meeting Stephen at last year’s Edinburgh Fringe, where he played Steve Jobs in Apple of My Eye (Bobby Award-winner), she decided to start writing this new solo show for him. “It’s a new challenge for me” says Stephen, “as the character is not only much older than me, but also another nationality! In the true spirit of impressionism, I am keen to offer an expression of Claude Monet to our EdFringe audiences, which will encourage viewers to delve further into Monet’s influential and revolutionary artwork.”

A Montage of Monet arrives at the Edinburgh Fringe after two preview shows: at Pump House Theatre for the Watford Fringe on 20th July, and at Macready Theatre on 28th July.

Reviews of previous solo shows:

★★★★★ “What you will take away from Dog/Actor is Smith’s inimitable talent ” Broadway Baby on Dog/Actor

★★★★★ “Stephen Smith is a hurricane of talent ” – Everything Theatre on Dog/Actor

★★★★★ “Smith is real, raw, emotional, and worthy of an Olivier Award, in my opinion ” LondonTheatre1 on Harry’s Christmas

★★★★★ “An intimate and spellbinding performance by Smith ” North West End on One Man Poe

Written by Joan Greening

Performed and Directed by Stephen Smith

Music by Joseph Furey and Projection Design by Stephen Smith

Produced by Threedumb Theatre (www.threedumbtheatre.com / @3dumbtheatre)

Venue: Mint Studio, Greenside @ George St, 22-26 George St, Edinburgh

Date / Time: 2nd – 17th August (not 11th) / 14:00 (55 mins)

Tickets: £12 / £10 concessions (£7.00 previews on 2nd & 3rd August)

Ticket Linkhttps://tickets.edfringe.com/whats-on/montage-of-monet

Box Office Phone Number: 0131 226 0000

The Interviews By Lou – Questions answered by various actors, a presenter, authors

The Interviews

Conducted by Louise Cannon (Lou), featuring various guests, whom I am eternally grateful for giving the opportunity to interview them.

Ever wanted to know more about what inspires authors to write? What’s behind the written page? Behind the scenes of an actor’s life as they take to the stage? Plus much more? Here, I have 22 interviews I have created and conducted with authors, actors, a presenter from both sides of the Atlantic. Also included are a couple with blog tour organisers, where you’ll learn more about what this entails and an extraordinary secretary.
Get comfy and cosy with a cuppa, sit back and see what people have divulged for you. All interview answers are exactly as people have told me. So many genres, you may be inspired for what to read or who to look out for on a stage or TV.
Check out the links. They’ll open in a new tab, making it easy for you to navigate back to this page.

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book pile pic

Actors/Presenter/Authors

Fern Britton on The Daughter’s of Cornwall, part of her family’s life, letters and more. The review also weaves through and more… Interview Here

Robert McNamara on the play – Report to An Academy By Franz Kafka, performing at the Edinburgh Fringe Festival and more… Interview Here

Vanessa Heron on being The Secretary of the Oscar Wilde Society, how the society came into existence, her favourite play, how to join and more… Interview Here

Ronald Rand – Solo Transformation On Stage on getting into character, his acting, his book and his charitable works, and more… Interview Here

Laura Loane  – The first interview I conducted. She talks about books, acting, disability and more…. Interview Here

book pile pic

Authors

Cecelia Ahern on PS. I Love You, Postscript, Freckles, themes around health and more… Interview Here

Matson Taylor on the Evie Epworth books. Discover more about what inspired him, his job out-with being an author and more…  Interview Here

Lotte R. James on The Gentleman of Holly Street, the strong themes and advice for historical fiction authors… Interview Here

Anna Willett on The Newlywed where she talks of special crime squads, keeping writing fresh, getting into the psyche of the setting and more…. Interview Here

Val Penny on Hunter’s Chase, setting the book in Edinburgh, combining dark themes with humour and more…  Interview Here

Isabella Muir on A Notable Omission, writing crime fiction, the fun of research, the 1970’s and more. Interview Here

Miriam McGuirk on Second Chances, the importance of finding new opportunities after seismic life changes occur, the importance of communities and their hubs and more… Interview Here

Jeanine Englert on Conveniently Married to A Laird, writing historical romance, the class system, marrying out of convenience and more… Interview Here

Viv Fogel on Imperfect Beginnings, writing poetry, an art installation, her birth mother, the noise and the silence within her writing and more… Interview Here

Candi Miller on Salt & Honey, Africa, Culture, Charities and more… Interview Here

Lela May Wight on Bound By A Sicilian Secret, the importance of relatable, gritty themes being included in romance, the inspiration behind the main character being Sicilian and more… Interview Here

Bobby Twidale on De-Ja-Vu, being a former teacher, engaging boys in the education system, writing complex relationships and more… Interview Here

Sarah Rodi on Claimed by the Viking Chief, writing about the Viking period, devouring books in the library, servitude and marriage and more… Interview Here

Tani Hanes on Puppily Ever After, writing a ‘coming of age’ story, values in the book relating to real life, pets and more… Interview Here

R.L Baxter on Blue Lunar and the Apex Grail, writing fantasy, building fantastical worlds, his varied career and more… Interview Here

Paul De Blassie III on Goddess of Everything, the mother/son relationship, the supernatural and his other job of Depth Psychology, the healing of the human mind Interview Here

Simon Van-Der-Velde on Backstories, his “office kimono”, the inspiration for short-stories, his ‘desert island’ books and music and more…   Interview Here

Thank you for taking the time to read the interviews.

If you work in the world of stage and theatre or in the world of books and would like to be interviewed, then please do get in touch via my Contact Form

#TheatreReview By Lou of Can’t Wait to Leave @theSpaceUK #StephensonsTheatre @SurgeonsHall #EdFringe #FringeEdin #WhatsOnEdi #WhatsOnStage #ContemporaryDrama #StagePlay #ContemporaryPlay #CantWaitToLeave @SirTerenceBoot

Can’t Wait to Leave

Rating: 4.5 out of 5.

Find out what the Edinburgh Fringe Brochure says and then onto my review and where to purchase tickets:

You can find this one man play, performed by Zach Hawkins and directed and written by Stephen Leach in the Surgeon’s Hall on Nicholson St, Edinburgh as part of it being The Space Venues for the Edinburgh Fringe Theatre.

Meet Ryan. Nineteen (but young for his age). School drop-out (but smart). Turkey-sandwich enthusiast (365 days a year). Absolute stunner (no addendum). He’s new in town, and all he wants to do is check out. The hard part is coming up with an exit plan. When the one person he thought he could rely on ups and leaves, Ryan finds himself adrift in a city he still hasn’t learned to like, looking for direction. Six months to kill, no money, no rules… surely this is the worst possible time to be alone?

Review

Can’t Wait to Leave is tender, enthralling, energetic, shocking and yet a little something in there that by the end of it all, makes you leave at the end, feeling uplifted. The play is a one man play and is suitable for 16 years plus. I recommend the play for something told in a refreshing way!

Stephen Leach is writer and director of the play as Zach Hawkins brings the  character of Ryan to life. Throughout the play, it felt a bit like sitting in a pub with him with the jokey and conversational manner, which was clever. Not quite like you’re the only person in the room, but in certain parts, nearing those heady heights, but a good ambience, like you’re in with a group of pals. He does, indeed take you to a pub and the people he meets. It’s a minimalist set, but it really doesn’t matter for such a performance. It holds the attention well and all eyes are on Hawkins as you listen to what he is telling you about the various places he goes. He has the audience in the palm of his hands as he races along, playing his part. There are clever nuances here and there too, amongst the joviality and sadness. By the end you really get to know who Ryan is, how he interacts with people, his desperation to leave London, the relationships he has and how some gay people view bi-sexuals. Whether you’re gay, straight, bi etc there’s something to relate to. That date that goes terribly wrong, the profile photos not being entirely truthful on dating sites, the violence of some people, that feeling of being trapped in a place you don’t want to be, just waiting for an opportune moment to leave. The question is, will he or will he not?

The conversational vibe of this fabulous narrative meant he could tell an entire story of the many people who come and go in his life, from his brother Ben to his relationships. He talks a lot about Ben and how he is a high flyer in the accountancy world, got the woman of his dreams and is moving. It’s a great contrast to Ryan, who is more one of life’s drifters but with aspirations and dreams of “making it” and leaving London. Don’t be mistaken, this isn’t a “woe me” type of play. It has bags of humour and pathos; dramatic scenes that twist and turns and makes the audience shudder and gasp and uplifting moments that surprise and throughout, the audience encounters life and energy as well as important life moments and important issues. How it is all spun out is refreshing and the fact you’re not only told about someone who is succeeding in all aspects of life, but also the other side and how there are people who aren’t instant successes is really great and people will relate in some ways to Ryan and to all the people mentioned. He takes you with him with clever writing and delivery, on Ryan’s journey, captivating from beginning to end. It’s a great debut and one I recommend you go and see.

You can find out more and where to purchase tickets by clicking the link: https://tickets.edfringe.com/whats-on/can-t-wait-to-leave

Thank you to The Space UK venues and Stephen Leach for inviting me to watch the play in-exchange of an honest review.