#GuestPost By Bayard & Holmes @PiperBayard @Bookgal #Thrillers

Guest Post By Bayard Holmes

Welcome Bayard & Holmes to my blog, Bookmarks and Stages as you write your guest post about yourselves and your adventurous espionage books.

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             Bayard-Holmes-Official-Head-Shot

 

 

 

As Bayard & Holmes, we are known for accuracy in our espionage tradecraft. This is due to Jay Holmes’s fifty years of military and intelligence experience fighting against the Soviets and the terrorist groups they sponsored during the Cold War, straight through to the current Global War on Terror. As a result of our experience and authenticity, people like to ask us questions about the shadow world.

 

One of the common questions we receive is, “What are some of the most common mistakes writers make about the CIA?” The answer to that would be vocabulary.

 

Our espionage professionals at the CIA do not refer to themselves as spies. The word “spy” is considered a bit derogatory. As Holmes says, “Spying is seamy. It’s what the Russians do.” Technically, spies are foreigners who are spying on us, or they are foreigners who are spying on other countries for us.

 

Also, and this is a big one for the folks at the CIA, the intelligence personnel at the Agency are not “CIA agents.” In the world of the CIA, agents are people, most often foreigners, who are spying for our behalf on their own or other foreign governments.

 

The exceptions to that rule are the actual guards at the physical facilities. For example, if you were to go to headquarters, the personnel in security who would greet you at the gate are “CIA agents.” An easy rule of thumb is that if the position someone holds regards law enforcement, physical protection, or facilities security, they are agents.

 

In other words, Jack Ryan is not a CIA agent, but the guard he talks to at the front gate of headquarters is an agent, and the foreign spy who gives him information is an agent.

 

Instead of being spies or agents, our intelligence personnel are referred to as “officers” and “operatives.” Intelligence personnel at the CIA are technically called officers, which is a label particular to the CIA. CIA officers are actual employees of the CIA rather than contractors, and they get pretty touchy when you call them agents.

 

The term operative can apply to CIA officers and contractors, as well as to personnel from other civilian and military intelligence organizations. The term is rather vague and has no official definition, but it generally refers to men and women who work in field operations.

 

So to sum things up, Jack Ryan is not a spy or an agent, he is a CIA officer who must guard against foreign spies, collect intelligence from foreign agents, and sometimes goes into the field with operatives.

This is just one example of the accuracy that is the hallmark of our Bayard & Holmes fiction. To supplement, we have a Truth & Fiction section at the end of The Leopard of Cairo and all our novels, and we are happy to take your questions about the shadow world at the Contact page at our website, BaynardandHolmes.

#Excerpt From The Leopard of Cairo By Bayard and Holmes @PiperBayard @Bookgal #TheLeopardOfCairo #Thriller

The Leopard of Cairo
By Bayard & Holmes

Terrorist plots, lies and adventure are plotted out in The Leopard of Cairo. Thanks to Bayard & Holmes, I have an excerpt to share with you, which you’ll find below, including a buy link and a bit about Bayard & Holmes, who are on the quest for the best chocolate cake when they aren’t writing and there are some other interesting and rather different things they do in their lives…

Firstly, here’s the synopsis and praise for the book, ahead of the excerpt/extract.

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John Viera left his CIA fieldwork hoping for a “normal” occupation and a long-awaited family, but when a Pakistani engineer is kidnapped from a top-secret US project and diplomatic entanglements tie the government’s hands, the Intelligence Community turns to John and his team of ex-operatives to investigate — strictly off the books. They uncover a plot of unprecedented magnitude that will precipitate the slaughter of millions.

From the corporate skyscrapers of Montreal to the treacherous alleys of Baluchistan, these formidable enemies strike, determined to create a regional apocalypse and permanently alter the balance of world power. Isolated in their knowledge of the impending devastation, John and his network stand alone between total destruction and the Leopard of Cairo.

Praise:

“Wild adventure, delicious storytelling, tradecraft that only the insiders know. An excellent reminder that great spies tell great stories. The Leopard of Cairo is Bayard and Holmes’ best one yet. Do not miss the Truth and Fiction section at the back.”

~ Annie Jacobson, Writer/Producer of Jack Ryan

 

“This is a tightly woven thriller, and as an author, I appreciate the capability of Ms. Bayard (and Holmes) to blend seamlessly the personal lives and the dangers in the field for the main characters as well as those within the novel.”

– Claire O’Sullivan, author of the Whiskey River Mysteries

 

““Bayard and Holmes’s The Leopard of Cairo is everything I love in a story: action, intrigue, exotic locations. Here is a lightning-fast tale of intrigue, lies, and the mother-of-all terrorist plots. Big story, big adventure, big thumbs-up!””

—James Rollins, New York Times Bestselling Author of the Sigma Force series

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Extract/Excerpt

John Viera jumped back from the swirl of soot. The bright green-and-blue Quetta city bus choked out another cloud, and a donkey beside it snorted, rattling its cart full of secondhand housewares. The vendor in the driver’s seat searched the crowd for one last customer. John ignored his hopeful glance and watched the bus chug deeper into the bowels of the Hazara Town market district.

The aroma of fresh bread sweetened the stench of exhaust that hung over the rush-hour crunch. John ducked into the bakeshop’s recessed doorway and scanned the street.

Bright paints battled vainly to beautify cement walls between dirty gray roll-down metal shop doors. Signs above the portals broadcast goods and trades in Urdu and English, revealing the creep of Westernization into the Islamic stronghold. Above John’s head, electrical wires crisscrossed, tying the one- and two-story structures together.

Vendors bustled to secure their wares in time for evening prayers. Mothers gripping plain cloth shopping bags herded children down sidewalks while bicycles competed with cars and donkey carts for street rights. None of them appeared to notice John. Western influence was widespread enough that he did not stand out with his collar-length umber hair, reddish beard, blue jeans, and khaki jacket.

Satisfied there were no immediate threats from the street, he glanced at his watch: 5:45. Martin would be waiting. John exited the bakery doorway and continued in the bus’s wake.

A bicyclist veered into traffic, and a truck swerved and jerked, cutting off a rusty sedan. The sedan’s horn blared. John flinched and pressed his hand to his ear.

¡Hostias! ¡Qué idiotas! He wished for a split second that he was still crouched in the mountains of Afghanistan, where he was sanctioned by the US government to capture or kill hostile actors, or at least to slam their heads in their car doors. In the city, though, he was constrained by rules of law and discretion. John quelled his irritation and strode to the corner.

He crossed with the light and visualized the remainder of his route to Martin’s. His MI6 counterpart had said his good-byes only a few weeks before, anticipating the welcoming women and rich cigars he would explore at his new post in Cuba. What ill wind could have blown the man from paradise back to hell so soon? Had he identified the mole in MI6? John picked up his pace.

An open truck shoved past, its load of sheep bleating protests through warped wooden slats, stinking of mud and hay. John wrinkled his nose. A block up the street, the truck spun a U-turn through an unlikely gap in the traffic and parked in front of a restaurant.

The bus ahead of John stopped at the corner across from the sheep. Passengers crowded on. Then a shopkeeper stepped from his corner store and threw his arms wide. The bus driver sprang to the sidewalk. The men clasped in a hug and submerged into conversation.

A fresh-faced woman in a pink hijab and sky-blue kameez veered around the talking driver, a little boy in tow. The child hugged a toy blow-up horse and grinned as if he clutched the Koh-i-Noor diamond. John gave the boy a smile when he passed.

Suddenly, three men in gray kameez tunics and salwar trousers burst around the opposite street corner. John’s head snapped up, drawn by their speed and focus. They stopped and scanned the crowd. One pointed toward the truckload of sheep and then pulled a pistol and fired.

John dove behind a parked car and drew his Makarov pistol from his waistband. Fight or flight? He stilled his urge to fire back. The last thing he needed was to become embroiled in a local turf war, particularly so near Martin’s. He only hoped his friend was not involved. He had to get to Martin.

More shots. Horns blared, and cars crowded one another to escape. The bus driver levitated into his vehicle. He threw it into gear and bullied his way around the corner. People who had sheltered behind the bus scrambled toward shops, even as shopkeepers slammed down their corrugated metal doors. Only two people weren’t moving—the child with the toy horse kneeling beside the woman in the pink hijab.

Blood seeped across her shoulder and rib cage. She gestured toward a shop with her good arm and shouted in Urdu. “Run. Now. Run.” The child burrowed closer.

John shoved his pistol in his waistband and charged to the woman. He swept her up and spoke to the boy in Urdu. “Follow us.” He sprinted toward a spice stall. The child dropped the horse and dogged John’s heels. The shopkeeper met John’s eyes, shook his head, and crashed down his metal door.

A bullet whizzed past and shattered a divot from the cement wall. John ducked away from the flying chips. The woman in his arms screamed, and her gaze sought her son. The boy tugged the end of her kameez and let go.

“Here,” cried a voice.

The bus driver’s friend crouched, holding open a slice of doorway at his corner shop. John ran, the boy beside him. The man rolled up the door to let them in and then slammed it down behind them.

Frightened people shuffled aside, and John laid the woman on the floor. Bright red oozed from her shoulder, shading her blue kameez a deep purple. She gripped her arm close and grimaced. John whipped off his jacket, peeled out of his T-shirt, and pressed the cotton against the wound.

The woman groaned. “Hakeem. Where is Hakeem?”

“I have him.” A man pushed forward and showed her the child in his arms. “He is unharmed.”

John spotted the shopkeeper. “Call an ambulance, and bring some towels.”

“We don’t have towels,” the man said. A woman with her hands full of T-shirts pushed past him.

“We can use these. I’m a nurse.” She knelt beside John. “I will care for her.”

“Thank you.” John moved out of the woman’s way and turned to the store owner. “Where is your bathroom?”

The man pointed to a door at the back of the store. John wedged through the people and opened it onto a reeking closet where a window gaped wide above a hole in the ground with a footprint on each side. He pulled himself through the window into an alley, and he landed on his feet and ran.

Three blocks later, he slowed to a walk. A knife vendor gawked and John glanced down. His blood-smeared jacket hung open, revealing his bare six-pack. He zipped up the coat.

A block away, a sign reading Changezi’s tilted across the street front of a three-story cement apartment building. In front, a white panel van purred to life and whisked away as John crossed the street. John circled toward Changezi’s dwelling at the back of the building. He turned the corner and froze.

Changezi’s goat pen hung open, and his three nannies clustered at his front door. John’s skin prickled. Even Changezi’s youngest child would not be so careless with such valuable property. He drew his pistol and shooed the goats the five steps into the pen. Then he knocked at the manager’s door. Silence answered—a sound unprecedented from a home with two wives and five young children.

John bounded up the steps to Martin’s old apartment door. A bullet hole gaped next to the doorknob, and splinters littered the ground. His heart racing, he hugged the wall, pistol in hand, and tried the knob. The door swung wide. More silence.

He ducked low and peeked around the corner into the apartment’s shadowed hallway. Nothing. He crept up the passage to the living room.

A threadbare divan squatted under a window next to a weathered table that had been tipped sideways. Two straight-backed chairs stood by an upended bowl with two apples on the floor.

“Come out,” John said.

A man rose, his hands up. His gaze riveted to the bloodstains on John’s jacket, and his knees quivered. “Don’t shoot. I have a wife and child. Please.” A woman in a navy-blue headscarf peered from behind him. She clutched a bundle in her arms.

John lowered his weapon slightly. “I’m looking for a man named Martin. He’s English. My height and build. Blond hair and blue eyes. Have you seen him?”

The man’s eyes grew wide. He shook his head. “I saw nothing.”

John dropped his pistol to his side. “I don’t even need to know your name. What happened, and did you see him?”

“Nothing. Nothing happened.”

The woman’s glance darted from John to her husband and back. Then she lowered her eyes and stared at the child in her arms.

“It’s clear a bullet came through that door recently. I’m not with whoever did that. I only want to find my friend.” John retrieved an apple from the floor and settled into a chair with the manner of an overlord. “I can see something happened here, and I’m not leaving until you tell me.” He raised the apple to take a bite.

“Wait,” the man said.

John moved the apple away from his mouth and cocked his head.

“I saw a blond man in the hallway. I was taking out my trash, and he ran out of the flat next door. He jumped down the rubbish chute. Then three men ran up the stairs and started shooting. I barely made it back inside.”

John stood. “Have you seen these men before?”

“Never.”

“What did they look like?”

The man shifted and glanced toward the door, as if expecting the men to reappear. His voice was barely audible. “Black hair and gray clothing. That is all I saw.”

John’s mind flashed on the shooters at the market, and dark fear unfolded. He tossed the unbitten apple to the man. “Thank you.”

He readied his Makarov and stole from the apartment. The next door slanted ajar. Standing against the wall, John reached out and tapped it. It creaked open. A sharp whiff of bleach wafted into the hallway. He peered inside.

Chaos. A table skewed sideways, kitchen drawers dangled, and stuffing sprouted from chair cushions. No sign of Martin. John scanned the debris and noticed a minute red spot on the carpet. He knelt down and touched it. Then he sniffed. The iron tang of blood filled his nostrils.

John bolted down the stairs to the trash room. A red trail spotted from the Dumpster to the back door and stopped. A chill ran up his spine. He combed the alley. It was empty—no one and no clues. Martin was gone.

If this entices you to read further, you can buy here: Amazon

About the Authors

Bayard-Holmes-Official-Head-ShotPiper Bayard is an author and a recovering attorney with a college degree or two. She is also a belly dancer and a former hospice volunteer. She has been working daily with her good friend Jay Holmes for the past decade, learning about foreign affairs, espionage history, and field techniques for the purpose of writing fiction and nonfiction. She currently pens espionage nonfiction and international spy thrillers with Jay Holmes, as well as post-apocalyptic fiction of her own.

Jay Holmes is a forty-five-year veteran of field espionage operations with experience spanning from the Cold War fight against the Soviets, the East Germans, and the various terrorist organizations they sponsored to the present Global War on Terror. He is unwilling to admit to much more than that. Piper is the public face of their partnership.

Together, Bayard & Holmes author non-fiction articles and books on espionage and foreign affairs, as well as fictional international spy thrillers. They are also the bestselling authors of The Spy Bride from the Risky Brides Bestsellers Collection and were featured contributors for Social In Worldwide, Inc.

When they aren’t writing or, in Jay’s case, busy with “other work,” Piper and Jay are enjoying time with their families, hiking, exploring back roads of America, talking foreign affairs, laughing at their own rude jokes until the wee hours, and questing for the perfect chocolate cake recipe.

Website: https://bayardandholmes.com/

Facebook: https://www.facebook.com/piper.bayard

Twitter: https://twitter.com/PiperBayard

#Review By Lou of Gone to Pieces By Rachel Cosyns #RachelCosyns @HQstories #GoneToPieces

Gone to Pieces
By Rachel Cosyns

Rating: 5 out of 5.

Rebecca Wise has lost her mind. Will she be able to find it again?

Gone to Pieces is said to be perfect for fans of Sorrow and Bliss and Fleabag. Find out more in the blurb and my review, thanks to HQ for sending me a copy of what is an insightful debut novel. 

Gone to pieces

Blurb

To Do:

  1. Learn to drive on motorways.
  2. Use above skill to run away to France.
  3. Begin new life in France under assumed name.

Rebecca is a wife, mother and the author of an unmanageable number of to do lists.

Her attempts coerce her life into something she has any hope of controlling are failing. Her family can’t manage without her but she’s starting to think they should. So she makes a decision. Only it doesn’t quite go to plan.

Rebecca finds herself in therapy with a doctor poking around in her brain, asking questions about her childhood. She wants to get better but that means telling someone how she feels. How she really feels.

She’s gone to pieces. Can she put herself back together?

Review

A spider spinning a web like a labyrinth is cleverly how Gone To Pieces begins. It’s thought-provoking as it sets the story up to show human life, the web of connections and home as well as demonstrating the fragility of life.

It’s a profound book. Rebecca is the protagonist, but readers also get to know her inner voice, which she has named Betty, rather intimately and seems almost a character in itself. It’s written incredibly well and you really get the sense of Rebecca and her state of mind.

The psychology of the characters in the book really draws you in as does the revealing conversations between Rebecca and her psychiatrist, Titus as more is uncovered about her life, relationships, dysfunctions, how she ended up being at the very edge of life. Rebecca tells it as it is and has a desire to get better, but a lot of work is involved in order to do so.

Each chapter is shown as being pieces and then the number ie “Piece 1” and so on, which gives readers Rebecca’s life piece by piece, including flashbacks and how she ended up having a mental breakdown, creating an absorbingly intricate read.

 

#Review By Lou of Janet Jackson Superhost By Becky Papworth #BeckyPapworth @rararesources #CanCanPress #HolidayRead #SummerRead

Janet Jackson Superhost
By Becky Papworth

Rating: 4 out of 5.

Get ready for holiday time and check in with Janet Jackson Superhost for your accomodation.

Superhost

Blurb

Lavender Cottage, Yorkshire’s finest B&B, is owner Janet Jackson’s pride and joy. Now, after a year of running it and coming out alive, she’s set her heart on becoming a Superhost. For that Janet will need a blooming great tsunami of 5-star reviews- despite the many obstacles that stand in her way.

Number one, of course is the guests themselves. their strange requests, habits and lasting damage to her garden, the cottage and her sanity are a non-stop challenge.

Add in the piles of laundry, sleepless nights and scary spreadsheets, sneaky neighbours, and sex with no strings…and her goal seems far away.

Yet despite an endless run of dramas, and thanks to her passion for hospitality and home baking, Janet may find she is just a lemon drizzle cake or two away from a 5- star life.

Review

Yorkshire is a lovely place to go on holiday to. Lavender Cottage is Yorkshire’s finest B&B to check into and belongs to Janet Jackson (not that one). She is ambitious in the dog eat dog world of hospitality and wants that coveted spot of being named a Superhost.

The book, although fiction, feels like it gives a bit of an insight into what it takes to be a B&B owner and how you have to be at everyone’s beck and call, no matter how strange a request is. The guests are eclectic and some are most definitely eccentric with their rituals in the gardens and desires in the bedroom, Janet knows its going to take a lot to get a plethora of 5 star reviews to prove she can be a Superhost. There’s only her and her personal life and the guests standing in her way, so she knows she has to up her game, but anything can go wrong.

Janet Jackson Superhost is warm-hearted, witty full of mayhem. 

#Extract of The Secret Daughter of Venice by JulietGreenwood @julietgreenwood @Stormbooks_co @rararesources #TheSecretDaughterOfVenice

The Secret Daughter of Venice
By Juliet Greenwood

Presented by the author and publisher, I have an extract to share with you of The Secret Daughter of Venice as part of a Random Resources Blog Tour.

The Secret Daughter of Venice

This extract comes from early on in the story when Kate, the heroine, retreats to her room in a faded Tudor mansion near Stratford-upon-Avonafter an argument with her father. Not only is he refusing to tell her anything about her past, or her true parentage, but is determined she will remain at home and marry a conveniently rich man to restore the family fortunes, rather than follow her heart and become a painter, and to find her lost mother.
Reaching her own room, Kate curled herself tight on the window seat. Outside, thelast of the light was beginning to fade from the landscape. A faint hint of woodsmokehung in the air, drifting up fromthe remains of cooking fires in Brierley-in-Arden, safein its hollow, while the breathy hoot of owls echoed across the surrounding undulationof woods and fields.Before the war, there had always been the distant glow of light from the lampsand candlesas night fell, but now the village was muffled in blackout darkness. Crouching, like all the villages throughout England and far beyond, waiting for thedeep drone of bombers overhead.Kate had painted the scene so often in her sketchbook in daylight hours thatshe could still see it in her mind’s eye. The walls of the kitchen garden, with its neatrows of vegetables and the tall wigwams of twigs and canes supporting theramblings of peas and beans between espaliered trees of peach and apple. Thefields beyond, once more turned into the growing of cabbages and potatoes, just as they had been during the last war. The war to end all wars, which had left so manyfathers and uncles, sons and brothers as no more than names on the memorial nextto the duck pond on Brierley’s village green.The house felt emptier than ever. Hollowed out without the creak of footstepsin its vastness, the distant murmur of voices emanating from the bedrooms as hersisters dreamed of their futures, or her brothers discussed some plan or other to takeoff in the Austin to walk in the Lakes, free from Papa’s eagle eye. She even missedWill, who as the son and heir, could not be contradicted. During his last return onleave from France, he had been particularly loud in joining the condemnation ofMussolini, for whom he had particular scorn. At least Hitler and Spain’s Franco wereproper soldiers, he had declared, not a fat vulgar little man like il Duce.

Closing the blackout curtains, she lit her candle, and turned her attention to the flyleaf of the leatherbound book of Shakespeare’s sonnets balanced on her knees. For Katerina. Not Kate, not Katherine. Her real name. She rolled the word around her mouth as she traced the swirl of the writing, spidery, faint, as if the writer barely had the strength to hold the pen. Katerina. The page wavered in front of her. That was her first memory of Arden House. A bewildered little girl with salt spray in her hair, abruptly torn from everything she knew, shivering in the silk dress made for the heatof a Mediterranean summer, her skin absorbing the penetrating damp of the booklined room. And the strange man who had brought her here, standing tall and severe, and so very old in a child’s eyes, instructing her to call him ‘Papa’. She was to speak only English, he’d told her, and be Katerina, the inconveniently foreign child no longer. ‘You are Kate,’ Leo Arden had said, with the severity of a school master instilling discipline in a class. ‘Kate Arden. You have no other name. It does not exist. It never existed. And you will look a damn fool if you try to say otherwise. You don’t want those who love you to be ashamed of you, do you?’
His blue eyes had sharpened at her silence, as the child’s instinct for survival had fought the rebellion within her soul. She had seen something flicker in their depths. Love? Guilt? Or, she had begun to wonder as she grew older, if it had been simply distaste. Regret, even. That first evening he had abruptly turned away towards the children, all older and bigger than her, crowding at the door, curious, but waiting for permission to step inside.‘ Say hello to your brothers and sisters,’ he had said, propelling her towards them. Katerina. On the window seat, Kate felt the silence of the house creep around her. Could there really be a message left for her in amongst the lines of verse, interspersed by the fantastical illustrations? She shivered, remembering the deep cold that had settled in her bones in her first terrified days at Arden House; and the feeling of absence–absence of familiar heat, of earth brittle with lack of moisture and yet rich with the scent of lemons and olive groves, rosemary and wild thyme. The absence, most of all, of love. The window rattled as a night breeze tore at the leaves turning towards their autumn brittleness and sent the rafters protesting in sympathy. Kate held the volume tighter, as the wind became the creaking of rigging in her mind, the frantic flapping ofa sail, the crash of waves againstthe hull of the boat taking her into the unknown. Then she was back there, in the terrace under the vines, her ears filled with childish screams–her screams–as she was dragged away, helpless, from the strong arms that loved her. The Secret Daughter of Venice. The paper is stiff and brittle with age as Kate unfolds it with trembling hands. She gasps at the pencil sketch of a rippling waterway, lined by tall buildings, curving towards the dome of a cathedral. She feels a connection deep in her heart.

Venice. England, 1941. When Kate Arden discovers a secret stash of drawings hidden in the pages of an old volume of poetry given to her as a baby, her breath catches. All her life, she has feltlike an outsider in her wealthy adoptive family, who refuse to answer any questions about her past. But the drawings spark a forgotten memory: a long journey by boat… warm arms that held her tight, and then let go.
Could these pictures unlock the secret of who she is? Why her mother left her? With war raging around the continent, she will brave everything to find out…
A gripping, emotional historical novel of love and art that will captivate fans of The Venice Sketch book, The Woman on the Bridge and The Nightingale.

About the Author

#Review By Lou of Big Bad Wolf Investigates Fairytales By #CatherineCawthorne, #SaraOgilvie @KidsBloomsbury #BigBadWolfInvestigatesFairyTalesFactcheckingyourfavouritestorieswithSCIENCE #ChildrensBooks #ChildrensNonFiction #STEM #Fairytales

Big Bad Wolf Investigates Fairytales
By Catherine Cawthorne, Sara Ogilvie

Rating: 4 out of 5.

STEM Meets The Arts to a certain extent in children’s book – Big Bad Wolf. Discover the blurb and my review below.

Big Bad Wolf

Join the Big Bad Wolf as he debunks your favourite fairy tales with SCIENCE! Written by the hilarious Catherine Cawthorne and illustrated by award-winning Sara Ogilvie.

Did a princess really feel a tiny pea through a mountain of mattresses? And could a pumpkin actually turn into a carriage to carry Cinderella to the ball? Of course not! It’s all a load of fairytale NONSENSE! Or is it . . . ? The Big Bad Wolf is on a mission to find the truth behind these tales, and clear his name in the process.

Combining STEM topics with classic stories children know and love, this hilarious non-fiction picture book is perfect for inquisitive children always asking big questions!

Review

Fairytales are a staple to many children’s upbringing and science is, in many ways viewed as a key subject within schools. Big Bad Wolf combines both fairytales and science in a way that makes it all a fun learning experience for children by combining literacy and STEM skills together in one unique book.

The book is narrated by the Big Bad Wolf, which also contains a recap of the fairytale in question and then the myth. It takes a bit of a tongue-in-cheek approach, the type that children appreciate. The presentation of the book makes it easy and fun for children to follow.

It’s a book that doesn’t need to remain just for schools, it is fun for the home too.